Wen Huaisha

Wen Huaisha

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Wen Huaisha (from January 15, 1910 to June 23, 2018) was born in Beijing and his ancestral home is Hunan. Zhai is named Yantang, and it is called yansou. His pen name is Wang Er. He is a famous master of traditional Chinese culture, a red scholar, a calligrapher and painter, a Jinshi family, a doctor of traditional Chinese medicine, a master of chanting, and the first person to study the songs of Chu in New China. "2015 Chinese cultural figures".

He once served as the president of Yantang poetry society, honorary president of School of Arts of Shanghai University, honorary chairman of "international research center of Tang culture" of Northwest University, honorary president of Chinese poetry, calligraphy and Painting Research Institute, honorary president of Jiyuan college, etc. Wen Huaisha had a certain reputation in the cultural circles since 1940s.

On June 23, 2018, he returned home in Tokyo Hospital. He was 108 years old.

Character experience

When he was young, he moved to Hangzhou with his mother and took Xu Zihua, a gifted girl from the autumn society, as a teacher. From then on, he embarked on the road of professional literati. After the outbreak of the Anti Japanese War, Wen Huaisha, as a war correspondent, was active in southern Anhui, Guilin, Chongqing and other places, and his poems, essays, essays and translations were published from time to time. Later, he worked underground in Shanghai and worked as a writer in Shanghai Tangdi bookstore. His pseudonym was Wang Er. After the liberation of Shanghai, because of his poor family, his superior allowed him to continue to work part-time in Tangdi bookstore. After liberation, Wen Huaisha worked in the people's Literature Publishing House. In 1953, he was transferred to China Youth Art Theater. In the early days of liberation, Wen Huaisha gave lectures in Beijing Normal University and other colleges, and participated in the classical poetry chanting program of the Central People's radio for four consecutive years (other poets and scholars such as Yu Guanying, you Guoen, Wang Li participated in the program). From 1942 to 1951, he was the chief editor of the Tunxi supplement of Wan Bao (formerly known as the Republic of China Daily), the organ newspaper of Anhui provincial Party Department of the Kuomintang. One day, the magazine published an article entitled "loutouyue" by a senior high school student. The student was "shot with open ears", and Wen Huaisha was arrested. After the mediation of Wannan Office of the provincial Party department, Wen Huaisha was released. In 1943, he published the preface to spring breeze in Shangyuan, signed by Wen Huaisha. ——In 19431 (5 / 6) 1944, Southeast semi monthly magazine published "hero (Bulgaria) baizkhov", signed by Sikong Wuji. ——Literary magazine (Guilin) 19443 (2) published "a year of Guangxi Chongqing literary miscellaneous", signed by Wen Huaisha. ——Southeast semimonthly 19443 (7) on March 15, 1945, Liu Yazi wrote a poem "to Wen Huaisha": the matter of cherishing the stone and the sand can be hurt, and I have been hesitating for thousands of years. Xiwen worries about the world, but does not mourn for the national war. Wen Huaisha, the author of the book, was published. ——In 19452 (2) 1946, he finished the new interpretation of Lu Xun's old poems. In 1947, Chongqing Wenguang Bookstore published a new interpretation of Lu Xun's old poems in November, signed by Sikong Wuji. Published "literature and art of the state of tobacco: kissing tobacco", signed by Sikong Wuji. ——Tobacco monthly 19471 (2-7) in 1950, it began to give lectures on Chinese classical literature at the Central People's radio, which lasted for four years; in December, it finished the creation of Qu Yuan's Lisao Jinyi. In 1951, he worked with Cheng Qianfan, Shen Zufen, Yu Pingbo, Zhou Ruchang, etc., and participated in the compilation of Chinese classical literature research series; in May, he published the current interpretation of Qu Yuan's nine songs in people's literature; in December, he wrote the preface and postscript of the current interpretation of Qu Yuan's nine songs. In 1952, he completed the present interpretation of Qu Yuan's nine chapters; in April, he wrote the preface and postscript of Qu Yuan's present interpretation of nine chapters; in August, Tangdi Publishing House published the present interpretation of Qu Yuan's nine songs; in December, Tangdi Publishing House published the present interpretation of Qu Yuan's nine chapters. In May 1953, he published the current commentary on Qu Yuan's Lisao in the literary monthly. In June, the people's Literature Publishing House issued the collection of Qu Yuan. In August, he published Qu Yuan, the father of the motherland's poets, in Chinese youth. He wrote the postscript of Qu Yuan's "Li Sao" Jin Yi in December. in February 1954, he wrote an inscription for Wu Hufan's "traces of Ci Poetry of the Song Dynasty". In April, Shanghai Literature and Art Publishing House published Qu Yuan's "Lisao" Jinyi, Shen Yinmo's "Jianzi Mulan Hua" and Shanghai Literature and Art Publishing House published Qu Yuan's "Jiuge" Jinyi. Shanghai Literature and art United Publishing House published the current introduction to Qu Yuan's nine chapters and the preface to the study of Water Margin in June. December was the foreword of Zhi Yanzhai's comments on a dream of Red Mansions. Nie Gannu, Hu Feng, Feng Xuefeng, Qian Zhongshu, Li Shikan, etc. highly praised the four poems. In November 1956, a new edition of Qu Yuan's "Nine Songs" was published by the classical literature press. December: new editions of Qu Yuan's Lisao Jinyi and Qu Yuan's Jiuzhang Jinyi were published by the Classical Literature Publishing House, and a foreword was made for Jiang Zhaohe's collection of paintings. The title of Jiang Zhaohe's painting of Shaoling: "Lao Zhu laments Ju Mi Chun, and Chang'an's chess game has changed several times. I have a