Guandong ancient lane

Guandong ancient lane

Guandong ancient lane has a history of one hundred years in Harbin City, but its geo culture can be traced back to one thousand years. Over the past thousand years, culture has come down in one continuous line, including Jinyuan culture, Kanto culture, Chinese Baroque culture and fashionable urban culture.

Push open a baroque door, you will enter the Guandong ancient lane of Qunli south bank Cultural Square. Clear brick and tile, white ash joint, carved eaves, corridor chain, this is a plain description of the ancient lane in Guandong. The builder condenses Harbin People's Guandong complex in this ancient lane. Entering the ancient lane in Guandong is like entering a time tunnel, crossing time and space, and enjoying the halbin culture from ancient times to the present.

Northeast area is known as "Guandong" and "Baishanheishui". The main body of Guandong ancient lane is Heilongjiang cultural circle. Learn the essence of regional culture and change the concept of designers. When ideas change, there will be a myriad of skills. Paying attention to the experience of "at any time" makes the traditional unity and center thoroughly dispelled, forms interactive participation, and pays attention to the life state of ordinary people. Visitors will be pleasantly surprised in the experience at any time, and the design will pay more attention to grassroots and people-friendly.

The building is characterized by modern antique architecture, mainly to buy a variety of snack bars in the lane, showing the ancient northeast style.

Impression of Guandong ancient lane

Guandong ancient lane -- Taking Guandong ancient lane as an example to show northeast culture

Wang Jianwei

Heilongjiang Guoguang architectural decoration design and Research Institute Co., Ltd

< I Abstract < / I: the Symposium on "developing and prospering Chinese architectural culture" held by Chinese Architectural Society in Beijing on January 5, 2012 marks the return of local design culture with regional culture and national characteristics. This paper tries to show the Northeast Folk Customs in an indoor characteristic street, mainly black soil culture, and the organic integration of regional folk culture and commercial format. Experience the local conditions and customs, experience the life of Kanto, with "Kanto love, Kanto art, Kanto flavor" as the exhibition content.

< I key words < / I: Northeast culture experience Chinese Baroque circle building at any time

introduction

The special natural landscape, long-term ethnic integration and the mixture of Chinese and foreign cultures form the diversity of Harbin culture.

1. Overview of northeast culture

1.1 black soil culture foundation

(1) Minority culture: the ancient and primitive Ewenki, Oroqen, Hezhe, etc. are mainly based on fishing and hunting culture.

(2) Jinyuan culture: nvzhenren and her successor Manchu created the national culture handed down from generation to generation in the 11th century.

(3) Chuang Guandong culture: since the late Qing Dynasty and the Republic of China, a large number of people from the Central Plains have entered the northeast region, and Chuang Guandong culture is dominated by the Central Plains culture of the Han nationality.

(4) Russian Culture: in the first half of the 20th century, the arrival of a large number of Jews, poles and Russian nobles and the establishment of consulates in various countries brought cultural diversity and strong Russian complex.

1.2 the expression style of Kanto culture

Warm, tolerant, exotic, brave and reckless, open and conservative coexist. Central Plains culture is the main body of Northeast Regional Culture (Figure 1-3).

2. The expression of northeast culture in Guandong ancient lane

2.1 original architecture in interior design

The plane of Guandong ancient lane is in the shape of a half moon (Fig. 2-4), which is the middle of the two adjacent buildings, and the elevation modeling is complex.

The characteristics of space combination, construction technology and decorative art are extracted from the architectural elements of northeast residential buildings. Interior space architecture is an important expression element of ancient lane, which reflects the emotion of the whole space and the main body of regional culture.

(1) Architectural elements of traditional dwellings in Northeast China

The traditional residential buildings in Northeast China include: Han nationality traditional residential buildings in Northeast China, Manchu nationality traditional residential buildings in Northeast China, Korean nationality traditional residential buildings in Northeast China,

The main body chooses the form of Manchu residence. Manchu dwellings developed from half cave dwellings and were greatly influenced by Han dwellings. The Manchu folk houses are different from the Han people's rules, for example, the method of crossing the bucket is integrated into the beam lifting wooden frame; the interior is a rolling shed type roof, but the appearance is made into a ridge; the outer corridor is added on the basis of the hard top to form a resting peak form. The plane of single building has "pocket room, wanzikeng, chimney standing on the ground", which vividly summarizes the basic image of Manchu houses.

The facade shape of Guandong ancient lane accounts for 2 / 3 of the total space. The facade features follow the architectural facade division of Manchu residents: platform base, wall body and roof. The overall feeling is very solid and heavy. There is no pure decorative component in the building, so the style is simple. A large number of green bricks and grey tiles are used, and the overall tone is dark. The doors and windows are decorated with some bright colors, which makes them simple and elegant (Fig. 2-5).

