Fujian Yuangu History Museum

Fujian Yuangu history museum is located in the beautiful city of Ludao, surrounded by Wuyuan Bay, facing the famous Xiamen yacht wharf and Xiamen Wuyuan Bay Music Island.

Fujian Yuangu History Museum

Fujian Yuangu history museum is located on the 4th floor, No.15 Longshan East Road, Siming District, Xiamen City, Fujian Province, with a construction area of 1200 square meters, a display area of 1100 square meters and a collection of 4566 cultural relics. Our museum is the first comprehensive private history museum approved by the Fujian Provincial Department of culture's reply on the approval of the establishment of Fujian Yuangu History Museum (min cultural relics [2011] No. 124) and the Fujian Provincial Department of Civil Affairs's reply on the establishment and registration of Fujian Yuangu History Museum (Min Min Museum [2011] No. 256).

architectural composition

Fujian Ancient History Museum

Located in the beautiful city of Ludao, the museum is the first comprehensive private history museum approved by the Department of culture of Fujian Provincial People's Government (reply of Fujian Provincial Department of culture on the approval of the establishment of Fujian Yuangu History Museum (min cultural relics [2011] No. 124). The exhibition area of the Museum is 1100 square meters.

There are six exhibition halls in the museum, which mainly display Majiayao painted pottery, covering shilingxia, bianjialin, Machang, Xindian (Tang Wang style), Caiyuan, Siwa, Siba, Banshan and other cultural types; small and exquisite plain pottery and painted pottery of Yangshao culture and Longshan culture; Ming and Qing porcelain; jades of the warring and Han Dynasties and Ming and Qing Dynasties; Buddha statues and magic weapons of Wei, Jin, Sui, Tang, Ming and Qing Dynasties; and traditional crafts of Southern Fujian Exhibition; Ming and Qing Dynasty furniture; Ming and Qing Dynasty Hainan Huanghua pear official hat chair, Hainan Huanghua pear piano table, red sandalwood painting case, old sour branch flower table, beauty couch, Qiangong bed and other valuable furniture. The museum also displays red culture and the world's tallest (2.8m) lacquerware statue of Chairman Mao during the cultural revolution.

corporate culture

1. Inheritance

The invention of pottery is an important process of human civilization. It is the first time that human beings use natural things to create a new thing according to their own will. It is a milestone in the history of human production and development. It is her civilization that we admire when we read history. The painted pottery of Ma Jia Yao is known as the root of Chinese calligraphy and painting. As a special implement, she condensed the essence of China's civilization. As the first private museum in South China to display all kinds of Majiayao culture, our museum will show these ancient civilization envoys and weave them together, which will outline the lines of Chinese history for thousands of years. Many past events will be condensed into these painted pottery.

2. Innovation

In terms of museum business format, our museum adheres to the concept of "big museum", extends the museum industry chain, and combines museums with cultural and creative industries, cultural leisure tourism, Cross-Strait Academic exchanges, cultural art identification training, etc. to build a Xiamen style "Guggenheim".

Our museum attaches great importance to the combination of museums and cultural and creative industries. Our museum has become a member of the most famous cultural and creative industry institution "cross strait cultural and Creative Industry Research University Alliance". More than 70 well-known universities on both sides of the Strait, such as Taiwan University of Arts, Xiamen University, China Media University, have set up research and teaching bases in our museum.

In order to tap the "grassroots" creative class and build a platform for college students to start their own businesses, our library is trying new business forms of cultural industry: Art Bank and art supermarket. Through the introduction of investment capital and the establishment of an art bank, it is planned to subsidize the creation of cultural and creative industry practitioners and college students. The original works can be displayed and sold in the "art supermarket". From the capital, products, exhibition, value-added, sales, to form a complete industrial chain.

3. Environmental protection

Our library adheres to the concept of environmental protection and starts with details. Most of the decoration objects in the museum come from the old building materials in Southern Fujian. The floor is made of stone slabs from Jiageng road in Jimei. The exhibition cabinet, the most important equipment in the museum, is made of old boat wood, thick and steady.

4. Vernacular

Fujian Yuangu history museum is rooted in the south of Fujian. The architectural style of the whole museum presents a strong local flavor of the south of Fujian. More importantly, our museum actively promotes the cultural heritage of Southern Fujian, and is making every effort to promote Nanyin, which is known as the "living fossil of Chinese music". Our museum is the only one in China with its own independent Nanyin performance group. In addition to regular visits, our museum will provide free Nanyin performance to the audience, and increase interactive links such as Nanyin teaching, so that the majority of visitors can understand Fujian Southern traditional music. In addition, our library actively promotes Minnan guchao games, such as rolling iron hoops, throwing sandbags, playing top, playing marbles, etc. These traditional folk games not only carry the childhood memories of many visitors, but also are part of traditional culture. Nowadays, more and more teenagers will come to our library on weekends to experience the heavy traditional culture of Southern Fujian in the process of playing.

