Shi Xiaoyou

Shi Xiaoyou

Shi Xiaoyou, a poet of the Southern Song Dynasty, was born in Nanchang, Jiangxi Province. The year of birth and death is unknown. Song Xiaozong Qiandao two years (1166) Jinshi. Slang words are often used to describe the love between men and women. The official career is not smooth, do not envy wealth, living in seclusion between the hills. Shi Xiaoyou is the author of Jingu Yiyin, zhizhai Shulu Jieti, and Jingu CI in Ming Dynasty. There are the edition of sixty famous Ci of Song Dynasty and the typeset edition of sibubeyao. The complete Song Ci was collected by Mao Jian.

brief introduction

Shi Xiaoyou is famous for his love CI in Song Dynasty. His love CI can be divided into elegant Ci and popular Ci, but elegant CI is not enough to reflect the unique style of Shi Xiaoyou's love CI. The uniqueness of Shi Xiaoyou's love words lies in the fact that he writes about love affairs in vulgar words. Straightforward and natural. There are many ways of expression: the language is popular and the form is exquisite; the tone of the speaker is imitated and the form of dialogue between men and women is adopted. This kind of practice can be called taking Qu as a word.

Appreciation of Ci Poetry

Augur operator

Shi Xiaoyou

See also how dusk. Don't be too quick. It should be hard to see, but there will be no evidence.

Go how you go. How to live. It's hard to live, it's hard to go, it's hard to share.

Appreciation of Ci

"It's too late to see you." It's too late to meet. The word "Ye" is like a sigh. How, why. Why is it too late to meet! The protagonist is a man in the middle of the world, so he knows himself and sighs when he sees how old he is. This is unreasonable and wonderful. From then on, a heartfelt sigh of hatred shows the weight of his affection and the sincerity of his love. However, we can also see his feelings. Why? "Don't be so quick." Another long sigh: Why are you in such a hurry! It turns out that the protagonist is leaving right now. What is the meaning of this sentence. It's self-evident that when they sigh why they are so hasty to leave each other, they forget that time is running by and they are about to leave each other in a twinkling of an eye. The last sentence is about the past, this sentence is about the present. "No, it should be hard to see, it's hard to see" is to combine the past with the present, and implies that it's hard to meet again in the future. When we meet each other, we are happy; when we leave each other, we are sad. It's hard to meet each other, but it's also hard to leave each other. It's a difficult word for both use. It's a good combination and has a penetrating meaning. However, the difficulty of parting is only due to the difficulty of parting between the two emotions, and the difficulty of meeting each other is due to the disadvantage of human error. Dual use difficult words, meaning different, thought-provoking. It's hard to see a word. You have to understand a pun. Seeing refers to both the first seeing and the second seeing. It's not easy to see sincerity for the first time. It's more difficult to see again - "there will be no evidence after the meeting". After the meeting, there is no basis for it. Close the sentence "it's too late to see", and the last sentence "it's too difficult to see". We can see that this love has a kind of hidden pain in the end. The reason is not subjective but objective. In fact, although it is hoped that the world will eventually become a lover's dependents, but after all, it is the matter of ancient hard to complete. In the last film, when we sigh about the time when we meet each other, we talk about the past, and we sigh about the time when we meet each other. We talk about the present. When we sigh again, we will have nothing to rely on, we talk about the future. In this sigh, I have said all about the past, present and future of this love. Let's see how the poet writes in the next film.

"Go how to go, live how to live", write pedestrians hesitating when they are going. The word "how" here is different from that in the previous film. Pedestrians go, but how can they go, willing to go! But if we want to "live", that is, if we can't stay, how can we? It's "it's hard to live, it's hard to go.". This sentence has the same syntax as the appositive sentence in Shangpian, and it is also an elegiac combination. The two difficult words in the sentence have the same meaning. However, the dual-purpose difficult word "bieyiyingjianyinan" refers to different things. All of them should be savored carefully. It's very important to write about the feeling of parting. However, the final sentence still writes about this situation, redouble it, writing unremittingly. "It's hard to divide the money here." This is the moment of parting. In Song Dynasty, it was spoken by the people. It's hard to divide, but it's hard to do. Sentimental since ancient times, sad to leave, and parting at the time of the most sad. At this moment, there is only one thing I can do. In the climax of Ci, it stops abruptly, but the Afterword is lingering for three days!

This word is full of innovation in art. Its conception, structure, language, voice and emotion are all praiseworthy. First of all, its conception. Generally speaking, with the help of scene interaction, the works of parting describe the scene of parting and portray the characters, so as to set off and exaggerate the feeling of parting. However, this word breaks out of the normal and finds a new way. It does not describe the scene or the characters. Instead, it is straightforward and isolated. In this way, readers can imagine all kinds of characters and scenes.

