Shi Zhecun

Shi Zhecun

Shi Zhecun (December 3, 1905 - November 19, 2003), formerly known as Shi Depu, was born in Hangzhou, Zhejiang Province. He is a famous writer, translator, educator and professor of Chinese Department of East China Normal University.

He was admitted to Shanghai University in 1923 and then transferred to Datong University and Sinian University. Since 1932, he has been the chief editor of Modern Literature Monthly in Shanghai and engaged in novel creation. He is the representative of the earliest "New Feeling School" in China. Since 1937, he has been teaching in Yunnan University, Xiamen University, Jinan University, Datong University, Guanghua University and Hujiang University. He was transferred to East China Normal University in 1952. In 1993, he was awarded "Shanghai Literature and art outstanding contribution award". On November 19, 2003, Shi Zhe died in Shanghai at the age of 99.

Shi Zhecun is erudite and versatile. He has made great achievements in literary creation, classical literature research, inscription research and foreign literature translation. Shi Zhecun was also honored as a "senior translator" of Hungarian and polish by China Translation Association.

There is Shi Zhecun's anthology.

Life of the characters

When he was 8 years old, he moved with his family to Songjiang, Jiangsu Province (now in Shanghai); in 1922, he was admitted to Zhijiang University in Hangzhou, and the next year he entered Shanghai University, where he began literary activities and creation. In 1926, he was transferred to the special French class of Sinian University and founded ten days of Yingluo with his classmates Dai Wangshu and Liu Naou. In 1927, he returned to Songjiang as a middle school teacher. In 1928, he became the first-line bookstore and Shuimo bookstore in Shanghai, and took part in the work of trackless train and new literature and art magazine. In 1929, Shi Zhe used psychoanalysis to create novels kumaroshi and jiangjunditou for the first time in China, making him one of the founders of modern Chinese novels.

In 1930, he edited modern magazine, which introduced modernist trend of thought and respected the literary creation of modern consciousness, and had a wide influence at that time; in 1932, he edited modern magazine, a large literature monthly, and became a professional literary and art worker; in 1935, he was employed by Shanghai magazine company and co edited rare books of Chinese literature with a Ying. Since 1937, he has been an associate professor and professor in many universities in Yunnan, Fujian, Jiangsu and Shanghai (during which he once lived in Hong Kong). From 1951 to 1952, he taught in Hujiang University (now Shanghai University of Technology).

After the founding of the people's Republic of China, he taught in the Chinese Department of Shanghai East China Normal University (1952) and joined the Chinese Writers Association.

Shi Zhecun, an old writer in Shanghai, was beaten as a rightist because of his article "talent and virtue". This article cites historical allusions to show that "talent" is the basis of "talent" in "troubled times". As long as they are really capable, even criminals can be appointed, while "Virtue" can be emphasized in "prosperous times". Then, of course, new China is a "prosperous age". Communist Party members are all virtuous people with "communist morality", which should be very good. But in fact, some cadres with bad moral character influence the image of the party. At the same time, he thinks that "Lao Tzu fought guerrillas" is "merit", not "Virtue". If you have meritorious service, you can get profit and salary. Why should you take a position? I'm afraid it's not good to know business only by virtue. So the article finally comes down to the appeal of "not sticking to one pattern and using talents". Therefore, he was beaten as a rightist because of "the theory of troubled times" and "the fallacy of talent and virtue". He was once named by Lu Xun as the "third kind of person" who wanted to be neutral in the struggle of opposition. Now, "history has promoted him to a higher level" - the "third kind of people" has become the second kind of people: the second kind of people who oppose the Communist Party and socialism. This is Yao Wenyuan's great work.

During the anti rightist and cultural revolution, many people have seen Yao Wenyuan's masterpieces. When a group of great scholars were careful not to write articles and secretly expressed their feelings with fables and twists, Yao Wenyuan came out. His articles were thunderous, serious, alarmist, mysterious and lively. You can feel that he was very happy when he wrote them. According to some scholars' rough statistics, only in the anti rightist movement and within the scope of Shanghai, Yao Wenyuan criticized Wang ruowang, Xu maoyong, Shi Zhecun, Xu Jie, Xu Zhongyu, recklessness, Liushahe and others.

