Mianyang Museum

Mianyang Museum

The new Mianyang museum is located in the West foot of fule, the north side of fule hall and the East Bank of Furong river. "Tianchi in the East, Fushui in the west, shaped like Beidou, Wolong Fuyan.". Integrating Mianyang History Museum, Mianyang Nature Museum, Mianyang Intangible Cultural Heritage Museum and Mianyang rural library management service center, it is a modern comprehensive museum with complete functions and complete supporting facilities. The new Mianyang museum is like a soaring dragon, harmoniously integrated with the human and natural environment of fule mountain, becoming an important landmark building and distinctive cultural landscape in Mianyang.

The new Mianyang museum was built on August 10, 2016 and officially opened free of charge.

Development history

New Mianyang Museum

Mianyang Museum moved from the urban area to fuleshan scenic area. There are many historic sites here, with a strong historical and cultural atmosphere.

The post disaster reconstruction project of Mianyang museum is located at the West foot of fule, the north side of fule hall and the East Bank of Furong river. According to the plan, the post disaster reconstruction project of Mianyang Museum covers an area of 65 mu, with a total construction area of 26000 square meters and a planned total investment of 230 million yuan. The project will integrate Mianyang History Museum, Mianyang Natural Museum, Mianyang Intangible Cultural Heritage Museum and Mianyang rural library management service center to become a modern comprehensive museum with complete functions and complete supporting facilities.

The architectural conceptual design of Mianyang museum was carried out by the municipal government procurement center in the form of invitation to bid. On the basis of convening experts and scholars in the city to consult and solicit public opinions, and after careful study by the municipal Party committee and the municipal government, the Southwest Architectural Design Institute's "Beidou Wolong" scheme was finally determined to win the bid. The inspiration for the creation of this scheme comes from the records of the ancient city of mianzhou in Yuanhe county annals, that is, "Tianchi in the East, Fushui in the west, Beidou in shape, and Wolong in shape.". Based on this, the architect designed the exterior of the building as "Beidou like, Wolong like", and the layout of the building was based on the situation of the mountain. The new Mianyang museum built according to the plan will be like a soaring dragon, harmoniously integrated with the cultural and natural environment of fule mountain, and become an important landmark building and distinctive cultural landscape in Mianyang.

Zheng Guoying, the general director of design, has designed Sichuan Museum, Three Gorges Museum and other domestic famous museums. The design of Mianyang Museum, he intended to highlight the historical and cultural characteristics. "Tianchi in the East, Fushui in the west, shaped like Beidou, Wolong Fuyan." The designer's inspiration comes from the records of the ancient city of mianzhou in Yuanhe county annals, aiming to design a cultural holy land that inherits the historical context.

"Highlighting the characteristics of three-dimensional textbooks of museums and making museums landscape is the primary starting point of design." Fu Shidao, another person in charge of the design, told the reporter that the spatial layout of the museum drew on the expression of traditional Chinese gardens and conformed to the mountain situation of fule mountain. The whole museum was built close to the mountain. From a distance, it looked like a giant dragon circling on the mountain and a big dipper embellishing the night sky. "The west side is the entrance to the cultural square," says Fu Shidao. He goes up the mountain to the exhibition area, the social education and public interaction area and the comprehensive service area. "This design emphasizes the" people-oriented "purpose, and plans the museum visit flow line in the way of garden tour, so that the public can experience the culture in leisure."

Fu Shidao revealed that the facade of the museum will use a combination of heavy stone and smart glass to make it harmonious with other buildings in fule mountain scenic area. In addition, the sloping roof of traditional architecture will be abstracted by art, and part of it will be covered with soil for greening, so as to realize the integration of artificial architecture and natural terrain and obtain good ecological benefits.

After the completion of the new Mianyang Museum, special exhibitions of Mianyang ancient history and culture, Han Dynasty cultural relics, stone carving art, calligraphy and painting, cliff tombs, cash tree and other intangible cultural heritage will be held, which will be open to the public free of charge. At the same time, it will also provide public book reading services and green Internet services for young people, carry out the comprehensive management and training business of the city's rural library, and provide services such as artistic performances, exhibitions and tourism.

Mianyang museum is a brand-new modern exhibition hall with complete facilities and advanced equipment. With modern business philosophy and star level service, we will provide warm and thoughtful services for all exhibitors and exhibition groups. We warmly welcome you to visit, investigate, guide work in Mianyang, and jointly hold high-level exhibitions to achieve win-win results.

Old Mianyang Museum

The old Mianyang Museum (now Mianyang Science and Technology Museum) is a landmark building in Mianyang City. Its main architectural design is simple and elegant. It is located at the hanque of xianyuqiao national heritage preservation and beside the newly-built Hanzheng Street in Mianyang City. It is 10 minutes' drive from the railway station and the southern suburb Airport. It is surrounded by fuleshan provincial scenic spot, Mianyang Teachers College, liduci provincial heritage preservation unit, Yufu Village Forest Park and other scenic spots Fuletang is a cultural site of the Three Kingdoms. It is a modern building with classical style, similar to the ancient arch bridge, implying that museums and cultural relics have the function of communicating the public with history and the future.

