Yu Shaosong

Yu Shaosong

Yu Shaosong (1882-1949) was named Yueyuan. In his early years, he used the nicknames of Yueyuan, Yuecai, Jue'an, Jue daoren and Yingbi master. After 49 years old, he was born in Quzhou, Zhejiang Province. He graduated from the law and Politics University of Japan.

In 1910, he returned to China and was appointed head of the Ministry of foreign affairs. In the first year of the Republic of China, he was the dean and teacher of Zhejiang public school of law and politics. In the following year, he went to Beijing and successively served as secretary of the house of Representatives, counselor of the Ministry of justice, deputy director, acting director, member of the Disciplinary Committee of higher civil servants, Consultant Department of the revised law Museum, President of Beijing Academy of fine arts, Professor of Beijing Normal University, Beijing University of law and political science, and Dean of the Department of justice.

Overview of characters

Yu Shaosong (1883-1949) was born in Longyou County, Zhejiang Province. He was named Yueyuan and Yueyuan. He graduated from Tokyo University of law and politics in 1910. In the first year of the Republic of China, he served as a counselor of the Ministry of justice. He was a famous historian, connoisseur, calligrapher and painter, and jurist in modern times. In May 1943, he moved to Yunhe mountain city with the provincial capital in the year of Jiazi. He was appointed as the curator of Zhejiang Tongzhi Museum at the invitation of provincial president Huang Shaohong. The museum is located at Mei's ancient residence in Daping village. Mr. Yu's group of sages completed their work and rebuilt the general annals of Zhejiang Province. It is a great honor for Daping to be born in shanzou county and the end of the stone drum. Mr. Yu is good at writing, appreciating, recording, collecting books, especially painting and calligraphy. The hall of Tongzhi hall, namely the middle hall of Mei family, is set up as an art and painting hall. The calligraphy and paintings of Daping are stamped with the seal of Bailong mountain villa. Daping's poems include five poems about moving to Daping, two poems about Yunhe Daping's hearing of Japan's surrender. Farewell to Daping villagers in August 1945. The works handed down from generation to generation include the explanation of the title of the book records of calligraphy and painting, the important records of painting, the second edition of the important records of painting, the general situation of the origin and development of Chinese painting, the collection of Han Ke Tang, the summary of the art category of the continuation of the complete works of Si Ku, the annals of Longyou County, and the draft of the revision of the general annals of Zhejiang Province.

Life experience

In 1910, he was invited to compile Longyou county annals, which was completed in four years. For the local chronicle circles. In 1915, when he was the Deputy justice general, he left office for the jinfulang case to protest, which is known by the world. In 17 years, he returned to the South and settled in Hangzhou to entertain himself with painting and calligraphy. In 1923, he applied for the chief editor of southeast daily supplement Jinshi calligraphy and painting. For 25 years, he wrote the art summary of the sub section of the synopsis of the complete book of the Four Treasuries for the oriental culture and Culture Commission. After the outbreak of the Anti Japanese war in 26, he moved to Muchen village in Longyou to express his feelings. From 1937 to 1943, 400 poems have been compiled, which are called poems of Han Ke Tang. Between the lines, they are filled with patriotic feelings. He was a member of the first provisional Council of Zhejiang Province in 28 years. In 31, he was elected vice president of the second provincial Provisional Senate. He was the director of Zhejiang Tongzhi Museum in 32 years. We started to compile the general records of Zhejiang Province and completed 125 volumes of the first draft. In 36 years, he was elected as the "National Congress Representative" of Longyou County. He died in Hangzhou in June 1949. In August 1951, he was wrongly identified as a bureaucrat counterrevolutionary. In September 1984, he rehabilitated and corrected his mistakes and restored his reputation. Yu Shaosong was born in a scholarly family. He was good at writing, appreciating and collecting books, especially painting and calligraphy. The landscape axis of late autumn was once exhibited in Moscow, Berlin and Paris in 1920s, which made it famous. "The painting of Longqiu mountain" is a masterpiece of his landscape painting, which is full of mountains and rivers. He is also good at painting plum, orchid, bamboo and chrysanthemum. He is also good at painting ink bamboo, with four frames of wind, rain, snow and moon. When he was young, he lost his father and was filial to his mother. He named his Hangzhou residence xuanshouli, and carefully drew a picture of guiyanlou entertaining his family. At the beginning of the picture, Ma Yifu wrote an inscription "Laiyi scattered collection". In addition to the above local chronicles and poetry collections, there are also "painting method records", "painting method records twice", "calligraphy and painting records solving problems", "an overview of the origin of Chinese painting" and "Mr. Liang Jiean's Poems". In 1950, his son donated 16000 books, ancient books, inscriptions and paintings to the government. Yu Shaosong's works, reprinted by both sides of the Taiwan Strait in recent years, have been exhibited in public for many times. In the winter of 1986, Yu Shaosong Research Association was established in Longyou County. In 1986, Yu Shaosong Research Association was established in Longyou County, Zhejiang Province, and the Provincial Museum held an exhibition of his works. In 1989, he held an exhibition of his paintings and calligraphy at the China Art Museum.

Character words

(1) Moving to Daping

He moved to Daping. Ban Kuan's view is a little broad, and his water is clean and his Qi is clear.

It's hard to choose a place to stay away from. White dragon if intentional, for not flat Ming.

The house is wide and desolate, hard to repair. Zhumao Zihui wood, open Na peaks.

Xi Shi, the fierce general, is the emperor. Nanxi peach also Sheng, Gu Wuling see.