Two examples of Yao Wenyuan's wonderful essays on Shi Zhecun. First, it begins with a sweeping piece of "since the Rightists launched an attack on the party, they have poured their greatest hatred on the Communist Party. Whether it is Chu Anping's "party world", Ge Peiqi's "killing the Communist Party", Xu Zhongnian's crow, Shi Zhecun's "talent and virtue" No matter how much rhetoric there is, the sword is aimed at the leadership of the party. " (attitude towards party leaders is the touchstone for distinguishing rightists) second, it is vivid and pungent: "if Shi Zhecun shoots at the Communist Party with insidious cold arrows, and Xu Zhongnian cuts at the Communist Party with a knife in his hand shaking with hatred, then recklessness is to climb and roll on the ground, to spread out his hair, and to rush at the Communist Party and the Democratic People close to the Communist Party with rogue means - this is a case in point It is a new tactic of attacking the party. " (what's the trick played by recklessness) it was recalled that Yao Wenyuan wrote a composition when he was a child, and he was laughed and commented by his Chinese teacher: in order to pursue the effect of the article (touching or amazing), to write a composition, one must die. Is it a metaphor or a prophecy? At this time, Yao Wenyuan's sensationalism can not be underestimated. The son of Yao pengzi, who used to call "Uncle Shi" respectfully when he saw Shi Zhecun, was already a big pole appreciated by Zhang Chunqiao. He set the tone of criticizing Shi Zhecun, and later people agreed with him, such as the translator Wang Daoqian's "just as Comrade Yao Wenyuan said, Shi has changed from" the third kind of people "to" the second kind of people "- anti Socialist People", or like literary theorists to further develop Yao's point of view, he said that Shi Zhecun actually did not "fix" the third kind of people, and "he has always" settled "for more than 20 years He is the first person who opposes the Communist Party, socialism and proletarian literature. At that time, everyone had to declare their position, and Ba Jin and other writers had also co authored critical articles; Shi Zhecun's colleagues and students reported all kinds of "crimes" one after another. As a result, he bid farewell to literary creation and translation and turned to the research of classical literature and tablet relics.

In the 1980s, due to the influx of modernism into China, his literary creation began to be valued again.

The collections of short stories published include shangyuandeng, jiangjunditou, lishishi, the night of Meiyu, good women's deeds and xiaozhenji. The collections of prose include dengxiaji and dangdanlu. Some academic works and a large number of translations have also been published.

Shi Zhecun is famous for his psychoanalytic novels. He describes the flow of the characters' subjective consciousness and the changes of their psychological feelings, pursues novel feelings, integrates the subjective feelings into the description of the objects, and expresses the morbid urban life with fast rhythm. He has become one of the main writers of the "new Feeling School" in China.

As early as the 1930s, he was the most influential psychoanalytic novelist in China, and through one of the largest literary journals in the 1930s, he cultivated the most mature and perfect modernist school of modern Chinese literature, which made modernism enter into the Chinese modern literary world and form a climate, resulting in the tripartite confrontation of realism, romanticism and Modernism in the Chinese literary world Xiang Shi Zhe's status and contribution to Chinese literary world can not be underestimated.

In view of his contribution to literary creation and academic research, Shi Zhecun has been awarded the "outstanding contribution award of Shanghai Literature and art" (1993) and the "comfort award of Asian Chinese writers foundation".

At 8:47 on November 19, 2003, Shi Zhecun died of illness in Shanghai Huadong Hospital at the age of 99.

In October 2006, Shi Zhecun was selected as "outstanding alumni of Shanghai University of technology".

Shi Zhecun's former residence: Qishan village. He moved back to Qishan village in 1952 and died of illness in 2003. He has been dormant in Qishan village for nearly half a century.

Character experience

He was born on December 3, 1905 at shuitingzi, Hangzhou, Zhejiang Province.

In 1913, he moved with his family to Songjiang, Jiangsu (now Shanghai).

He was admitted to Hangzhou Zhijiang University in 1922.

He entered Shanghai University in 1923, published the first collection of short stories Jianggan at his own expense, and wrote Pinghua Shi Jian, which was signed by Shi Zhecun for the first time.

In 1926, he was transferred to the special French class of Sinian University and founded ten days of Yingluo with his classmates Dai Wangshu and Liu Naou.

In 1927, he returned to Songjiang as a middle school teacher. He translated the poems of the Irish poet Yeats and the Austrian writer cenizhler's Madame Belda garland.

In 1928, he served as the first line bookstore and Shuimo bookstore in Shanghai, CO edited literary workshop and trackless train with Dai Wangshu, and published novels and new poems such as Ninon and rain.

In 1930, he and Dai Wangshu edited the monthly magazine of new literature and art, and published novels such as kumaroshi, Fengyang girl, ah Xiu, flowers, and psychological novels such as general Di tou.

In 1932, he edited the large-scale Literature Monthly modern, published the Manifesto of founding, the novel the last quarter of autumn, and distributed the essays of wuxiangan. Li Shishi, a collection of short stories, was published.

In 1935, he applied for the position of Shanghai magazine company and co edited the series of rare books of Chinese literature with a Ying. He edited six issues of Wenfan essays, compiled twenty essays of the late Ming Dynasty, translated German novelist gleiser's 1902, and translated American writer Reed's art of today.

In 1939, he taught in Yunnan University and compiled the history of Chinese literature and the origin of prose

Chinese PinYin : Shi Zhe Cun