Li Haogu
Li Haogu
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Li Haogu is a poet of Southern Song Dynasty. His life is unknown. They are free from paying tribute to their own villages. "Snow in spring" records that he is Zhongmin, a native of Xiaying. Tang Guizhang believed that there were four or five poets of the same name at that time, so he could not judge their situation.
Character experience
According to the Qingyin pavilion's version of "snow in spring", the ancient Chinese character Zhongmin was originally from Xiaying (now the northeast of Weinan County in Shaanxi Province), which can be said According to the two poems written by him in Yangzhou, I can infer that he lived in the middle and late Southern Song Dynasty. Young people are ambitious, but they can't get the chance to serve their country. When they are about 30 years old, they haven't sought fame. So they take a boat to Yangzhou. According to his "sprinkling the moon on the river", he said, "forty men should be rich, who wants to wander north and South". It can be seen that he is still not satisfied after middle age and wanders everywhere. In Song Dynasty, Li Haogu was not the only one who was famous for his poems on broken brocade. Li Haogu was very impressed with Su Shi. He once said, "when you blow the flute at night, you ask the law in the court and remember Po Xian. At that time, the etymology of "the Three Gorges" was the same (shuidiao Getou and hejinjiao) his poems are composed by Su Shi and Xin Qiji. They express themselves freely and have a heroic style. Some of his works are pathetic about current affairs or appeal for the recovery of the Central Plains. His words are intense and his mood is high. They are among the best Patriotic Poems of the Southern Song Dynasty. More representative, such as "jiangchengzi": "plain sand and shallow grass connect the sky.". The road is boundless, the rise and fall are few. Last night, the waves washed the shore like frost. Eternal Hero into the end of the matter, only emotion, call desolation. The young man intended to ambush in the middle of the line, named the king, sweeping the battlefield. When I was in the middle of the boat, I had tears in my clothes. If you want to go to public security, you will be far away, empty and disappointed "Guazhou ferry" in "qingpingle" cried out to the ruling group of the Southern Song Dynasty: "I wish all the people would stop teaching and forget the Central Plains." A small number of Xiaoling who wrote about leisure are good at beauty. His collection of Ci poetry, broken brocade ci poetry, includes Wang Pengyun's 31 Ci Poetry of song and Yuan Dynasties.
Main works
Jiangchengzi
Original words
plain sand and shallow grass grow day by day. The road is boundless, the rise and fall are few. Last night, the waves washed the shore like frost. The eternal hero becomes the end of the story, only feeling, full of sadness. the young man wanted to go to the middle of the road and sweep the battlefield. When I was in the middle of the boat, I had tears in my clothes. If you want to go to public security, you will be far away, empty and disappointed.
appreciate
In the Southern Song Dynasty, the Jin people invaded Yangzhou many times, and the destruction was so severe that it was hard to see. Therefore, the poets of Southern Song Dynasty had many sentimental works when they lived there. One of the most famous is Jiang Kui's Yangzhou man, which has a sentence like "after Hu Ma peeps at the river, he is tired of talking about soldiers". But Li Haogu's jiangchengzi, written when he passed Weiyang, does not focus on rendering the enemy's destruction, but focuses on his responsibility to protect his family and country, so his intention is to be superior to others. In addition, the reason why the poet could not "name the king and sweep the battlefield" (he killed the enemy and then cut his left ear to count his merits) is attributed to the fact that "he wanted to go to public security, but he was far away" (public security, Jia Yi once commented on Public Security Policy). Shuangque (referring to the imperial court) means that the key to the rise and fall and the root of Wei Yang's repeated destruction are all due to the ruler's failure to accept loyal advice. This kind of sharp attitude and critical spirit is rare among the contemporary poets. the word pays attention to two combinations in writing. One is the combination of scenery and lyric. There are only four lines in the poem: "plain sand, shallow grass, boundless road", "the sound of waves last night, washed the shore bone like frost." It's just sand, grass, sky and road. These monotonous scenery show us the desolation after the disaster of Weiyang. In addition, the author adds some modifiers such as "flat", "shallow", "long" and "boundless" to them one by one, thus forming a distant and melancholy picture, which just symbolizes the author's melancholy mood. On the surface of the sentence "waves last night", there is a person in a room in Yangzhou who can't fall asleep after listening to the waves for a long time and remembers the endless past. Put this sentence together with "washing the shore like frost", Xia Chengtao said: "two sentences about hearing