Shu Qiao

Shu Qiao

Shu Qiao, female, born in April 1933 in Cixi, Zhejiang Province, is a Chinese dancer, national first-class director and first-class actor.

At the age of nine (1942), Shu Qiao entered the Central Soviet Area with his parents and joined the army at the age of eleven (1944). In 1949, with the third field champion in Shanghai. From 1951 to 1953, he studied dance in the Central Academy of Drama (Cui Chengxi dance research class). Return to Shanghai after graduation. Xin'an tour group was renamed Shanghai Opera House.

Life of the characters

At the age of 11, Shu Qiao joined Xin'an travel group and began to work in revolutionary literature and art. She has studied dance from Wu Xiaobang, Dai Ailian and famous Kunqu performing artists Wang Chuanling and Hua Chuanhao. She has profound attainments in Chinese classical dance and folk dance. She is full of exquisite personality, different status and different charm in different ages. From 1950s to 1960s, he has starred in sword dance, bow dance and dance drama Xiaodao club, baoliandeng, Niulang Zhinv, etc. In terms of choreography, she has a wide range of dance works of different types and genres, with rich means of expression and diverse styles.

Since 1979, Shu Qiao has cooperated with other choreographers to create dance dramas such as "running to the moon", "Yue Fei" and "painted skin", which have made tentative efforts for the innovation of Chinese dance dramas. Her "bow dance" and "sword dance" won the Gold Award and bronze award in the 7th and 8th World Youth Student peace and friendship Festival respectively.

Shu Qiao has visited the Soviet Union, India, Indonesia, Myanmar, North Korea, Australia and other countries to perform and give lectures. He once served as deputy head of business of Shanghai Song and Dance Troupe (1974), artistic director of Hong Kong Dance Troupe (1986-1994), and vice chairman of the fifth and sixth national Dancers Association. At present, he is the deputy head and choreographer of Shanghai Song and dance troupe, vice chairman of China Dancers Association and vice chairman of Shanghai Branch.

Creating plays

1. Knife club, 1959. (one of the choreographers. She won the 20th century classic award and played the heroine Zhou Xiuying. It was filmed in 1960.

2. Hou Yi and Chang'e, 1960. Mainly choreographed and acted as the heroine Chang'e.

3. The great wall of the South China Sea, 1962. (choreographer 1)

4. "Wind and thunder in Miaoling" (ballet), 1970 (co choreographer)

5. Shining red star (ballet) 1974 (co choreographer)

6. Ode to the bonfire (ballet), 1975

(the following are the main choreographers)

7. Running to the moon, 1980

8. "Yue Fei" 1982 (Shanghai Spring excellent Drama Award)

9. Painted skin 1983 (Shanghai Spring excellent Drama Award)

10. Song of everlasting regret, 1984. (opening ceremony of Singapore Arts Festival)

11. "Sister Yu Qing" in 1985 (88) went to Beijing to participate in the national dance drama. Nominated for the 20th century classic Award)

12. The golden woman, 1986

13. New version of Yue Fei 1986 (opening ceremony of Asian Art Festival)

14. "The Yellow Earth" 1986 (in 88 to Beijing to participate in the National Dance Drama)

15. Love between the sun and the moon, 1988

16. Chinese classical dance, 1988 (performed in Taiwan Traditional Art Festival)

17. Love poems of Dalai VI, 1989

18. Rouge button was created in 1990 and was invited to perform in Canada in 1991. It was rearranged in Shanghai in 1994. He was nominated for outstanding contribution in Shanghai Art Festival. Baogang cup excellent play award and Director Award

19. "Red snow" participated in Kunming China Art Festival in 1991

20. Parking questions, 1992

San Mao was jointly produced by China, Hong Kong and Taiwan in 1994. Performed at the Hong Kong China Art Festival. 95 Shanghai Art Festival

22. The five one project award of "youth sacrifice" in 1997 and 1999

23. "Sword dance" participated in the choreography and led the dance, and won the bronze medal in the 1957 international competition

24. Gold medal in 1960 international competition of bow Dance Choreographer

personal works

After fame

The dance drama "knife party" was made into a movie, and suddenly I was all over the street: I swaggered in the window of the photo studio, I posed on the cover of books and newspapers, and even the washbasin and dinner plate in the department store were printed with me holding the bow and arrow The huge movie poster of "knife club" on the street, I was flying in the sky, several times bigger than myself.

