Tan Yuanshou
Tan Yuanshou
Tan Yuanshou (January 4, 1929 - October 9, 2020), male, Han nationality, is from Wuchang, Hubei Province. The second batch of national intangible cultural heritage projects are representative inheritors of Peking Opera, famous Peking opera performing artists and national first-class actors.
Wu Sheng, Lao Sheng, a famous Peking opera performing artist, is the fifth generation descendant of Tan men, the eldest son of Tan Fuying, a famous Peking Opera master, the grandson of Tan Xiaopei, and the great grandson of Tan Xinpei. Born in a family of Liyuan. Tan Yuanshou is the representative of Tan men.
His representative works are traditional Peking Opera Dingjunshan, sangyuanjizi, wenqiaonaofu, etc. his role of Guo Jianguang in the revolutionary Modern Peking Opera Shajiabang is well known by the audience all over the country.
At about 12:00 on October 9, 2020, Tan Yuanshou died in Beijing at the age of 92.
Character experience
Tan Yuanshou, a national first-class actor, is a veteran worker of the tan school. Deputy to the National People's Congress, member of the National Committee of the Chinese people's Political Consultative Conference. Representative successors of national intangible cultural heritage (Peking Opera) project. Born in a family of Liyuan, he is the fifth generation descendant of tamen. He has not only made great achievements in inheriting traditional dramas, but also rehearsed some modern dramas. In Shajiabang, Guo Jianguang is most well known to the audience.
Tan Yuanshou is a famous Peking Opera wusheng and Laosheng performing artist. Born in Beijing, his ancestral home is Jiangxia, Wuhan. He is the eldest son of Tan Fuying and comes from a Liyuan family.
Great grandfather Tan Xinpei was the founder of the old born Tan School of Peking Opera. His grandfather Tan Xiaopei and father Tan Fuying inherited the tan school. Tan Yuanshou is the representative of Tan men. The leader of Tan school Yingxiu hall.
In 1990, he took part in the Spring Festival Gala Peking Opera Qingchang Peking Opera Dingjun mountain.
On June 8, 2013, Tan Yuanshou, Lian Liru and other 60 inheritors of intangible cultural heritage won the "second salary Award for inheritors of Chinese Intangible Cultural Heritage". At the award ceremony, Wang Wenwen, President of the Chinese Academy of Arts and director of the China Intangible Cultural Heritage Protection Center, and Ma Wenhui, director of the Intangible Cultural Heritage Department of the Ministry of culture, jointly presented trophies and certificates to the winners.
In 1938, Tan Yuanshou joined the Yuanzi section of fuliancheng section and studied from Lei Xifu, Wang Xixiu, Zhang Lianfu, Liu Shengtong and song Jiting;
He learned from Wang Lianping, Shen Fugui, Ru Fulan, Qian Fuchuan and other martial arts students and received strict basic skills training.
In 1945, he ended his life in an academic class. He once served as Xun Huisheng's "sword bearer" and joined Qiu Shengrong's class club. After graduation, he worshipped Li Shaochun as his teacher.
In 1947, Tan Yuanshou and Du JinFang co performed "red maned horse" in Beijing, which was well received.
In 1949, he chose his own class.
He joined Beijing Opera Troupe in 1954.
In 1984, he was invited to the CCTV Spring Festival Gala to perform Beijing Opera Dingjun mountain.
In 1990, he was invited to participate in CCTV Spring Festival Gala and performed Peking Opera Dingjun mountain again.
In 2006, he participated in CCTV Spring Festival drama evening.
In December 2016, he was elected as the 10th honorary member of the Chinese Federation of literary and art circles.
artistic characteristics
He has a high voice, a solid foundation and a good command of both literature and martial arts. He inherited the artistic style of Tan school in a more comprehensive way, and drew lessons from the performance of Li Shaochun, a descendant of Yu school. He is an old Peking Opera student with both culture and martial arts. In more than half a century of stage practice, it has its own rich creation.
Activity chronology
November 1956, the third year of the Chinese calendar: Zhang Junqiu joined Beijing Opera Troupe.
In November 1984, the first year of the lunar calendar: the preparatory group was set up to commemorate the 80th anniversary of the founding of Xi (Fu) Liancheng science class.
On January 8, 1985, November 18, the first day of the performance to commemorate the 80th anniversary of the founding of Xi (Fu) Liancheng class.
January 9, 1985, November 19 of the first year of the lunar calendar: the second day of the performance to commemorate the 80th anniversary of the founding of Xi (Fu) Liancheng science class.
April 28, 1988, March 13 of the fifth lunar year: Hou Xirui's art performance was held
In October 1990, the year of Gengwu in the lunar calendar: Hong Kong held a performance to commemorate the 200th anniversary of huiban's arrival in Beijing.
On February 23, 1991, on the ninth day of the first month of the lunar new year, a performance was held to commemorate the 90th anniversary of Ma Lianliang's birth.
February 3, 1992, December 30, the year of Xinwei in the lunar calendar: the Spring Festival drama evening in 1992 was broadcast.
April 29, 1994, March 19, 1898: the Yifu stage of Tianchan Peking Opera Center opens to celebrate the performance.
November 17, 1995, September 19, 2001: the first Chinese Peking Opera Festival opened.
On January 11, 1996, November 21, 2001 of the lunar calendar, the blue island cup Beijing Opera Competition of five drama schools across the Taiwan Strait was held.