the sound of waves lapping on the shore at night make people excited and dignified." (selected notes of Tang and Song Ci) is more obvious. There is also a combination of injury and nostalgia. This poem witnessed the ruin of Yangzhou and mourned the misfortune of the country, which is "today"; however, there is a sentence "several ups and downs" in the poem, and then there is "the end of a hero through the ages", which is "old". On the contrary, because of the current changes in Weiyang, the rise and fall of the millennium has become more and more true. At the same time, this sentence also set the tone of the next film, suggesting that like countless heroes in history, ambition is hard to pay, and can only be "filled with emotion and sadness". In the first five sentences of the second half of the book, I write my ambition as a teenager. When the poet was young, he had the ambition to surrender to the theory of Zhongxing (he was an official when Emperor Wen of Han Dynasty, and later he threw himself at Xiongnu, which became a great trouble of Han Dynasty) and "to be a famous King and sweep the battlefield". He even took the oath to serve his country like zuti. In this way, with the combination of the three time levels of the ages, the youth and the present, the lyric background of the CI is very broad, and the author's worries about the state affairs are particularly deep and wide. The first five sentences and the last two sentences are written directly to Weiyang. In the first five sentences, I write what I have seen and heard, and at the end, I point Weiyang. The whole word naturally forms a whole, and the part of emotion in the middle is just included. This can make the structure compact and the lyric concentrated, which should be carefully arranged by the author.
Ye Jinmen
Original words
after rain, it's safranine again. When swallows come back, they are sad and speechless. Who is toiling in Yuguan? Who is singing and dancing in Yulou? If the dust of Hu can be blown away, the east wind will wait for thousands of households.
appreciate
spring and rain and flowers and rain are often associated in poetry. However, due to the change of time and climate, some storms send spring home, while others urge spring. And Li Haogu's poem says: "after the rain, it's a red pigment.". It's probably the Spring Rush. "Swallows return to worry not language" sentence, connecting the preceding and the following, spring to swallow, spring is still, but the return of swallows why is silent? Naturally leads to the following: "old nest no place to find.". The reason of "no place to find in the old nest" is not directly stated by the author, which is thought-provoking. Some of the books of this poem have a title under the name of "nostalgia for one's former residence". Therefore, some people say that swallow's old nest is a metaphor for one's former residence. When spring comes, people have no place to return. It shows a sense of wandering that there is no place to return. There is also a sense of home and country, so it is more appropriate to understand it as a typical generalization of that particular social phenomenon. The conclusion of the last film, literally, complements the above and completes the description of "swallow". In terms of its metaphorical meaning, it leads to the social reality, which paves the way for the next film. the country is fragmented and the people are displaced. In such a difficult situation, "who is toiling in Yuguan? Who is singing and dancing in Yulou? " This sentence is profound, sharp and aggressive. Those who work hard at Yuguan (Yumen pass, here refers to the frontier fortress) refer to the soldiers guarding the border. In addition, there are also a large number of dignitaries who "come across the river, sing and dance for a hundred years, and get drunk for a hundred years" on the Bank of the West Lake and in the court of the Southern Song Dynasty. A bitter and a happy, formed a sharp contrast, so that readers from the contrast, feel the shocking artistic power! The following poets did not follow this tone to tighten the string again, nor did they use ordinary boring words to make a perfunctory article. Instead, they made a new conclusion calmly with assumptions and speculation: "if the Hu dust can blow away, the east wind will wait for thousands of households." It is strange for Dongfeng to "blow away" the dust of Hu, and it is even more extraordinary and refreshing to seal "Dongfeng" as a marquis. However, the most wonderful thing is to use this kind of interesting and lively writing to turn the air into an interesting thing. At the same time, it contains a kind of solemnity in its humor, which implies a serious social and political problem, that is, no one in the court resists the Jin Dynasty, while the common people yearn for unity. Show the truth in the naive place, humor contains the cold. In spring, there are many "east winds" and "old nests are nowhere to be found". Only when the "east wind" blows away the hope of "Hu Chen" and takes care of the front and back. In addition, the poet uses a variety of bright, serious, implicit and humorous techniques to form a whole article, which is unique.
Chinese PinYin : Li Hao Gu
Li Haogu