This is becoming famous! I wandered alone in the street, savoring excitement and novelty. Indulge yourself in watching four movies in a row, and indulge yourself in buying big bags of flat olives and spiced beans. It's a consolation to yourself oh Make a name for yourself.

When I woke up the next day, the sun was the same as before. It's crowded to work. Entering the theater gate, I suddenly saw my good friend Yun Yingshi walking in front of me. The heroine of the little knife club was originally her, not me. At that time, I was a choreographer. Later, I became Zhou Xiuying's b-corner and danced in groups.

The day I decided to be the heroine of the little knife club was very sudden. At that time, I was sweating and practicing martial arts, and I was told to go to the hospital office. "Change your clothes quickly and go to the film factory for a test!" "Isn't Zhou Xiuying Yun Yingshi?" "If you want to go, you can go!" Hey, there's no hesitation in this beautiful thing. Dress yourself up immediately.

I didn't expect that when the sample came out, I was a cockeye! So he slipped out of the studio, went straight to the theater, and rushed into the second floor of the theater: "I don't want to make a movie!" The president and the secretary were surprised: "what's the noise! That's a task. If you're happy, shoot. If you're not happy, don't shoot? Liberalism

be puzzled. Back at the film factory, Yun Yingshi hugged me and advised me to say, "don't panic. Don't exaggerate. You just squint at your right eye. I'll watch it for you. You won't make a fool of yourself."

Yun Yingshi's consolation was crucial, and since then he has been in the film factory for six months. Yun Yingshi, a good friend of Zhou Xiuying's, went to dance group dance with all her heart. Whenever I make a film, she will stand beside me, pay attention to my sight, constantly remind me, comfort me, so that I can persist.

After the movie, it seems that "Xiaodao Hui" is Shu Qiao, Shu Qiao is "Xiaodao Hui", and "Xiaodao Hui" and Yun Yingshi are not in line. Although she's the original, she's an a, she's better than me, and she's still acting.

Then, Yun Yingshi and I have obviously opened up a gap in the position of the dance industry. I became the executive director of the national Dancers Association, and then became the vice president. At the national dance Congress, I stood out on the rostrum. My colleagues surrounded me to say good words, but Yun Yingshi was left out in the cold. The reporter asked me to write an article, but I was embarrassed not to find Yun Yingshi

I asked the old secretary quietly why I wanted to make a movie instead of Yun Yingshi? She is a-horn, and her eyes are big and bright, not cockfighting. The old secretary laughed at me: "it's just a business point of view again. To highlight politics, the party needs to train cadres who are both red and professional. Don't you understand?"

Route, direction, but what about me and my good friends? I feel like a cheater in front of her. I plundered what she should have. If she doesn't pay attention to me, but she is always good to me, which makes me even more nervous. Once "knife club" performed in other provinces and cities. After practicing power amplifier, everyone went to the street. I went shopping, ate stalls, and wandered around until it was dark. Then I suddenly remembered that I was going to walk in the afternoon! What's the way to go when there is no leading role? Imagine the crew can't find me, the stage is disturbed, and I'm in a cold sweat. I run back with a rolling belt, and I shrink my head to meet the censure

Who knows, into the backstage was all normal, there are people and I cordially say hello: after dinner! At this time, Yun Yingshi pulled me into the dressing room with a blank face: eat quickly and make up after dinner. She has cooked for me. Seeing that I was still out of my mind, he gave me a punch: "Ma Da ha! Are you crazy? I listen to Zhou Xiuying's music, but I don't see you. I'm on the stage. Don't worry, no one can see it. " She winked at me. The director asked, what about Shu Qiao? I told him, you are here. I want to walk on the stage. I'm a little rusty. I have to practice. The director believes me. I'm flexible. Just about to step out of the door, she came back: "uniform caliber, don't help!" in this way, under the protection of friends, I easily passed the pass.

During the performance that night, I cried on the stage for the death of Liu Lichuan. Friends protect me, but I can't return it. I can't make up for the fact.

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