Jiang Guangping

Jiang Guangping

Born in Xinghua, Jiangsu Province in 1964. He is a famous writer, literary critic and educator. He has been engaged in basic education for 20 years, and has been praised as "the first person in China's educational writing" by Zhu Yongxin, a famous educator, vice chairman of the Central Committee of the Democratic Progressive movement, and doctoral supervisor of Suzhou University. At present, he is the director of Nanjing Literacy Education Research Center, and also the director of Jiangsu editing center of teacher Expo.

Related courses

Jiang Guangping is the founder of the curriculum system of Chinese. Its curriculum system, with the article nature as the longitude, Chinese knowledge as the latitude, and ability training as the third dimension, constructs the three-dimensional coordinate system of Chinese curriculum. On this basis, four teaching brands of "Jiang Guangping big Chinese" have been formed, namely: close reading of text: close reading of text through deep reading, tracing to the source, winding paths leading to seclusion, achieving happy reading and enjoying reading interest. charming composition: with Jiang Guangping's three true composition teaching ideas (learning composition, getting real devotion; writing composition, relying on real temperament; teaching composition, requiring real kung fu), to guide and teach, to analyze the texture of the article from the perspective of Creative Review, to seek novelty and depth, to achieve charming composition. combination of reading and writing: close reading of the text is organically combined with charming composition. The selected articles are precise and suitable for writing. In the process of reading, we can understand the way of writing and reflect on the reading experience in the process of writing. essence of traditional Chinese culture: to inherit Chinese culture and improve students' Chinese accomplishment with critical and selective vision. These four Chinese teaching brands, as the starting point of Jiang Guangping's Chinese course, have formed a rich, comprehensive and constructive Chinese teaching system after 20 years of experiment and refinement. It has realized revolutionary washback to the phenomenon of "less, slow, poor and expensive" in current Chinese teaching. currently, he is the deputy editor in chief of the new college entrance examination, a must read for further study of Jiangsu Education Press, and also the director of the Jiangsu editing group of teachers' Expo. He is the editor in chief of China literacy education network.

work

There are nearly 200 literary works and more than 700 articles on education and teaching. He published two kinds of literary works and three kinds of educational works, and opened more than 100 educational and literary lectures. He is now in charge of the columns of "dialogue between writers" and "literature frontier" in the literary magazines "mangyuan" and "West Lake". He has conducted in-depth dialogue with nearly 100 writers and critics in China. Therefore, Jiang Guangping has become a unique literary critic in the field of Chinese literary criticism, which is widely loved by readers and writers.