The old Mianyang museum was established in 1996 and started construction in 1999. It is a key project of Mianyang City during the ninth five year plan and the tenth five year plan, with a government investment of 65 million yuan. The Museum covers an area of 90 mu, with a construction area of 20800 square meters. There are exhibition hall, academic lecture hall, office and technical room, warehouse, leisure and sightseeing place for audience, cultural relics store, outdoor sculpture, leisure lawn and green belt and other facilities.

The old Mianyang museum was created by Dr. Yu Li, the designer of "China four seasons altar", and designed by Jingao kaifensi Design Co., Ltd. its overall shape is like an ancient stone arch bridge, which means that the museum is a bridge connecting the history, modern and future of Mianyang, a window to show the historical civilization and modern scientific and technological strength of Mianyang, a window for outsiders to understand Mianyang, and a window for Mianyang people to have a deep understanding of Mianyang The window of. The main function of Mianyang museum after completion is to protect, research and display the unearthed cultural relics in Mianyang. It is also used to develop cultural education and cultural tourism industry related to cultural relics.

The Museum covers an area of 64000 square meters (96 mu), with a total construction area of 19600 square meters, including 8000 square meters of cultural relics. The total cost is 65 million yuan. There are more than 7000 cultural relics in the collection, including 65 first-class cultural relics.

There are 120 wooden horse squares unearthed from Shanxi Han Tombs in Shuangbao, Yongxing, Mianyang. On the right wall of the museum gate, there is a Mianyang epic art wall with a 5000 year history and the title of "long river of charm". It is more than 3 meters high and about 70 or 80 meters long, and has high artistic value.

Collection

Junque, Yangfu, Hanping

It is located in front of the gate of the new building of Mianyang Museum. It is made of stone strips and slabs. There are carved stones on it, commonly known as "bookcase stone". Que is an ancient architecture, generally standing in front of the official Temple and tomb gate. This que is composed of a large one and a small one, 26.2 meters from the north to the south. The main one is 5.45 meters high and 1.66 meters wide, while the auxiliary one is 5.29 meters high. They are composed of Que base, que body and que cover. The inscription "Hanping Yangfu Junshu Shinto" was originally engraved on the eaves of the main palace, but now it has two characters "Hanping". The word "Fu" can be seen vaguely, and the rest of the handwriting has been weathered. On the lintel of the main building is engraved with a relief picture of the tomb owner's car and horse travelling before his death. The first picture is guided by two flags, followed by two columns of sword troopers, eight of whom are galloping along with the horse, followed by six chariots, all of which are driven by one pair of poles, each of which is followed by one trooper, followed by a chariot. On the position of the corner scuttle, each carved a high relief horn God. The horn God bares his chest and abdomen. There are also designs such as mother and son monkey hugging, toad and rosefinch flying. There are various relief sculptures on the wall of the Dougong. The North que is a picture of chasing pigs, and the South que is a picture of dancing music. Among them, the images of playing the piano, playing badminton with horses, and duel dancing are clear. In the middle of the Jieshi in the east of the North que, a woman in a bun half opens the Chai leaf and holds the door with both hands to look out at the high relief; in the west of the Jieshi, a tiger with bow back and head up is carved, which is lifelike.

The corner of Jieshi is engraved with high relief sculptures of dragon, lion and two lions fighting. In the middle of Jieshi in the west, a ferocious image of Taotie is engraved. At the corner of Jieshi, a pair of winged Tianma and Ximayu people are engraved in the northwest corner, Shuanghu in the southeast corner and Shuanglong in the northeast corner. The shape and sculpture of the auxiliary building are the same as those of the main building, but the sculpture is seriously weathered. In the third year of Liang Datong's reign (529), Buddhists chiseled out some Han carvings on the Que and engraved 33 niches of Buddhist statues with a dome shaped top. The largest niche is 35 cm high and 33 cm wide. In the west of the North que, a standing statue of Guanyin is engraved on the third layer of the stone. The figure is slender and has broad clothes. The lines on both sides of the niche are engraved with Buddhist rituals, waiters' Huagai and Fanchuang's entourage. On the left of the niche is engraved with the inscription "July of the third year of Datong". In the south of the third layer of the stone, two lions are engraved on both sides of the Buddhist altar, one Buddha and four Bodhisattvas are engraved on the altar, and 10 people are standing in Picchu Sitting in front of the Buddha, there is a picture of Buddha worship under the niche; in the three niches on the three layers of stones in the East, each statue has a body, and the head of the statue has been damaged. In 1914, Segaran, a Frenchman, went to Mianyang to inspect the junque in Pingyang Prefecture of the Han Dynasty. His Book Archaeology in Western China highly praised the junque in Pingyang Prefecture of the Han Dynasty. It is believed that this que is the most representative of the complex stone que. It is also said that the stone statue of Buddhism in the third year of Datong Liang Dynasty on the que is the only Buddhist statue of the Liang Dynasty in Sichuan, which is valuable material for the study of Buddhism.

Chinese PinYin : Mian Yang Bo Wu Guan