Luo Liqun

Luo Liqun

He is from Lujiang, Anhui Province. He was a soldier, a policeman and a middle school teacher. He was a teacher in Peigang Middle School of Anhui Province. In 1986, he was admitted as a master of Chinese Department of Nankai University. After graduation, he worked in the press and publishing industry for nearly 20 years and served as the general manager of a publishing house. He is currently a professor in the College of Humanities of Jinan University. Vice president of Chinese martial arts literature society, director of Chinese dream of Red Mansions society. He has published six academic monographs, including the history of Chinese martial arts novels, the history of Chinese swordsman novels, the culture of Chinese swordsmen, and the record of talking about swordsmen. He has also edited the dictionary of Chinese martial arts novels, the essence of Chinese traditional culture, and the library of Chinese classical works. He has published more than 50 academic papers in national and provincial newspapers. From 2002 to October 2006, he was the general manager of Zhuhai publishing house, the agent of gulong, a famous martial arts novel critic and a senior expert on Gulong.

Basic information

Luo Liqun, male, was born in December 1957 in Lujiang County, Anhui Province. He studied in Wuhu Teachers College of Anhui Normal University from 1977 to 1980. He graduated from the Chinese Department of Nankai University in 1989 with a master's degree. from 1989 to 2006, he worked in the press and publishing industry. He was the vice president of Zhuhai publishing house in 1999 and the general manager of Zhuhai publishing house in 2002. He was transferred to Jinan University in October 2006. Editor, Professor, master supervisor. He has published 5 academic monographs, 1 translation, 5 dictionaries and anthologies. He has published more than 50 academic papers in such journals as literary heritage, literature and art studies, studies of novels in Ming and Qing Dynasties, dream of Red Mansions, social science front, knowledge of literature and history, knowledge of classical literature, Journal of Nankai, literature and culture.

Social Appointments

Vice president of Chinese martial arts literature society.

Related works

History of Chinese martial arts novels, Liaoning People's publishing house, 1990. Chinese chivalry culture, Shaanxi people's publishing house, 1993. Chinese Rangers and Western knights, China Peace Publishing House, 1994. Liang Yusheng, master of the new school, Xuelin publishing house, 1996. The art world of Liang Yusheng's novels, zhishufang press, 1997. Macao (cooperation with others), Zhuhai press, 1999. Tan Jian Lu, 2001 edition. History of Chinese martial arts novels (Revised Edition), Huashan literature and Art Publishing House, 2008. Dictionary of Chinese martial arts novels, Huashan literature and Art Publishing House, 1992. Gu Long works collection (planning, chief editor), Zhuhai publishing house, 1995. Great Xia and famous explorers (one of the chief editors), published by Zhuhai publishing house in 1999, with a total of 11 volumes. Essence of Chinese traditional culture, Zhuhai publishing house, 2004. library of Chinese Classics (chief editor), Zhuhai publishing house, 2005.

Main papers in recent 5 years

"A dream of Red Mansions", Journal of dream of Red Mansions, No.4, 2006. "the whole story of the lost works of Gulong", "modern and ancient legend Martial Arts Edition", September 2006 edition. "swordsmanship" description in ancient novels and its cultural implication ", Journal of Nankai, no.6, 2006. The development and cultural characteristics of ancient Chinese swordsman novels, literary research, No. 12, 2007. Double narration and cultural implication of a dream of Red Mansions, research on novels of Ming and Qing Dynasties, issue 3, 2007. "Dream of Red Mansions" and "Tianlong Babu", Journal of dream of Red Mansions, No. 4, 2008. The historical and cultural origins of swordsman images in ancient novels, literary heritage, issue 3, 2009. Evolution and cultural characteristics of swordsman novels in Ming and Qing Dynasties, literary heritage, issue 3, 2010. Introduction to swordsman novels in classical Chinese of Qing Dynasty, literature and culture, issue 4, 2010.

Research direction

Ancient novels, martial arts novels, and publishing. awards in 1991, the academic paper "the influence of martial arts novels on national cultural psychology" won the National Excellent Thesis Award for popular literature theory review. In 1992, the academic monograph "history of Chinese martial arts novels" won the second prize of Anhui Province for outstanding achievements in social sciences. in September 2003, the responsible "series on the popularization of Frontier Science and technology in the 21st century" won the third prize of the fifth national outstanding popular science works award.