sad history. I used to be a song beauty in Jiangtou. " In 1957, he wrote a picture of fishing in Yan Ziling, Wu Hufan: "I don't want to hear about the chaos, I want to have a good tour, and I want to go back and forth with boats on the barren river. It was like a cold may when I saw Qiu Shui Four poems of untitled were sent to Chen Qixia, which became anti party evidence because Ding Ling and Chen Qixia were labeled as "anti Party group". On May 25, 1958, he took part in voluntary labor in the Ming Tombs reservoir. In 1959, he wrote an outline for Ouyang Yuqian's dance of the Tang Dynasty (first draft). In 1962, he published a new interpretation of Qu Yuan's evocation in the first volume of literary history. In December 1963, he was sentenced to reeducation through labor for one year. (according to Yu Zhen's Nie Gannu criminal archives, Wen Huaisha was convicted of "practicing medicine without a license", while Li Hui, a scholar, accused Wen Huaisha of "fraud and hooliganism", while Wen Huaisha claimed: "if you want to add a crime to it, why do you have to say so?"? It's an excuse for persecution anyway. ") Note: "many things in those days were really ridiculous. Why was Wen Huaisha sentenced for the crime of illegal medical practice since he was awarded by the Ministry of health for his extraordinary medical skills? Why is it allowed to continue to see a doctor in prison since he was sentenced for the crime of illegal medical practice? What's more, the Xinhua News Agency reporters only reflected the situation to the organization, which also thought it was very good. Why were they sentenced to reform through labor? It can be seen that many unjust, false and wrong cases in the "Cultural Revolution" were not accidental. Rome wasn't built in a day. In fact, all kinds of unjust prisons were common before the "Cultural Revolution". Nie Gannu was very angry when he talked about this, but he did not expect that the unjust prison had opened its mouth and was waiting for him to enter the net. " ——The above is excerpted from the criminal archives of Nie Gannu. In May 1964, he was formally detained. But Wen Huaisha was actually imprisoned for 18 years. After the event, Wen Huaisha claimed that he was punished more for "making strange remarks", "counter revolution" and "satirizing Jiang Qing", but this claim remains to be verified. In 1971, Si Nie Gannu wrote a poem in untitled: "three years of eating porridge and suffering from hunger, the smell of corn is everywhere. Cover the tripod, and rebuild the stinky skin. If you have liver and courage, how can you be afraid? If you don't have wine and poetry, I will be crazy. The sea of people is surging, the river is scornful, the grain is thin and the sun is flat. " In 1973, his birthday work "eight days of Kui Chou La, when I visited Kui, I followed Lu Xun's rhyme in prison": "when I suddenly flowed, when I was tied up, I felt like a cocoon. A handful of fine birds sink into the sea tears, ten years lost feather Yan cloud flag. The opera embraces Shi guchen's Fu and reads the poems of worshiping the cuckoo for a long time. How can you fill a horse with a stubborn body and still sit in a dream and wet the ox's clothes He wrote seven unique works: let the wind pick up the maple leaves, enjoy occupying one unique: "depending on the sky to shine on the sea, drunk beauty, gorgeous leaves, proud of the blue sky in autumn. Win the honest and clear Geng in, Zhenzi shame row hundred cluster He wrote "You Si Zan Yu performs well, you Zuo Qian dung Li has written" in the seven laws: "stop water, float flowers, dream and suppress truth, break greed and anger in the Ming Dynasty. Sweep the void, sweep the phase, sweep the vanity, remove the dung, remove the dust, remove the evil cause. The sound of all sounds is like the sudden enlightenment method, and the people are gradually poor. The three truths of one heart are unique. It's hard to taste bitter and bitter in this life. " He wrote the seven rhythms: "it's easy to see another time, but it's hard to see another time, and it's foggy to see off the Guanhe River.". Feng broom such as rafters, wet back, streamer like a dream, eyebrow cold. Jingshan embraces the jade, and Quzi sings to Rao Zelan. Gaozhu Yunni is my emperor, and I will carry the sunshine to Chang'an. " He wrote "five years of imprisonment, bedbugs are like ants, they flow all night, people are not very disturbed, the rest are chanting all kinds of bitterness": "tears are wet, the eyes are withered, the South crown is in danger, and the city is beautiful. Vegetarian food is not a gentleman, meat is certainly my husband. If you know your life, you'd better say it, but if you have a body, you'll never have enough. I don't care if I'm bitter and determined. " in 1975, he wrote the seven laws Na Zhi. in November 1982, at the request of Nantong, he wrote the inscription of "falutang stele of Guangjiao temple in Nantong Prefecture" for Langshan Guangjiao temple. Nie Gannu commented: "the words are pearly, which are not seen in ancient times." Ding Ling praised: "this article will be handed down forever.". Among them, there is "great goodness and wisdom, great compassion and deep sorrow" which is widely spread. These inscriptions also appeared in fan Zeng's painting face wall painting in the same year. I don't know whether Wen Huaisha quoted fan Zeng's words or fan Zeng quoted Wen Huaisha's words. in December, Jiang Feng's recent posthumous works and postscript. In April 1984, he made a preface to the exhibition of zhuoran's calligraphy and painting. In June 1986, Zhou Gucheng paid a visit to Wen Huaisha and wrote a poem to Wen Huaisha, which said: "we have no border, we are children.". in October, the editor of Shanghai weekly radio and television newspaper added the following sentence: "Wen Huaisha, the late famous Chinese writer, was a learned scholar." There was an uproar. In February 1987, the couplet presented it to Comrade Hu Yaobang.

Chinese PinYin : Wen Huai Sha