Zhu Qizhan Art Museum

Zhu Qizhan Art Museum

Zhu Qizhan art museum is a public art museum named after Mr. Zhu Qizhan, a famous contemporary Chinese calligrapher and painter. It was built and opened in 1995.

Introduction to the library

It is not only a specialized organization for collecting, displaying and researching Mr. Zhu Qizhan's calligraphy and painting art, but also an important window for carrying out art exchanges at home and abroad, fulfilling the functions of small and medium-sized art museums. Since its establishment, it has carried out research, collection, exhibition, exchange and art education with the goal of high quality and academic. Since its opening, the museum has devoted itself to Mr. Zhu Qizhan's art research and publishing exhibitions, and has also successfully held a series of influential art exhibitions, including the introduction of foreign excellent exhibitions, the strengthening of exchanges and cooperation with the museums of other provinces and cities, and the realization of resource sharing. At the same time, it also planned some thematic exhibitions of contemporary artists, which produced better social benefits and established a good reputation.

building structure

Located in the northeast corner of Lu Xun Park in Shanghai, the Museum covers an area of 750 square meters and a total construction area of 1500 square meters. It is a three story building with grey walls and green tiles in Jiangnan style. A 2-meter-wide, 10 meter long granite passage ushers the audience into the hall. West to the park, a row of transparent glass doors, a panoramic view of the garden green. Surrounded by plum trees in front of the door, the scenery is quiet. The preface hall has a white marble bust of Zhu Qizhan and a historical materials exhibition room, as well as an elegant VIP Hall and a multi-function exhibition and conference hall of 100 square meters. The second floor is divided into two halls, the South Hall is 140 square meters, and the wall is covered with closed floor glass. The North exhibition hall, with an area of more than 200 square meters, is a place for holding all kinds of art exchange exhibitions. On the third floor, there is a "plum blossom thatched cottage" named after Qi Laozhai, covering an area of 80 square meters. It is a place for high-level academic activities. The painting tables, tables and chairs are imitated Ming style furniture, simple and elegant. On the desk are displayed some of Zhu Qizhan's literary relics. On the one hand, a brick and inkstone of the Jin Dynasty 1500 years ago and a bare pen tell us the process of Zhu Qizhan's silent cultivation in art.

Collection characteristics

The collection of Zhu Qizhan art museum is based on the art works donated by Mr. Zhu Qizhan, including more than 100 works of Mr. Qi himself, more than 70 works of contemporary famous painters and calligraphers, as well as 30 works of famous painters and calligraphers collected by Mr. Qi over the years. Although these ancient paintings are remnants of the disaster, there are not many of them, but there are many fine ones. In recent years, our museum has been collecting some excellent works of contemporary artists in a planned way, gradually enriching the collection, which is still at the top of the collection of similar museums.

Zhu Qizhan Art Museum has a good professional service system. Its business structure is mainly composed of academic department (Research Department), collection department and Exhibition Department. Apart from collecting, publishing, researching, displaying and organizing art exchanges, we also carry out extensive art education and popularize elegant art.

The idea of running a library

After ten years of pioneering work, the museum will take "traditional innovation, modern classics and today's vision" as its academic orientation, and take "inheriting historical context, innovating Modern Classics and cultivating new artists" as its idea. At the same time, it will take the academic construction of Shanghai new ink as the breakthrough point to build a new ink forum, face the international and future, and promote the development of contemporary art with national characteristics The exhibition will also work hand in hand with Shanghai Duolun modern art museum to build a modern culture and Art Center in the northeast of Shanghai!

The ink age of Zhu Qizhan Art Museum

Jointly sponsored by Zhu Qizhan Art Museum and Shanghai Duolun Modern Art Museum, Shanghai New Ink Art Exhibition 2010 will open at Zhu Qizhan Art Museum at 3:00 p.m. on May 15, 2010. The exhibition is supported and co sponsored by Changshu Museum, Shanghai Chinese Painting Academy, Shanghai calligraphy and painting publishing house and Wuhan Art Museum. At the same time, in order to deepen the academic topic of the exhibition, an academic forum on "ink age" will be held at Zhu Qizhan Art Museum from 9:30 p.m. to 6:30 p.m. on May 16, 2010. It will be presided over by the critic Mr. Wang Nanming, and many authoritative scholars such as Huang Zhuan, Gao Minglu, LU Hong, PI Daojian, Zhu Qingsheng, Lin Shu, Lu Fusheng will be specially invited to attend,

