Gao Lei

Gao Lei

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He was born in Changle, Fujian Province, and was one of the ten talented people in central Fujian Province. At the beginning of Yongle, he took buyizheng as an imperial edict and moved to ancient books. On Tang Yin, the poet, the collection of Tang poetry is a milestone in the restoration of poetry in the early Ming Dynasty and an important critical work of Chinese literature. His theory of returning to the ancients has a direct influence on the former and the latter.

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Gao was born in the 10th year of Zhizheng reign of Huizong in Yuan Dynasty and died in the 21st year of Yongle reign of Chengzu in Ming Dynasty. He was 74 years old. Since childhood, he has been good at writing poems, calligraphy and painting. During the Hongwu Period of Ming Dynasty (1368-1398), Gao became close friends with scholars such as Chen Liang and Wang Gong. He also wrote poems and wine with scholars such as Zheng Ding and Wang Xi. He was also known as "ten talents in central Fujian" with ten scholars such as Lin Hong, Chen Liang, Wang Gong and Zheng Ding.

In the second year of Yongle (1404), Gao Zhen recommended cloth clothes to the capital to participate in the compilation of Yongle Da Dian. Gao was appointed to the Imperial Academy. In December 1408, Yongle Dadian was successfully compiled. Some compilers were sent back to their hometown. Gao Yu remained in the Imperial Academy and was promoted to a classic in 1412. In 1423, Gao died in Nanjing.

Literary achievements

Gao's poetry, calligraphy and painting were known as "three unique", and his artistic achievements were very high. His calligraphy respected Mi Fu, landscape painting scholar gaofangshan yuan, ancient brush, ink show run, self-made. He imitated the Yanyun landscape painting of the square pot, which was especially exquisite, and many people wanted to draw.

Gao's highest achievement is poetry, especially the five character ancient poetry. He first advocated taking Tang poetry as an example. Most of the poems he wrote before entering Beijing described the magnificent scenery of the mountains and rivers of the motherland, and the poems he wrote well were comparable to those of Wei Yingwu and Liu Zongyuan, the famous poets of the Tang Dynasty. After entering the Imperial Academy, he wrote many poems and essays for social intercourse, but no clear thinking. He and Lin Hong were called the pioneers of Minzhong poetry in Ming Dynasty.

The collection of Tang poetry compiled by him is a prominent manifestation of the development of the trend of returning to the ancients and worshiping the Tang Dynasty in the early Ming Dynasty, and has a direct enlightening effect on the later seven sons' literary thoughts. Gao's poetic thought was deeply influenced by Yan Yu. He further developed Yan Yu's Canglang Shihua with the method of prosperous Tang Dynasty, established the idea of dividing Tang poetry into four periods: early, prosperous, middle and late, and taking prosperous Tang as the orthodox, and emphasized the importance of distinguishing styles. The purpose of distinguishing style is to correctly understand the "essence, coarseness, evil and righteousness, length and inferiority" of different poets in different times. The standard of distinguishing style is to advocate "the sound of prosperous times", advocate "elegance, uprightness and simplicity" in art, and take Li Bai and Du Fu's poems of prosperous Tang Dynasty as examples. In addition, the thought of style theory has been initially reflected in the collection of Tang poetry. "Wenyuanzhuan of Ming history" says that Gao's "collection of Tang poetry" is "the end of the Ming Dynasty, and Guange Zongzhi" (wenyuanzhuan of Ming History) and "xiaocaozhai Shihua" write: "the reason why Ming poetry belongs to Tang Dynasty is that Gao Tingli has made great contribution to it." Although it may have a great reputation, it undoubtedly had a great influence on the development of literary thought in Ming Dynasty.

Gao Peng has written 20 volumes of xiaotai collection, 14 volumes of Mutian Qingqi collection, 10 volumes of wanyulou poetry and essays, and 10 volumes of Shiyi.

Selected Poems

[spring tide on Qiao Island]

Yingzhou see sea color, tide like wind and rain.

The early sunshine is cold and the sound of spring is on the lonely island.

Flying sail in the mirror, looking into the peach blossom.

[XiaGu Yunquan]

The clouds and shadows of the mountain are green, and the sound of the spring is disordered at the end of the stream.

There is no June in Changlin, but autumn is cold in Ficus pumila.

[Zheng erxuan's Hainan letter]

Panyu tianwai Gujiao state, Nianzi southbound, nostalgic tour.

My country is backward in flowers, and I send geese to autumn from afar.

There are few people in Meibian, but green mountains on the sea worry about customers.

In order to report the floating clouds and shadow of the road, the boat was led back with the bright moon.

Chinese PinYin : Gao Bing