Peng Yu
Peng Yu
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Peng Yu was born in Changsha, Hunan Province in 1964. He is now a member of the Chinese Painting Institute of Hunan Province.
Personal profile
Peng Yu was born in Changsha, Hunan Province in 1964. He is now a member of Chinese Artists Association, member of Chinese fine brushwork painting society, director of Hunan fine brushwork painting society, vice president of modern Chinese Painting Research Institute, and professional painter of creation room of high research class of Chinese Artists Association. He lives in Beijing and is now a contract artist.
Artistic achievements
in recent years, his works have participated in many large-scale national professional art exhibitions and won many awards. In 2002, his work "flying across the clouds in disorder is still calm" was selected into the "national Chinese painting exhibition to commemorate the 60th anniversary of Mao Zedong's speech in Yan'an" sponsored by China Artists Association, and won a bronze award in Hunan exhibition area. In 2003, his work "the story of winter" won the "second national golden prize of fine arts" sponsored by the China Federation of literary and art circles and China Art Association. in 2006, his work "autumn rhyme" won the Excellence Award (the highest award) in the Nomination Exhibition of "praise of Hukou of the Yellow River" Chinese painting sponsored by China Artists Association. In 2006, his works "Dashan sister flower" and "long time" were selected into the "excellent works exhibition of contemporary Chinese painting masters and Chinese painting creation class" sponsored by China Artists Association. In 2007, his work "the wish of the old man" won a silver award in the first Qi Baishi prize Chinese painting exhibition sponsored by the China Federation of literary and art circles and China Art Association. In 2009, his work "tease you" was selected into the "2009 National Chinese Painting Exhibition" held by China Artists Association. In 2009, his work "old man Baishi" participated in the "Rong. Ju - 2009 academic invitation exhibition of National Academy of painting". in 2010, his work "full dress, ice clean and jade clean" was selected into the "first national exhibition of modern fine brushwork" held by China Artists Association. in 2011, his work "dress. Miao New Year" was selected into the Eighth National Fine Brushwork exhibition. In 2012, his works "distant memory" and "leisure time" participated in the 2012 "approaching Nanyue: National invitation exhibition of Chinese fine brushwork artists". In 2013, he participated in the national fine brushwork Academic Exhibition of Xishuangbanna. in 2013, his work "reading picture" participated in the academic invitation exhibition of contemporary Chinese painting masterpieces. In 2012, he participated in the "extraordinary, fine brushwork Hunan army" - four people fine brushwork joint exhibition. during 2012 and 2013, he was invited to paint for the general office of the Central Military Commission twice and was collected by the general office of the Central Military Commission. in 2013, he was invited to do the portrait "hard to be confused" for Bi Fujian, the host of CCTV's "Avenue of stars", which was collected by the "Avenue of stars" crew. In 2013, he was invited to create a theme painting for the new lyric work "lingering shadow" by famous Taiwan writer Lin huangkun (Mr. Lin wrote more than 200 lyrics for Teresa Teng, and his representative works "don't pick wild flowers by the roadside", "wine and coffee", etc.). his artistic achievements have been included in more than 20 professional dictionaries such as the world's celebrities and the member Dictionary of China Artists Association, and he has been awarded the "national celebrity Award for figure painters". Many of his works have been collected by art museums, painting academies, China Artists Association, Japan, Taiwan, Hong Kong and other units and individuals, and have been interviewed and reported by many TV stations, newspapers, magazines and other news media, He has published 20 Chinese paintings: Peng Yu, a selection of Peng Yu's figure paintings, etc.
Art review of painters
Wash all the lead and show the true color
(Chunjiang)
Nowadays, Jiang Zhaohe and Huang Zhou are masters of freehand figure painting. After school late, the wind and clouds, one after another. At that time, there were a large number of talented people and many stars. Peng Yu, a young scholar, was the best among them.
Influenced by his family studies, Peng Yujun has been obsessed with painting since he was a child. When he was a child, he was a little famous in one side. When he was older, he was admitted to a professional college. Besides writing a lot of predecessors' paintings and basic practice of sketching colors, he was also fond of calligraphy and seal cutting. In his spare time, he wrote poems and lyrics with 32 students and immersed himself in art. After graduation, he traveled all over the country to study and learn from his teachers. He was also fortunate to receive the advice of Liu Dawei, Feng Yuan, he Jiaying, Yuan Wu, Chen Yuming, Du Ziling and other contemporary figure painters. During this period, he learned from his predecessors, learned from the sages of the time, learned from them, and was eager to drink. Taught by a famous teacher, his painting has made great progress, and his artistic style has begun to show its face.
It's refreshing to see Peng Yujun's recent works. In retrospect, I first saw that his work was "the story of winter", based on "SARS", and was selected as the national "golden color Award" for its ingenious conception and profound implication. After a few years, the painting style has changed greatly, the techniques have become more mature, and the style has become independent. As far as its creation form is concerned, it can be classified into two categories: one is sketch, the other is theme. There are two themes in the genre: one is ancient sages and religious figures. For example, walking on snow to find plum blossom, drinking on ancient and modern times, appreciating Lotus by high scholars, fish music, Ziqi Donglai, mianbi, eighteen Arhats, recommending sages, and blessing from heaven, etc., these paintings pay more attention to "interest", rich and implicit in ink, and ethereal and ancient in character, which can be regarded as the painter's pursuit of the sages and advocating nature The second is the beauty of pink and Dai, such as "beloved baby", "Autumn Thoughts", "in the water side", etc. this kind of theme is close to the theme creation, the characters are more neat, the image is gorgeous but not vulgar, beautiful but not demon, and the ink language has a modern meaning. The theme creation focuses on society and life, such as Dashan sister flower, which describes the life of Yi women. The two women have different forms. The former is sitting upright, while the latter is half covered with shame. The characters in this work are vivid and full-bodied. "Autumn rhyme" and "long years" also belong to this category. Compared with sketches, theme creation pays more attention to the "construction" of artistic framework and the "fusion" of ideological precipitation. Taking the old man's wish as an example, the work is open and close, with strong contrast. The characters are exquisitely carved and realistic, while the clothes and background are freely written. It shows the unique ingenuity and the author's ability of controlling ink and wash in gathering and scattering, density and reality. In the painting, the old man takes a rest with a pen and looks forward. He looks thoughtful. What's the point of thinking? From the background, we can see several pigeons painted by the old man. Pigeon is peace. The old man's wish is self-evident and ingenious. Because of its superb expressiveness and artistic appeal, this work won the silver award of the first Qi Baishi award of Chinese painting exhibition of China Art Association.
As far as artistic style is concerned, Peng Yujun's painting style is fresh and distant, simple and elegant. He not only has the traditional brush and ink skills and solid modeling ability, but also has the painting elements of the times and personal "modal symbols". His works have already got rid of the shackles of traditional routines, based on the development and expansion of the aesthetic feeling of figure painting itself, creating a poetic space with more subjective consciousness, texture and flow. It can be seen that his works are deeply rooted in samadhi, which can be compared with those of ordinary people.
Peng Yujun is friendly, low-key, indifferent to fame and wealth, and does not like to communicate with others. Therefore, he has to devote more time and energy to painting. He is serious and persistent. He can also study painting theory and explore the source of art. To get along with him, he is humble and amiable, courteous, elegant and archaic. At a time when eager for quick success and instant benefit and "money worship" become popular, it is particularly valuable. Peng Yujun is a young posterity. It is gratifying to be able to do so. His future must be limitless. We'll see!
Appreciation of works
Personal life
Chinese PinYin : Peng Yu
Peng Yu
