Liu Zhenyun

Liu Zhenyun

Liu Zhenyun, born in May 1958 in Yanjin County, Xinxiang City, Henan Province, is a Chinese male writer and screenwriter.

In 1982, he worked in farmer's daily. In 1987, he began to publish such novels as Tapu and Yidi Jimao in people's literature. In 1988, he was admitted to Lu Xun College of Arts, Beijing Normal University as a graduate student. In 1992, he published the novel chicken feather in one place. In 1997, he published the book "review and spread". In 1999, he created Liu Zhenyun's excellent works. In 2000, Liu Zhenyun, a collection of short stories, was published. In 2003, he wrote the novel mobile phone. In 2007, he published the novel my name is Liu Yuejin. In 2009, the novel "one sentence is worth ten thousand sentences" was published. In 2011, with a royalty income of 1.6 million yuan, it ranked 26th in the sixth "rich list of Chinese writers". In 2016, he won the highest honor award of Egyptian culture. On April 13, 2018, he was awarded the "Knights of the French Republic for literature and art" by the French Ministry of culture in recognition of the influence of his works in the French world.

Character experience

In 1973, 14-year-old Liu Zhenyun, because of his height advantage, his parents falsely reported his age and asked him to join the army and go to Gansu. In 1978, after being demobilized, he worked as a private teacher in a middle school in his hometown in Henan Province. He attended classes during the day and reviewed at night. In the same year, he was admitted to the Chinese Department of Peking University as the number one liberal arts student in the college entrance examination of Henan Province.

In 1982, after graduation, he began to work in farmer's daily and began to write literature. In 1987, he began to publish a series of novels in people's literature, such as Tapu, Yidi Jimao, and Wengu 1942. In 1988, he was admitted to Lu Xun College of Arts, Beijing Normal University as a graduate student.

In 1989, he published the novel Tapu. In 1991, he published his novel "yellow flowers in my hometown". In 1992, he published the novel "chicken feather in one place" and "official". In 1993, he published the second novel of "Hometown" series, "hometown spreads everywhere.". On January 1, 1995, the TV series adapted from his novel chicken feathers in one place premiered.

In March 1997, Liu Zhenyun's anthology, yearning for shame, and Liu Zhenyun's anthology Huang Hua Yuan were published in succession. His novel "Wen Sheng Fa" was published in the same period. In the same year, the guest movie "Party A Party B" was released in Chinese mainland. In 1998, he published his novel hometown and flowers. In 1999, he published Liu Zhenyun's excellent works.

In 2000, Liu Zhenyun, a collection of novels, was published, which includes nine short and medium stories, such as "new soldier company", "leader", "unit", "chicken feather in one place", "officer", "non dream and flower".

In 2001, he published his literary work "selected works of Liu Zhenyun (Volume I and Volume II)". In 2002, he published the novel a cavity of nonsense. In 2003, the novel mobile phone was published, and the film of the same name adapted from the novel was released nationwide on December 18 of the same year. In 2004, he published the novel chicken feather in one place. In 2005, he published his literary work "selected works of Liu Zhenyun · 1". In 2007, he published the novel my name is Liu Yuejin.

In January 18, 2008, the screenwriter's movie "I called Liu Yuejin" was shown in Chinese mainland. In November 20th, the comedy movie "peach blossom luck" was released in China. In the play, he played the role of Ye Shengying, the heroine of Wei Xiang. In March 2009, he published the novel "one sentence is worth ten thousand sentences" and "review 1942"; on May 10, the TV play "mobile phone", as an art director, was broadcast on the star; in June, he published the novel "yellow flowers in my hometown". In May 2011, he was officially employed as a professor in the school of Arts of Renmin University of China; in August, the novel "one sentence top ten thousand sentences" won the eighth Mao Dun Literature Award; in the same year, he ranked 26th in the sixth "rich list of Chinese writers" with a royalty income of 1.6 million yuan.

China's Chinese mainland film awards 1942, published in China in 2012, were released in China in 2012. The film also won the fifteenth China Film Awards, the best adapted screenplay award, the twenty-ninth China Golden Rooster Award for best adapted screenplay, the thirteenth Chinese film media awards, the best screenplay award, and the fourth China film society's best film screenplay award. The best screenplay award of the 31st Iran Dawn International Film Festival.

Chinese mainland China's highest honor award was awarded in January 29, 2016. In November 4th, the film "ten thousand sentences in one sentence" was shown in Chinese mainland. The film won the best screenplay award in the sixty-seventh Berlin International Film Festival, and the film "I am not Pan Jinlian" in November 18th. The film won the Eighth China film. Director's Association screenwriter of the year award. In November 2017, the novel children of the melon eating era was published. In April 2018, he won the knighthood of the French medal for literature and art; in May, he served as a member of the Ninth National Committee of the Chinese writers' Association.

In September 2020, he won the national top ten screenwriters award at the New Era International Film Festival to celebrate the 70th anniversary of the founding of new China.

Main works

literary works

novel

Short and medium stories

Anthology

Screenwriter's works

Take part in the film

Original music

Art direction

Award winning record

reference material

Character evaluation

Liu Zhenyun has won the Mao Dun Literature Award for his wonderful novels; he is known as "the best screenwriter in China"; his Liu's humor is a bit circuitous and absurd, but there is no lack of warmth -- this "China's most circuitous writer" is no less famous than the movie star. (review of Shandong business daily) combined Atlas

From "Party A and Party B" to "mobile phone", "my name is Liu Yuejin", and then to "review 1942", in a sense, Liu Zhenyun's popularity among readers is finally established by the hegemony of the image. His humanistic standpoint of writing about the sad and sad little people and the bottom of the story, established from "chicken feather in one place", makes the vast majority of readers feel sad and sad. On the surface, Liu Zhenyun's humor is cynical and parochial, but on the inside, it is gentle. The film "mobile phone" presents Feng's humor, not Liu Zhenyun's. To see Liu Zhenyun's humor, we need to read his Tapu, chicken feather in one place, and ten thousand sentences in one sentence. He has considerate and transcendent insight into the bottom society and the world of small people. In fact, his novels revolve around difficulties, such as the plight of ordinary life, the plight of isolation, the plight of communication, and so on. Therefore, he is cynical and ironic, but there are many reasons for this Difficulties also constitute the reality of life for each of us, so we can say that the inside is warm and compassionate. (MA Bing, associate professor and critic of School of literature and journalism, Shandong University)

Liu Zhenyun's humor is probably more buried in the text. His humor is the truth of life captured by complicated language. It is either a bit absurd, or a bit cold, or even a pleasure in pain, self contempt and self abasement. (by critic Zhao yuebin)

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