Expert team

Pan Shimo, executive vice president of Xiamen University

Huang Guangnan, President of Taipei University of Arts and former director of Taipei Museum of history

Guo Dashun, the leader of Hongshan culture, is the honorary director of Liaoning Institute of cultural relics and archaeology

Zhu Minying: a famous expert in Cultural Relics Identification in China

Fan Zhou -- President of the Institute of cultural industry, Communication University of China

Lin Pansong, vice president of Taiwan Normal University

Su Li, Dean of Art College of Xiamen University

Collection

Tao Xiao

The owl has a sharp beak and round eyes. The foot and tail of the hawk are instrument feet. Its sculpture technique is primitive. He looks dignified and lifelike. It is said in ancient times that owls are unfilial. "Meng Kang said that owls eat their mothers, while mirror breaking beasts eat their fathers. The Yellow Emperor wanted to eliminate them, so that all the officials' temples could use them. As Chun said, "on May 5 of the Han Dynasty, it was used as an owl soup to bestow on all officials." Owls are owls. The largest number of owls unearthed in Hongshan culture is more than ten centimeters high. They have different postures, including imitations and abstractions. The combination with other animals is also changeable. During the Hongshan culture period, people were often attacked by other wild animals, hoping to fly like birds to avoid being hurt; people lived a life of farming, animal husbandry, fishing and hunting, and hoped to catch their prey as easily as eagles. Owl has all these advantages. Owl is a common raptor in western Liaoning Province. It can fly high in the night and give people a mysterious sense of yin and Yang.

symbolize

Therefore, during the period of Hongshan culture, the ancestors hoped that owls could give them the magic power to fight against the nature. It is inevitable that owls become the totem worship of the ancestors during the period of Hongshan culture. Athena, the goddess of wisdom in ancient Greek mythology, is said to love owls. Therefore, the ancient Greeks worshipped the owl very much and thought it was a symbol of wisdom.

Boutique

Tiangong Kaiwu (hall name) -- Neolithic Culture

Stone tools refer to tools made of rock as raw materials. They are the main production tools of human beings at the beginning of human history. Mao Zhuan (Mao Heng): "the treatment of bone is cutting, the elephant is learning, the jade is carving, and the stone is grinding". Cutting, learning, carving and grinding are the processing methods of bone, tooth, jade and stone. In the Paleolithic age (about 2.5 million to 10000 years ago), stone tools were used to make stone cores or pieces into certain shapes. In the Neolithic Age (18000 to 4000 years ago), stone tools were used to make or cut stone into proper shapes, and then ground on the stone.

People choose rocks to make stone tools, use them as weapons or original tools of production, transform themselves in the struggle with nature, and learn to use the original tools to engage in labor. This is the fundamental difference between man and ape. The emergence of production tools improves the efficiency of agricultural production, accelerates people's development and utilization of land, and promotes the process of social development. As a tool of life and labor, stone tools are the necessities of human survival; they are also sacrificial objects and works of art to enrich spiritual life.

Pottery melts the world -- pottery

In the book of rites, pottery Pao is used for utensils, such as Zun, GUI, zudou and pot, or practical utensils of ancient system. In Guo Moruo's Chinese history manuscript, "the emergence of pottery is an epoch-making invention and creation in the struggle against nature". The emergence of pottery marks the beginning of the Neolithic age. Hongshan culture pottery can be divided into four types: clay made red pottery, sand mixed grey pottery, clay made grey pottery and clay made black pottery. They are decorated with string patterns, carved patterns and additional stacking patterns. The diamond pattern composed of string patterns has begun to take on the characteristics of thunder patterns. The invention of pottery is an important process of human civilization - it is the first time that human beings use natural things to create a new thing according to their own will. It has opened a new chapter for human beings to use and transform nature, which is of great epoch-making significance. Clay fired pottery not only changes the nature of the object, but also creates a shape that is easy to use. It makes people in the processing of food, in addition to barbecue, but also increased the cooking method.

Straight mouth short strength round shoulder flat bottom pot with nine beast dragon pattern

The pot is made of clay and grey pottery. The pot is decorated with dragon, snake, fish, sparrow, deer and other decorative patterns. The totems of the Yellow Emperor (bear, dragon, turtle, cloud, bird and so on) recorded in ancient Chinese literature are as follows: first, bear, "the Yellow Emperor has bear" in historical records; second, dragon, "Xuanyuan, Huanglong" in historical records; third, turtle, "I Ji's family comes from Tianyuan" in Guoyu; fourth, cloud and Hongshan

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