March 15, 1996, the 26th day of the first month of the third year of the lunar calendar: in 1996, "100 performances of children's Peking Opera on weekends" began.
On December 30, 2001, the evening of Huaichen Geng opera was held at the fifth hour of the Chinese New Year.
January 31, 2003, December 29, Renwu year of the lunar calendar: the 2003 spring festival drama evening broadcast.
January 21, 2004, December 30, the year of Guiwei in the lunar calendar: the Spring Festival drama evening in 2004 was broadcast.
June 10, 2004, April 23, the first day of the 10th anniversary celebration of Tianchan Yifu stage.
On the morning of May 30, 2005, April 23, the second unitary year of the lunar calendar, Tan Yuanshou took Yao Zongwen as his apprentice.
On September 6, 2005, the third day of August in the second unitary year of the lunar calendar, Xingmu Jingtian liankuo Ru was published, and Jianghu congtan was reprinted
On October 23, 2005, on September 21 of the second unitary year of the lunar calendar, the award ceremony of "spring and autumn list of pink ink" of new weekly and the press conference of the large documentary "spring and autumn list of pink ink" were held
On November 6, 2005, at 10:00 on October 5 of the second unitary year of the lunar calendar, the restoration project of Tan Xinpei's mausoleum was unveiled and the memorial ceremony was held
March 1, 2011, 2010 Passat -- Huading Film Festival
Main works
Frequently performed plays include: Dingjunshan, nanyangguan, sangyuanjizi, wenqiaonaofu, daijinzhuan, zhantaiping, qinqiong selling horses, etc.
In 1964, he played Guo Jianguang in the modern play Shajiabang, which was quite creative.
Behind the scenes story
Almost all Chinese over the age of 40 know Shajiabang. Although more than 40 years have passed since the most popular era of the play, many people still have fresh memories of Guo Jianguang, the hero's instructor, especially his actor and the fifth generation successor of the tan school, Tan Yuanshou.
Nearly 80 years old, starring in Dingjun mountain
Tan Yuanshou's film is Dingjun mountain. One hundred years ago, his great grandfather Tan Xinpei performed a five minute copy of the Peking Opera film Dingjun mountain. Later, it turned to ashes in a big fire, and only one still photo of Tan Xinpei survived.
One hundred years later, as a tribute to Chinese films, the new version of Dingjun mountain was born. Tan Yuanshou said: "when my great grandfather Tan Xinpei was 60 years old, he acted in Dingjun mountain. I was nearly 80 years old. I acted in a movie at such a big age out of a kind of respect. I haven't heard from my elders about the shooting of "Dingjun mountain" by Zeng Zu, so my performance depends entirely on imagination. I try my best to show Zeng Zu's demeanor in those days. "
As he gets older, Tan Yuanshou's burden is heavier, because he bears the burden of inheriting the tan school, not only supporting his son, but also educating his grandson. In order to perform more realistically on the stage, Tan Yuanshou once shaved his eyebrows, made bags under his eyes, and often forced his son Tan Xiaozeng to learn from him. Tan Yuanshou still dare not go to the scene to watch his son's performance, mostly through watching the video to his son pointed out the problem. His grandson, Tan Zhengyan, is 1.85 meters tall and only in his 20s. He is just the age to catch up with fashion, but he is also fascinated by Laosheng. Tan Yuanshou named him Zhengyan in the hope that he could inherit the tan family's singing style and achieve something.
Tan Yuanshou is very strict with his son and grandson. Over the years, Tan Xiaozeng only received the verbal reward of "not bad" from his father. In fact, sometimes "not bad" is the biggest praise.
Playing Guo Jianguang "feeling very tired"
Tan Yuanshou's Guo Jianguang is really a success. At that time, no one could replace him. Tan Yuanshou had been playing alone. In 1965, Tan Yuanshou performed 40 performances in Shanghai Theater. Later, although he could not play Shajiabang any more, as the fifth generation leader of Tan school, he still stuck to the stage. After entering the 1980s, Tan Yuanshou, as a veteran performer in Peking Opera, played a connecting role. Soon after the return of the traditional opera, he appeared in such plays as "black water", "dragon and phoenix" and "the meeting of heroes", and his skills were as good as those of that year. Since then, Tan Yuanshou has been the main force of Beijing Opera Theater. In order to further spread the quintessence of Chinese art, he has made great contributions to the development of Peking Opera by matching the recordings of nearly 20 old operas.
Seven generations of Liyuan family
Tan Zhidao, the great ancestor of Tan Yuanshou, was the first generation of the tan family to enter the Peking Opera industry. "When he came out, Peking opera was not even formed, and it was also known as the Huizhou opera at that time. In 1847, my only son of Gaozu was born in Dashilan District of Beijing. He is the most famous person of our Tan family, Tan Xinpei.
Tan school, founded by Tan Xinpei, is the most popular and influential art school. At the beginning of the 20th century, Peking Opera became popular all over the country, and the Peking Opera circle even formed a situation of "no tune, no learning". In 1905, Tan Xinpei starred in China's first film Peking Opera Dingjun mountain. At that time, from the imperial palace to the common people, they all praised "who can control the rise and fall of the country, and the whole city is full of contention that it is called Tian'er". This "Tian'er" is tan Xinpei. Liang Qichao, a famous scholar, also said, "four seas and one ocean."
Chinese PinYin : Tan Yuan Shou
Tan Yuanshou