evaluate

Some people in the field of education once proposed to study the "Jiang Guangping phenomenon" in education. Scholars believe that since 1997, Jiang Guangping has given his educational life to the road. For more than ten years, Jiang Guangping has worked in nearly ten education units and primary schools. But it is in this process that Jiang Guangping not only devoted himself to the research and creation of literature, but also made his own brand in educational research, becoming a unique scholar and scientific research expert in Chinese education. Mr. Xue Nongji, director of teachers' Expo, once said that "Jiang Guangping has three pens in his hand", believing that "Jiang Guangping's pursuit of the role models of Ye Shengtao and Zhu Ziqing in the 1920s and 1930s has formed an educational phenomenon of high development in the context of exam oriented education". Coincidentally, "Jiang Guangping phenomenon" has been put forward by some people in the literary criticism circle. Zhang Zonggang, a famous literary critic, believes that Jiang Guangping, as a well-known literary critic who is active in the front line in China, has formed a literary phenomenon that is intriguing: first, Jiang Guangping began to embark on the road of literary criticism at the turn of the century when literature was at a low ebb; second, Jiang Guangping lacked the background of high academic qualifications and high professional titles of academic critics; third, Jiang Guangping's life Being near the bottom of the grass-roots level, the academic environment and conditions are very poor; for a long time, being in the countryside and small town, in the era of contemporary education at the peak of examination, he worked as a senior high school Chinese teacher in middle school. Zhang Zonggang believes that all these are negative factors in literary criticism. However, Jiang Guangping overcame these difficulties that ordinary people can't imagine, persistently and firmly walked on the road of literary research and literary creation, and won the recognition of literary circles and readers with his rich achievements. Jiang Guangping's literary experience is very worthy of people's study and careful thinking. What inspiration does the formation of "Jiang Guangping phenomenon" give us, and what elements can be used for reference in our literary development? Our literary research should give in-depth discussion. On the meaningless narration in Bi Feiyu's Novels -- Jiang Guangping's meaningless narration in Bi Feiyu's novels may be a way of narration inherited and created by him from the vanguard literature. As we have said, for Bi Feiyu, although he was influenced by the pioneers in the pioneering period, he would never be willing to become a cultural latecomer. Unwilling to be a cultural latecomer, he is actually a cultural "patricide" in essence - he must inherit and transform at the same time, and innovate in the process of transformation. In fact, in a period of time, some people regarded Bi Feiyu as a pioneer writer. On relevant occasions, Bi Feiyu also said that he was greatly influenced by the pioneers. "I don't evade that my writing started from vanguard novels. I started writing novels late. I learned narrative and novel rhetoric from vanguard writers first. I thank them for giving me a high starting point. Of course, they also learn from the translation of novels, but their efforts are of fundamental significance to Chinese novels. " compared with ancestor, the age full of porcelain may be more like a pioneer novel. This novel presents the characteristics of a pioneer novel perfectly with its uncanny relationship of characters, mysterious plot, black background, sharp and gorgeous language. It is from this novel that another feature of Bi Feiyu's novel narration emerges, that is, meaningless narration. Most of the time, when it comes to the vanguard theory, there is no significance. This may be a comment or concept imagined by the author, but we think that it just sums up the narrative style of a novel, and at the same time, it just highlights a kind of aesthetic quality of the novel - the function of novel narrative, which is sometimes shown as "useless use". Meaningless narrative, more significance lies in its "useless" aesthetic charm. Its existence is to make the novel more like a novel, or make the novel show an important element of aesthetic style. meaningless narration refers to the fact that narrative works do not take the expression of meaning as the theme, or pursue a kind of aesthetic meaningless expression from the narrative point of view, that is, to construct novels with a pure aestheticism quality and attract readers. meaningless narration is perhaps the most close to the narrative quality of the novel. It can be understood that there is no appeal of the central idea in the narrative as far as the narrative subject is concerned; it can also be understood that in the framework of one theme, the narrative has escaped from the boundary of the theme and is free in another theme. it can also be the expression of multiple meanings. The author integrates multiple meanings into a work, which makes the theme or meaning seem complicated and confusing, and also makes the readers at a loss in the process of acceptance. Of course, it involves monism, dualism and even pluralism of the theme of the novel. However, it should be noted that in the vanguard novels and subsequent novels, it seems that this is no longer an essential problem. What the novel itself wants to express is indeed divergent. If it fails to reach this standard, then the significance and value of the novel itself may not stand scrutiny. Therefore, although meaningless narration shows "useless use", it is useful after all, and it must start from the outside of the inner core of novel spirit and narration. If there is no such requirements and norms, then the narrative itself will really become dispensable. meaningless narration is more of a narrative subject here. As a result, many of Bi Feiyu's novels are aimless and unclear. However, this is exactly an aesthetic height that Bi Feiyu pursues -- Bi Feiyu is trying to endow the novel with the characteristics of "empty basket art". As we all know, Western classical music, especially Beethoven's music works and Chinese ancient freehand brushwork, is a typical representative of empty basket art. The so-called empty basket art refers to the uncertainty and ambiguity of its artistic connotation, which can give people more aesthetic imagination. Objectively speaking, Bi Feiyu's novels do have such characteristics. Therefore, in this sense, Bi Feiyu expanded the extension of the novel and made the novel present another aesthetic quality in the period of Bi Feiyu. This is why Bi Feiyu's novels are always different from other writers. The author asserts that with the passage of time, this aesthetic quality of Bi Feiyu's novels will be perceived by more and more writers and critics, and become one of the quality elements of Oriental novels in the true aesthetic sense. compared with the "narrative vacancy" in Ge Fei's novels, Bi Feiyu's meaningless narration does not compete with the author in the narrative vacancy. He gives the readers a complete narrative chain, but the meaning of the things he narrates needs the readers to carefully study. There are many novels like this in Bi Feiyu's novels. The age full of porcelain is one of the most representative chapters. It should be said that this is an open text, that is to say, there are actually two novels in it, they are parallel to each other, but they are different

Chinese PinYin : Jiang Guang Ping