Since 2005, Zhu Qizhan Art Museum and Shanghai Duolun Modern Art Museum jointly established the "Shanghai new ink base" and jointly held the first exhibition "harmony between heaven, earth and man" - 2005 Shanghai new ink art exhibition. Up to this exhibition, it has been five years. The influence of "Shanghai new ink art Exhibition" has changed from the original regional characteristics of contemporary "Shanghai style ink" In the first exhibition, Liu Guosong, a Taiwan ink painter with international influence, was one of the sponsors. In the third exhibition "ink on the road" held in 2007, artists with high achievements in overseas, Southeast Asian and global Chinese cultural circles appeared in the list of participating artists, such as Zhao Wuji and Zhu Dequn In the sub Exhibition "overseas ink charm" of 2009 Shanghai new ink and wash art, the participation of overseas Chinese, especially foreign artists (such as the United States, Canada, South Korea, Japan, etc.) has made the academic influence of the exhibition widely spread at home and abroad, and many in-depth discussions on the topic of "modern ink and wash" in this exhibition have made "Shanghai new ink and wash" more and more popular "Ink art exhibition" has become an international classic and contemporary ink art exchange platform. With the arrival of the 2010 World Expo, Zhu Qizhan Art Museum and Shanghai Duolun Modern Art Museum continue to work together to prepare for the "ink age - 2010 Shanghai new ink art exhibition", with the Shanghai style art mind of taking advantage of the advantages of many people and holding the Expo, to show the world the Chinese classic and contemporary ink art. This exhibition is mainly divided into two parts: traditional ink painting classics of Zhu Qizhan Art Museum and contemporary ink painting of Shanghai Duolun modern art museum. The exhibition of Zhu Qizhan art museum is composed of two themes. One theme is "tracing to the source and ink painting". It mainly shows the history of Shanghai style painting art in the form of literature and modern calligraphy and painting exhibition, looking back and sorting out the background of contemporary "new ink painting". Another theme is "contemporary ink classics", which will present the appearance of some contemporary Shanghai style new works, and invite representative artists in China to participate in the exhibition to present the continuity and innovation of traditional ink painting in the form of North South dialogue. In the Duolun Art Museum part of "the edge of ink", "the other side of ink" The three sub exhibitions of "the third abstraction" are respectively planned by Mr. Wang Nanming, Mr. Jiang Qigu and Ms. Ma Lin, and are academically hosted by scholars such as Zhu Qingsheng. The exhibition invites ink and wash artists from all over the country and even overseas to profoundly reveal the transformation of traditional ink and wash language in the context of contemporary art through their vision, image, installation and other various art forms Derivative.

In addition, Zhu Qizhan Art Museum, whose mission is to inherit classics and pay attention to the contemporary era, has held a series of exhibitions, such as "ink and mind - Qi Baishi, Zhu Qizhan, Liu Haisu joint exhibition" and "Zhu Xuanxian painting exhibition", in order to present the inheritance and deduction of traditional cultural spirit, and try to show the unique language of ink art.

Introduction to Zhu Qizhan

He was born in Liuhe new town, Taicang, Jiangsu Province on the second day of may in the 18th year of the reign of Emperor Guangxu of the Qing Dynasty. He was named Zengjun and was named Qiya and erzhan Laomin. Zhai Name: Plum Blossom cottage, pisiju, yangchangpu room, Xiuzhu Wulu. Grandfather changyigong, the word Xiangzhou. Business, there are Confucianism, silence, set up good hall, set up seven righteousness temple, in the village more good deeds. His father, Dakun, inherited his ancestral business to run a soy sauce garden and was always ready to give. Mother Shi, the daughter of Shi Lianshi, a Confucian businessman in Liuhe Town. He has published the collection of Zhu Qizhan's paintings, a talk on pisiju's paintings and selected works of Zhu Qizhan's paintings.

On May 4, 1991, Zhu Qizhan, a 100 year old art master, was approved by the Committee of Shanghai Municipal Bureau of culture of the Communist Party of China, and was absorbed into the party, becoming the oldest New Party member in China.

My husband lost his mother when he was eight. His father hired a scholar, Tong Songyu, as a teacher, studying in Xiuzhu Wulu, an old house in Xinzhen. In his spare time, he painted orchids and bamboos to amuse himself. Mr. and his mother are deeply attached to each other. Whenever they miss each other, they cry. The schoolmaster was dejected. He stroked his head and recited "the book of songs · Wei Feng" which said: "I'm looking forward to my mother, I'm looking forward to her." So he changed his name to Qizhan. After that, Yu Jiashu studied painstakingly and kept learning painting. After the victory of the Anti Japanese War, when he was 14 years old, he got his uncle's support and went to Baoshan school. During this period, he often painted and contributed to Shanghai times. At the age of 17, he graduated from Baoshan county school and was admitted to Shanghai Industrial School (the predecessor of Shanghai Jiaotong University). I have learned from Tang Wenzhi, a famous Chinese scholar. In the meantime, he continued to study painting on his own. Master Tang solemnly admonished: "when practicing calligraphy and painting, you must focus on the points and strokes, and do not be slippery." In order to show that he will never forget his purpose in the painting world in the future.

Since he was eight or nine years old, he began to study painting and pursued art for nearly a century. In his painting of pisiju Tan, he said that "over the years, Mr. Yu has been seeking for himself with the words" independence "," strength "and" simplicity ". "Independence" means being loyal to one's own face and not following the door; "strength" means being attentive, calm and vigorous, which also contains the depth of the author's thought, namely "mental strength"; simplicity means being concise, simple, free from worldly constraints, not persistent, and not sticking to the tape. "Spiritual harmony" and "penetration" of shock works. Reflect the pursuit of never tired spirit, sir that modest, open-minded

Chinese PinYin : Zhu Qi Zhan Yi Shu Guan