In the second volume of Yucun Cihua written by Li Diaoyuan in Qing Dynasty, it is said that "the master of white drawing in CI is no better than Shi Xiaoyou. The operator of divination The so-called do not write a word, do romantic It's an accurate artistic judgment. The so-called line drawing, that is, simple and concise pen, without exaggeration. It is the most distinctive feature of this word to express emotion by means of line drawing. The so-called "not a word, be romantic", that is, not a pen and ink in the characters, scenes and scenes, and readers can get the experience and association.

In Chinese literature, the beauty of implicit meaning is not limited to Bixing scenery, but also can be seen in various Fu pen lyric, this word is a proof. Second, on its structure. This word makes full use of this feature to create its lyric structure. The syntax of the upper and lower parts is exactly the same, and the whole structure has the beauty of rigorous antithesis. However, in the first film, we always write about meeting each other, seeing each other, and meeting each other without any basis. We summarize the past, present, and future. In the second film, we go all out to write about parting, highlighting the most unforgettable moment, so that the whole song finally reaches its climax and shows its flexibility in neat correspondence. On its language again. The language of this word is pure spoken. If you understand it, you can read it as if you hear it and see it. In particular, how to use four words, how to use five words, how to use eight words, and how to end with sharing payment, which is really the most incisive and incisive expression of the feelings of sadness, bewilderment and helplessness.

It can be said that vernacular is one of the most excellent Ci writers. Finally, it discusses the voice and emotion. The intonation of "Bu operator" is composed of six five character sentences and two seven character sentences. The seven character sentences use Ping Sheng characters as the foot of the sentences, and the five character sentences all use the Ye Yun of the tone characters. The difficult word is used as the foot of the sentence in the two or seven character sentences, and the whole word uses the disyllabic word Ye Yun. The eight used words, the four used words and the four used difficult words are all used in the same position in the same sentence. In this way, the neat sentence beat, the highlighted rhyme, and the repeated sound of words constitute a movement with harmonious sound and emotion, and with a sad and stirring movement, which is actually the best carrier of sound and emotion. This word has its unique style and charm in many good farewell works. It has its unique artistic creation.

As we all know, parting is an eternal theme in the history of Chinese literature. Since the poem Ying Feng Yan Yan, there are more than ten thousand excellent works describing the sadness of parting. Even so, when I read Shi Xiaoyou's "divination operator" today, I still feel fresh and elegant. It's like a warm spring breeze coming. I can't get tired of it.

Cherish Nu Jiao

Shi Xiaoyou

I have been amorous, but also hit, amorous bottom of you.

I'll give you my heart and my heart.

Do them all, but you have a bad heart.

It's for you.

It's just for you.

Stay in the world enemy, busy Li, just know you.

No future, who is like you.

But bad is a name, and it is because of you to this day.

It's you.

I don't hate you either.

Appreciation of Ci

The creation of Ancient Ci in China mainly originated from the folk. Shi Xiaoyou's poem still keeps a close inheritance relationship with the folk poetry. In addition, the poet's simple and natural artistic expression and free and incisive emotional expression make it have more vitality and vigor of folk CI.

This is a love poem written in the style of single wooden bridge. The whole word is colloquial and simple.

At first glance, it seems that the lyric hero is pouring out his love to each other. According to this understanding, it makes sense, but not much fun. Just imagine, if one side is eloquent, and the other side is silent, listening, what kind of lover is that? It's a conversation between a couple. Among them, "you", sometimes the man's tone refers to the woman's tone, sometimes the woman's tone refers to the man's tone, two people you a word I a language to talk funny. Of course, unnecessary narrative language is omitted in order to meet the needs of tone style.

I've been amorous, and I'm even more in love with you. I'll give you my heart and my heart.

In the old school, there was a word missing from the word "Jin". The other words in this tune are all four character sentences. It's for you. It's just for you.

(male) stay in the world enemy, busy Li, just know you.

(female) no future, who is like you!

(male) bad but famous, because of you to this day.

It's you! Subtext: how can you blame me for your failure

(man) I don't hate you either. (Star: a little bit.)

From the perspective of dialogue, it is the language in which both men and women are in love. The man is obviously more active, and the way to express his love is more straightforward; the woman is slightly implicit, she does not speak directly, but bypasses one layer, starting from the surrounding environment, and shows her attitude: although "they" are how, "she" does not care. The adverbs of degree "Jin", "Pian" and "Zhi" fully show her determination to pursue love as firm as a rock, from which we can see her perseverance and determination. The word "bad" has the meaning of "beautiful" and is a counter admonition. For example, Zhang yuangan's "Dianjiang lips" said: "the crown is reduced in shape, and the gold thread of Baochai is double tied. How can we teach "the eye is angry, the child is inferior" and "the eye is angry, the eye is the same as the brain,

Chinese PinYin : Shi Xiao You