"Hard mountain" is a typical feature of Manchu dwellings. The roof materials include small green tiles and grass roofs. The wall body is mainly doors and windows, and the wall under the window is made of gray green bricks. The window is a branch window, and the lattice pattern is well shaped (Fig. 2-6). Among the seven customs areas of Guandong ancient lane, six areas adopt the architectural style of Manchu folk houses.

(2) "Chinese Baroque" architectural elements

The integration of foreign culture and local culture not only has the characteristics of Chinese traditional culture, but also has the connotation of foreign culture,

It is reflected in the architectural features of Harbin. "Chinese Baroque" architecture is that the working people use their intelligence to integrate the style of Baroque architectural school into the national tradition, creating a highly valuable and unique combination of Chinese and Western Architecture (Figure 2-7). The interior space of the building is the traditional Chinese courtyard, mostly two-story and three-story. Harbin is called "circle building" (Figure 2-8). "Circle building" is also a kind of courtyard, which reflects the space layout of social concept and natural concept.

In Guandong ancient lane Chinese Baroque courtyard style area, the Chinese Baroque building block and "circle building" form are used to set up

Work out two separate spaces. The architectural structure of Chinese Baroque is western. The decoration is traditional Chinese patterns, such as pomegranate, peony, plum blossom and begonia, which symbolize wealth and auspiciousness. Animal patterns, such as bat, deer and crane, which symbolize fortune, fortune and longevity, are used. The use of wooden stairs and balconies in the "circle building" not only increases the vertical traffic space of the building, but also enriches the architectural form. The architectural form of one-sided cornice slope conveys the intention of "fat water does not flow to the field of outsiders" in Chinese folk custom.

(3) Architectural elements with ethnic characteristics

The architecture of Ewenki, Oroqen and Hezhe nationalities is formed in the relatively primitive regional natural environment

The independent and unconnected bodies formed by simple geometric bodies or superposition of each other show simple geometric characteristics. "Xierenzhu" and "cuoluoankou" are cones (Fig. 2-9). Wood carving, horse rack and "Oren" are all made of horizontal triangular prism and cuboid. The building height is generally 2-5M, and the side length or diameter is 1.5-7m. There are few windows, which are built with natural environment materials, mainly birch, log, etc. the outer skin is reindeer skin, birch bark and grass mud, etc. these architectural elements are fully extracted from the minority customs area of Guandong ancient lane.

2.2 cultural expression of the seven courtyards

On the basis of fully understanding the three architectural elements, the local material folk custom, social folk custom and spiritual folk custom are integrated to provide reference for the whole building

Add rich and colorful decoration content to the ancient lane of Guandong. According to the plane analysis, Guandong ancient lane is divided into seven customs areas. The forms of courtyards in each area are interrelated. A theme corridor is formed between the two adjacent courtyards, which is also the main passageway for people flow on the second floor.

Material folklore of Kanto: paper cutting, northeast three treasures, pickled cabbage, vermicelli, ice and snow culture; social Folklore: Northeast three monsters, yabuliyan, wurigong, Hari, etc.; spiritual Folklore: chuangdong, ice and snow painting, Errenzhuan, Northeast Folk Song, northeast Yangko, etc. Landscape nodes, interactive experience area, theme culture exhibition area and shopping and rest area are arranged alternately to show the Kanto culture in an all-round way.

(1) Enter the entrance hall of Guandong

The entrance area of Guandong ancient lane is the main entrance of the whole ancient lane, giving visitors the first impression (Figure 2-10). Considering the superiority of location, the theme of "Chuang Guandong" is highlighted. It embodies the main vein of grass-roots history and culture and expresses the spirit of "running through the East". That is to dare to fight against tribulations, dare to fight against fate, and "rush" to strange places and "rush" to promising places. Mature in "Chuang" and grow up in "Chuang". People are the carrier of culture and information, and the flow of people is the flow of culture. The culture of Central Plains is advancing to the Kanto area on a large scale, and the cultural exchange has entered a stage of great integration. The large-scale theme sculpture "Chuang Guandong" tells the story of that period of history. A stage is set at the entrance of the entrance hall into the rural area, so that people can still feel the local flavor of the Central Plains.

(2) Rural Courtyard Area

Through the heavy stage, you can see a bunch of peppers hanging on the gray brick wall, red lanterns hanging high, a rustic flavor of northeast farmyard (Figure 2-11). On the second floor, there is a faint light from the window, and the air is filled with the peculiar smell of cooking smoke, which makes you go back to the countryside. In this area, the folk customs of Kanto get the most display, such as the three monsters, the corn basket, the warm Kang and so on. In the Dragon land of the Qing Dynasty, the Northeast countryside

Chinese PinYin : Guan Dong Gu Xiang