Fishing boat singing late(yu zhou chang wan )

Fishing boat singing at night:

Raw materials for fishing boat singing evening:

2 grass carp (about 1500g), refined salt, soup, monosodium glutamate, Lake powder, salad oil, onion, ginger, tomato sauce

Production steps of fishing boat singing evening:

Slice one tail of grass carp, make the boat body with a hard fan, and make the boat sail by slicing the fish meat and the other fish. Cook the fish with tomato juice, thicken and add the sauce to the plate. Steam the fillets in the shape of a sailboat in the drawer. Take them out and put them on the boat to cover with white juice.

Fishing boat singing late

Fishing boat singing in the evening

It is a zither music with classical style. The music depicts the beautiful scene of the setting sun shining on the vast expanse of blue waves, the fishermen enjoying themselves and the fishing boats drifting away with the waves. This music is the most popular and influential Zheng solo in China since 1930s.

Lou Shuhua's "fishing boat singing at night" is an epoch-making work in the history of Chinese guzheng art. It is developed and created with the material of Guqu "coming home". It was created between 1938 and 1939. Once it came out, it started a new era of Zheng music. After more than 50 years of performance, it has been proved to be a famous Zheng music recognized by Chinese and foreign music circles.

Master Jin zhuonan, Linqing City, Shandong Province, composed the traditional Zheng music "shuangban", "sanhuantaori" and "liushuijishi" into a piece, named "fishing boat singing late", which became a famous Zheng song and spread widely. After the founding of the people's Republic of China, Li Guoquan, a famous musician, adapted the zither music of the same name into violin music, which was widely spread all over the world. Lu Siqing, Sheng Zhongguo and Yu Lina all performed it with great affection. In 1984, Pu Qizhang, a famous electronic organ performer, adapted it and played it perfectly with the electronic organ. CCTV selected 1:36 to 2:43 as the background music for weather forecast, which is still in use today. Background music, which has remained unchanged for more than 30 years, has become the most familiar and favorite music of 1.4 billion people.

Creative background

This poem is taken from Tang Dynasty poet Wang Bo's preface to Tengwang Pavilion: "fishing boats sing in the evening and ring the shore of poor Peng Li".

The music depicts the moving picture of fishermen returning home with songs in the sunset. At the beginning of the music, with beautiful and elegant melody and soothing rhythm, it depicts a picture of the setting sun reflecting thousands of hectares of blue waves. Then, with the theme of music as the material, the music is lively and interesting. When it changes again and again, it uses the gyration of pentatonic scale to surround a beautiful melody layer upon layer. This melody is not only very stylistic, but also very beautiful and pleasant to hear. It is really interesting to sing late. Finally, the melody of ascending and descending is combined into a circle and repeated many times, and the speed is accelerated step by step, which shows the happy fishermen are at ease, the white sails are drifting with the current, and the fishing boat is returning with a full load. This poetic Zheng music has been adapted for Gaohu, guzheng duet, violin solo and flute solo.

There are many different opinions on the origin of the music. One is that Lou Shuhua, a zither player in the mid-1930s, adapted the song GUI Qu Lai from the Ming and Qing Dynasties. The other is that Jin zhuonan, a zither player in Shandong Province, adapted the folk traditional music shuangban from his hometown in his early years. The first half of louben is the same as Jinben, and the second half is unique to louben.

music appreciation

"Fishing boat singing at night" vividly depicts the happy scene of sunset, beautiful sunset, fishing songs everywhere, fishermen full of harvest with singing melody, which shows the author's praise and love for the beautiful rivers and mountains of the motherland. In the first part of the music (the first paragraph), the sentence and the sentence are basically a "antithesis" structure, which gives people a sense of regular structure; in the second part of the music (the second and third paragraphs), the melody of ascending and descending, and the change of speed and strength of gradual development are used to show the warm scene of the boat race.

It can be divided into three parts

First, Adagio. This is a melodious and smooth Lyric passage. Combined with the performance skills of the left hand, such as kneading and chanting, the music shows the beautiful scenery of the lake and the mountains - the setting sun gradually sets in the west, the slowly moving shadows of the sails, the fishermen singing gently It expresses the author's inner feelings and appreciation of the scenery.

Second, the music speeds up. From the whole melody, the "sign" sound is the central sound of the melody. Entering the second section, the "4" of the clear angle appears, which makes the melody temporarily out of tune and turn to the subordinate tone, causing contrast and change. This piece of music vividly shows the fisherman's happy mood of rowing back to the boat and riding on the wind and waves.

Third, Allegro. In the process of melody, a series of modes and variations are used. It vividly depicts the sound of oaring, rowing and splashing. With the development of music, the speed is gradually accelerated, and the strength is constantly enhanced. In addition, it highlights the use of Guzheng's unique method of pressing the board to play, which shows the warm scene of fishing boat near the shore and fishing songs flying.