On Gulong

forever

The distant Cologne

in the history of Chinese martial arts novels, the name of Gulong is like a shining star. Although gulong's life is short, like a meteor across the sky, fleeting, but his works are as eye-catching as stars, full of brilliance. Jinyong and gulong, which is better or worse, "Jinfan" and "Gufan" have been debating. Jinyong has deep internal power, and gulong's moves are strange and strange; Jinyong's works are heavy, and gulong's works are ethereal; Jinyong's works are broad and profound, and gulong's works are strange and romantic. Some people compare Jin Yong and Gu Long to Du Fu and Li Bai in the history of poetry. Du Fu is regarded as the "sage of poetry", and his works are full of style, deep and dignified, "bearing the burden of the earth and the sea, including thousands of exchanges" (Hu Yinglin comments). Li Bai is known as "the immortal of poetry". He has fantastic ideas and witty aphorisms. Jin Yong is like Du Fu, and Gu Long is like Li Bai. It can be said that he is a Gemini in the history of Chinese martial arts. Hu Zhengqun, a Taiwan critic, said: "there was no new school before Gulong." He thinks that the real new martial arts novels should start from gulong, and Liang Yusheng and Jin Yong before Gulong are not divorced from the traditional routine. Although this view is absolute, it is not without a little truth. compared with the martial arts novels of the old school in the period of the Republic of China, Liang Yusheng's and Jin Yong's works are also striving for innovation and change, especially Jin Yong's works are constantly seeking breakthroughs. However, their works on the whole are still the inheritance and development of traditional forms, and what they pursue and express is the familiar cultural atmosphere, stylistic model and aesthetic style. Gu Long, on the other hand, takes novelty, change and realism as his creative purpose. He is not bound by any rules and regulations. He gives all-round "self-expression" from the aspects of style, language, martial arts routines, character depiction, artistic conception pursuit, aesthetic taste and so on. His novel text not only provides a new standard sample for the martial arts literature, but also opens a new reading space for readers Read the world. Gu Long has a very clear idea of creation, he said: "martial arts novels have indeed fallen into a fixed form, this form has been written too much, has become a stereotype, has become a formula." "If you want to change, you have to seek new things, break through those old fixed forms, and try to absorb them." Who stipulates how to write martial arts novels in order to be authentic! Martial arts novels, like other novels, are successful if they are attractive, inspiring and resonating Cologne did it by himself, showing great enthusiasm and making great efforts. Looking at all the new martial arts novelists, there is no one but Gulong who is so persistent and consistent in seeking innovation, change and breakthrough! The success of Cologne is by no means lucky. In addition to his talent and talent, his success is more important because he is not satisfied with the status quo, has the courage to explore and strives for innovation.

Poetic and ethereal language

Gulong's achievement is to create a unique style of writing, and the most shining and core element of this style is language. Gulong's novels have their unique language characteristics. The language of Jin Yong's novels is elegant and dense, while the language of gulong's novels is passionate and jumping. Gu Long's novels are crisscrossed in long and short sentences, with distinct layers and lively rhythm. They are full of vigor and prose charm. In many paragraphs and scenes, Gulong consciously introduces poetic elements. Even in the plots of characters appearing, martial arts competitions and fights, Gulong also shows a poetic thinking, relying on images, with emotional tension between the lines. Baiyujing is not in the sky, but on the horse. His saddle is old, his boots and scabbard are old, but his clothes are brand new. The scabbard tapped on the saddle and the spring breeze blew on his face. He felt very happy and comfortable. There is a wind in the sword of eternal life. The wind blows Wang Feng's clothes. the gloomy cold wind blows on the body, but it doesn't feel cold. there is fog. The mournful white fog floated around Wang Feng, but it didn't hinder his sight. This kind of description has the melody of poetry and the verve of prose. The picture is vivid and the artistic conception is ethereal. It is no exaggeration to say that it is a prose poem. The flexible use of poetic language is the most fascinating part of gulong's novels. In addition to the poetic and artistic conception of language, there are many wonderful witticisms in Gulong's novels. These witticisms are refined from the repeated chewing of the taste of life, and can be read as life maxims. "Everyone has weaknesses. As long as you know their weaknesses, no matter who can use them." "No matter how complicated and bizarre it is, you will find that it is not as complicated as you think." "Since ancient times, whoever wants to stand on the top of the mountains must first learn how to endure loneliness." Such a rich, vivid and profound string of witticisms, which can be freely used by Gulong in the narrative of the novel, can prove that gulong's deep understanding of life and human nature, and his deep understanding of life and life

Chinese PinYin : Luo Li Qun