Huang zumo

Huang zumo

Huang zumo (1921.8.7-2011.2.19) was a Chinese film director. She County, Anhui Province, was born in Shanghai.

Personal life

He graduated from the director major of National Academy of drama in 1946, and later served as the director and deputy director of Kunlun film company. In 952, he was the deputy director of Shanghai United Film Studio and Jiangnan film studio, and in 1963, he was the director of Haiyan film studio and Shanghai Film Studio. His first directing work was "going to the Golden Mountain" shot in 1955. Among them, the most well-known work is the film "love on Lushan Mountain" starring Zhang Yu and Guo Kaimin. The film won the best feature film award of the third film Hundred Flowers Award in 1980 and the award certificate of the 13th Montana International Film Festival in 1982. It also set a Guinness world record for its continuous screening in Lushan local cinema It is a legend in the history of Chinese film. At about 20:10 on February 19, 2011, he died of heart failure in Huashan Hospital.

Directing films

1955: go to Jinshan 1956: spring is coming (cooperate with Gu Cai) 1958: who is the abandoned person (unpublished) Sanba riverside love detective (Yue Opera) 1961: Fengxue Dabie Mountains 1965: honghuaqu 1978: Jiangjie (cooperate with fan LAI) 1980: Lushan love 1983: Zhang Heng Huatuo and Cao Cao 1985: Qinchuan love film series 1962: yu'erwan (cooperate with Hong Fengtao) 1981: Cuicui (cooperate with Xu Changlin) Make).

Representative works

Huaishang family

Feature film (black and white). Produced by Shanghai Film Studio in 1954.

plot

In 1950, Zhou Changmin, an engineer of a military factory in Northeast China, successfully developed a new type of air defense weapon. Bai Bingzhong, a spy sent by the Kuomintang in Taiwan, pretended to be the nephew of Zhou Changmin's old friend and came to the factory from Hong Kong to take part in the improvement of the accessories. He once cheated the factory's trust, but was closely monitored by the public security department. Soon, Bai Bingzhong waited for the opportunity to steal the key of the safe where the drawings were stored. Bishop he, the secret Italian spy leader, instructs priest Shi to steal the key, which causes the locksmith to suspect and report to the public security department. Director Dong learned a lesson from this incident and quickly corrected his mistakes, thus strengthening the safety and security work of the factory. Bai Bingzhong stole the drawings and tried to deceive Zhou Changmin to Hong Kong by instigating, threatening and luring. Zhou Changmin was not moved, and immediately reported the situation to Director Dong. Only then did he know that what Bai Bingzhong had stolen was a fake drawing, and it had really been transferred elsewhere. Bishop he saw that the purpose had not been achieved and the matter had been revealed, so he ordered Bai Bingzhong to assassinate Zhou Changmin. At the same time, he sent someone to follow him, waiting for an opportunity to assassinate Bai Bingzhong in order to kill him. However, the public security department has already cast a net, and with the help of the masses, they have caught all the agents. Creator: screenwriter: Zhao Ming director: Shen Fu photographer: Yao Shiquan Art: Ding Chen Composer: Chen Gexin Starring: Tao Jinling Zhihao, Hu Siqing, sun Baiqun, Han Fei

A dream of Red Mansions

In 2004, 83 year old Huang zumo took pains to come to Rong with his 80 year old wife and became the chief director of Fanghua Yueju troupe's rearrangement of a dream of Red Mansions. This is the fourth time he has directed a dream of Red Mansions since 1954. Our reporter interviewed him exclusively yesterday.

"Xie Jin is my matchmaker"

Talking about the fate of Yue opera, Huang zumo said that "it's the credit of his wife Jia Shunhua and director Xie Jin.". It turned out that during the Anti Japanese War, Yin Guifang, the "emperor of Yue Opera", founded the Fanghua Yue Opera Troupe in Shanghai. At that time, Jia Shunhua, who was 17 years old, as the "logistics manager" of the troupe, was regarded as a "veteran" figure. In 1949, under the influence of the current situation, Fanghua Yue Opera Troupe was dissolved and Yin Guifang went to Hong Kong. In 1950, Jia Shunhua and others went to Hong Kong twice to persuade Yin Guifang to return home and re organize Fanghua Yue Opera Troupe. Huang zumo said: "due to the lack of directors after the re establishment of Fanghua Yueju Opera Troupe, I went to Fanghua Yueju Opera Troupe to direct the first big play Jade Dragonfly (old version) for the re establishment of Fanghua Yueju Opera Troupe after being introduced by Xie Jin, my classmate of the National Academy of drama, where I met my wife. With the success of jade dragonfly, I married Jia Shunhua in 952, and Xie Jin is our matchmaker. "

The difficult relationship with a dream of Red Mansions

in Huang zumo's directing career, he always left a piece of sky for Yue opera. In 1954, when Fanghua rehearsed Su Qing's "Baoyu and Daiyu", the director invited was Huang zumo, which can be regarded as another version of "a dream of Red Mansions" on the stage of Yue opera. In 1962, Fanghua troupe, which moved to Fujian for development, returned to Shanghai for the first time and invited Huang zumo to direct Xu Jin's "a dream of Red Mansions", which was later moved to the film screen and had more than 100 million audiences. In 1987, in order to revitalize "Fanghua", Yin Guifang, who was paralyzed at that time, invited Huang zumo to "go out of the mountain" again to rehearse "a dream of Red Mansions" for Fujian Fanghua troupe. Huang zumo said: "this is the best version of a dream of red mansions that I have directed in my life. Wang Jun'an, who played Jia Baoyu at that time, was 17 years old, and Li Min, who played Lin Daiyu, was 18 years old. It was full of youth in Taiwan. Since then, the dream of Red Mansions has performed more than 100 times in Shanghai, Beijing, Jiangsu, Zhejiang and other places, making Wang Jun'an and Li Min famous at one stroke and becoming famous actors on the stage of national Yue opera." the new "dream of Red Mansions" has "changed a little bit" speaking of this year's four director "dream of Red Mansions", Huang zumo said: "society is developing, and drama should also progress. There is no perfect art on the stage. Even in the 1987 version of a dream of Red Mansions, which is praised by many people, I think there are still details worth revising. The purpose of my director this time is "small changes." When it comes to the content of "minor changes", Huang zumo talked about four aspects: first, the prelude was more grand, showing the luxurious life of Rongguo mansion in its heyday; second, the traditional Daiyu in a dream of Red Mansions left the audience with the impression of weakness and sentimentality; now Daiyu in a dream of Red Mansions shows childishness, innocence and youth; third, the new version of a dream of Red Mansions is borrowed The four props of zhushipa, yaoqin, parrot and huahoe echo back and forth; the fourth is to regard dreams and poetry as the charm of the new version of a dream of Red Mansions.

Chinese PinYin : Huang Zu Mo