After the climax suddenly stops, the ending flows out slowly. Its tone is the contraction of a sentence in the second paragraph, and finally ends in the palace sound, which is unexpected and intriguing.

Related knowledge

"Fishing boat singing in the evening" is developed by Lou Hua based on the ancient song "going back" and is also adapted by Jin zhuonan according to Shandong traditional Zheng music "shuangban". The title is taken from Tang Dynasty poet Wang Bo's preface to Tengwang Pavilion: "sunset and lone ducks fly together, autumn water grows in the same color. Fishing boats sing in the evening and ring to the shore of poor Peng Li. The wild geese are frightened by the cold, and the sound breaks the Hengyang river. Now it is widely spread that the first half of louben is the same as that of Jinben, and the second half of louben is unique.

According to Shang Le's research, solitary ducks and cold geese appear in late autumn and early winter, when the weather is cold and the fish catch is not much. The fishermen who can go fishing in the early winter evening should go to collect the fishing net set earlier.

The music consists of four parts

The first part is the "starting" and "succeeding" two paragraphs of the music, starting with the Adagio of 4 / 4 beat, with beautiful and elegant tunes and soothing rhythm, depicting the picture of autumn water and sky. The rhythm of the first 4 / 4 beat is exactly the same as that of the double paddle fishing boat in Poyang Lake area. If you listen carefully, you can also hear the sound of water dripping from the top of the oar as it paddles out of the water. The lake reflects the golden afterglow, just like gold foil scattered on the ground, reflecting the sky and water are golden.

The second part is the "turn" section of the music, 2 / 4 beat. The tonality is transferred into the subordinate tonality through the clear angle sound and shifted downward layer by layer. The speed of the music and the speed of closing the net are very in tune, but the lightness of the melody can tell that the harvest of this net is very bleak. But there is no sadness or loss in the music. You can feel the old fisherman's "calm loss" mentality.

The third part is the "he" section of the music. The melody first rises and then falls, and the speed continues to speed up, and then combines into a circle, repeated many times. The constant repetition of stress is like seeing the big fish hanging on the fishing net being pulled out of the water. The speed of the music just contrasts with the fisherman's excitement, and the speed of the net is getting faster and faster. At the beginning, there was a rhythmic net pulling to prevent entanglement of the net on the ship. The climax of Allegro depicts that there are more and more fish, and the fishermen can't manage so much. The nets and fish are stacked together, and the cabin is full of harvest.

The fourth part, peace after joy. It seems to echo the beginning of the music, similar rhythm and melody, but it is the finishing touch of the music. The fisherman, tired for a long time, looked at the catch in the warehouse, and compared with the bleakness of the first net, could not help laughing leisurely. Things are changeable, loss is calm, gain is indifferent, life is always gain and loss, why care?

Because of the beautiful melody and optimistic mood of "fishing boat singing in the evening". Therefore, it has been adapted into various forms of solo, ensemble and ensemble by many famous musicians, such as Gaohu, erhu and violin, and has been loved by the audience at home and abroad. A foreign harpist praised "the evening song of the fishing boat" and called it "a world-famous song with oriental flavor" and adapted it into a harp song.

The guzheng version of "fishing boat singing late" has a beautiful melody, while the adapted versions of Gaohu, erhu, Violin and other string instruments have a different charm and aesthetic feeling because the lines of the melody are more coherent and clear.

Playing skills

Yuzhouchangwan is a zither band 4 repertoire. It is one of the relatively elementary and short zither pieces. It is also recorded as a grading textbook. It pays more attention to rhythm and timbre. The left hand accompaniment part is mostly in the bass area. It is necessary to master the distance to make its voice rich and long. Vibrato is the feature of this song. It is necessary to master its timbre and charm, gradually lighten the intensity, and pay attention to leaning forward and lightening the stress The waist should be straightened again when the voice sounds, and the head should face the audience when the voice slides.

About the author

Jin zhuonan (1882-1976), also known as Jin Kuisheng, was born at the end of the Qing Dynasty and a native of jinhaozhuang in Linqing City. Guzheng player. He was a member of the Shandong Provincial Committee of the Chinese people's Political Consultative Conference, a researcher of the Shandong Provincial Museum of culture and history, and a professor of Guzheng at Nanjing Art College and Shandong Art College (now Shandong Art College). The performance style is simple and elegant, the sound is pure and the rhyme is right, and the effect is "heavy but not dry, light but not floating, urgent but not fast, slow but not relaxed, sparse but tasteful, broken but like continuous, hard and soft, clear and turbid". In the point, press, chant, knead are unique

Chinese PinYin : Yu Zhou Chang Wan