Xuanchuang overlooks Qingjian, and zigzags recognize Yunquan. Happy to see the waterfall after the rain, the sky is deep in doubt.

The long chant of Jian Yi ring, the high lie Yue an Chan. Also like mountain vagina, turbulence for Orchestra.

At the beginning of the annals Bureau, Jiqi likes to follow. Cong remnant precious old paper, cargo colonization heavy village Qi.

Wild get credit, mountain hall and pick up. There is no need to sigh and wander.

When you work with others, you should stay at home. If welfare is so, how dare incorruptibility be increased.

Man dislikes learning and praises. I also hurt late, Dongling and melon.

(2) Yunhe Daping heard that Japan's capitulation accounts for two

In the middle of the night, Russia heard that the enemy had come down and turned his clothes upside down. I wake up with a dream of returning home when I'm frightened, and I feel like I'm crazy when I'm at a loss.

He Yi suddenly can meet this day, from this need not stay abroad. For the rest of eight years, don't sigh for the sunset.

If you don't want to agree with Kyushu, you will be successful. When the Fu was abolished in the south of the Yangtze River, it was sad and stopped, and the Jibei was good at turning to the end.

Shuangwan atomic Kuang the world, a feast of the East Sea. It's a surprise that the decisive victory was so successful. I'm so ashamed that I didn't work.

(3) Yu Shao collected Ouyang Xiu and Sushi's long couplet in Song Dynasty

Yu Shao collected the sentences in Ouyang Xiu's zuiwengting Ji and Sushi's fangwengting Ji and drew up a long couplet

The mountains and valleys in the southwest are beautiful, and when the spring and summer turn, the vegetation is in the sky.

With Liang Qichao

As Yu Shaosong was a former subordinate of Liang Qichao, and he was very speculative with Liang Qichao in academic research, he was a frequent guest of ice room when he lived in Tianjin. They had many lively and interesting exchanges here, involving many aspects of traditional culture. Yu Shaosong can be called Liang Qichao's bosom friend in his later years.

In the summer of 1927, Liang Qichao's kidney disease worsened, so he had to stop lecturing and return from Beijing to Tianjin ice room for recuperation. Yu Shaosong also moved from Beijing to Jinmen on July 7 of that year to live with his friend Guo Yunfu. Guo Yunfu was a gentry, businessman and poet in Tianjin. His house also cared about the concession, not far from Liang Qichao's ice room. As we all know, Yu Shaosong Suicheng was a guest of the ice room. He lived all day and talked about various academic fields, but mainly about painting and calligraphy, gifts and art history. Liang Qichao once happily recorded the situation at that time, saying that Yu Shao and Song Dynasty "frequently passed by my ice room in my spare time and talked about art as a pleasure." Yu Shaosong also said, "to avoid chaos in Jinmen, and Mr. Ren Gong Liang Qichao had the closest relationship." Liang Qichao also wrote a letter to Zhang Yuanji recommending Yu Shaosong to the commercial press. In October 1927, Yu Shaosong left Tianjin.

The illness did not affect Liang Qichao's academic pursuit. He began to compile the Great Dictionary of Chinese books, and "compiled the bibliographic abstracts of various schools, listed hundreds of books on the desk, and discussed them day and night." After returning to Tianjin in March 1928, Yu Shaosong created the history of Chinese fine arts and continued to compile the book of calligraphy and painting. Yu Shaosong felt very honored that in a few months, he was able to "see the ice room as much as possible.". Yu Shao and Song Dynasty were overjoyed by the fact that there were no books in his suitcase. He "frequently borrows" and "freely searches to satisfy his needs". Until he left Tianjin four months later, two-thirds of the first draft of the book was completed.

At that time, the two people "would meet each other about every other day, which was not as good as other things. That is to say, the two people discussed each other for two days, discussed each other and identified the difficulties, which was supported by the books collected by the time inspection bureau." They exchanged views with each other and reached a high level. However, both of them are affectionate, both of them are happy and angry. Sometimes when they have different opinions, they can't help arguing. And it is just in this way that the academic research has been deepened. On the recommendation of Liang Qichao, Yu Shaosong gave a lecture on "preliminary learning and drawing method" in Nankai school in May 1928, and his lecture notes were published in the school journal.

Liang Sida and others recalled that Yu Shaosong had a big voice, a pleasant speech and a frank disposition. He often visits the ice room after lunch break. As soon as he enters the downstairs hall, he asks aloud if Liang rengong is at home. If he sees Liang's family and servants, he talks and laughs. On the second floor, Liang Qichao heard that it was his "big presence" and quickly went to the stairs to meet him, and he would always laugh.

In addition to the knowledge of "long talk and calm discussion", Yu Shaosong often enjoyed painting in the ice room or the study of the old building. In order to facilitate his painting, Liang Qichao really used his brains and made some preparations. He specially placed an elevated painting plan near the bedroom window. In this way, Yu Shaosong could paint comfortably in a suitable light. Liang Qichao was always on the left and right, "every time he came out of his collection of old paper and ink.". It's a vivid and interesting scene. Everyone knows that this is what Liang Qichao is interested in, and it's inconvenient for him to help. Yu Shaosong was not constrained by this courtesy, but always full of interest. He wielded his pen, splashed ink wantonly, "or five days, ten days to make a water stone, or eat all the paper." He also specially painted four albums for the newly married Liang Sicheng and Lin Huiyin to express his congratulations.

Yu Shaosong opened a "studio" in the ice room, which added joy to the ice room and seemed to relieve Liang Qichao's physical suffering. 　

Personal works

The sequel to the works of Si Shao Han Tang

Chinese PinYin : Yu Shao Song