Liu chunai

essential information

Character experience

Liu chunai was admitted to the youth training team of Tianjin quyi troupe at the age of 11. She was enlightened by sang Honglin. Later, Luo Yusheng took a fancy to her and studied with Luo. Because of her broad voice and intelligence, she is very popular with Naishi. Under the careful cultivation of Mr. Luo, he soon learned the representative repertoire "Hongmei Pavilion" and "sishuiguan". Then Luo taught her most of his Jingyun drum repertoire hand in hand. In 1962, Liu chunai performed "Ji Qingwen" adapted by Shen Pengnian at the first Jinmen Music Festival, which was well received. At that time, the new evening news published a review article in which he praised his singing as "sweet voice, full of charm, quite a teacher style, and a good seedling."

From the mid-1970s to the early 1980s, the two person Jingyun drum she worked with Luo Yusheng was very popular. The repertoire includes "in memory of Premier Zhou" and "Han Ying meets his mother".

She learned from Luo Yusheng, a contemporary drum master. In more than 50 years of artistic practice, Liu chunai has made painstaking efforts to become more and more perfect and mature in art. She not only inherits the Beijing charm of Luo school, but also explores it constantly, which makes her singing sound with emotion, sincere, rich in voice and emotion, full of passion and unique charm. Her performances such as "Pipa Xing", "Yingying Tingqin" and "invite Li Yuehua at night" have won many awards in the quyi competition.

Liu chunai has twice performed in Taiwan for cultural exchange, and the song "the bell in the pavilion of Swords" has attracted four audiences, which makes the compatriots of Baodao listen to the Jingyun of Luo school and appreciate it. In 2000, she won the "Peony award of Chinese Quyi" from China Federation of literary and art circles and China quyi Association.

After her retirement, she devoted herself to teaching and set up a Jingyun drum class in the University for the aged to spread quyi art, which was well received by the society. On February 9, 2010, she held a grand performance in China's Grand Theater to celebrate her 50 years of stage life and her apprenticeship ceremony. She received eight professional actors and ticket industry figures, including Zhang Xiwen and Li Yuequn, as disciples. She also sang Luo's masterpiece "the bell in the sword Pavilion", which was warmly welcomed by the audience. On March 1, 2010, Tianjin Grand Theater held a special performance of folk art of intangible cultural heritage. As a representative of Jingyun drum, she sang a classic work "Hongmei Pavilion". On June 14, 2010, she performed "beating drum and scolding Cao" in another special performance of folk art of intangible cultural heritage.

In Liu chunai's eyes, teacher Luo Yusheng is a legend. Before meeting Luo Lao, she had heard the teacher's story and was full of admiration. After meeting Liu chunai, she went into her teacher's Luo School of art and continued to write each other's artistic legend.

In 1960, 11 year old Liu chunai was admitted to Tianjin quyi troupe. Maybe she was born for quyi. On the stage, she was different from others at the beginning. In a week, when other children can't hold the drumstick well, she has been able to beat the drumsticks. In the first performance of Quyi troupe half a year later, Liu chunai's Jingyun drum Huang Jiguang attracted the attention of many teachers. Among them, Luo Yusheng is one of the most famous.

"After the performance, Luo came backstage." Liu chunai said that it was the first time she saw Luo. "She was wearing a pair of gold glasses, carrying a small satchel, and her hair was gathered back. Although she was not tall, she was so good-looking. I loved her very much when I saw her. "You sing so well! How long have you been here? Do you want to learn from me? I sing that, too. " In this way, I began to learn Jingyun from Mr. Luo. " In Liu chunai's memory, the days of studying with Luo Yusheng are particularly beautiful. "Learning from Mr. Luo, performing and living are inseparable. Now I think how rare it is for an actor to have such an opportunity. Because you and the teacher, so close contact with her, observe her, be influenced by her, you will learn very quickly, very meticulous, solid

Liu chunai recalled that the first passage she learned at Luo's home was "the end of ugliness and the beginning of Yin", followed by "Hongmei Pavilion" and "sishuiguan" In the past six years, Luo Yusheng was not only Liu chunai's idol, but also her imitator. "At that time, I followed her, and my eyes were all her. I not only learn from her style of speaking, but also learn from her appearance. Sometimes Miss Luo would cry with excitement when she saw my performance, because I was so much like her. " However, Luo said to Liu chunai, "don't die to learn from me. If you die to learn from me, you will die. You have to be like me and not me to survive. As Mr. Qi Baishi said, "those who like me live, those who learn from me die." This kind of teaching is difficult for Liu chunai, who was a child at that time. Decades later, Liu chunai experienced the teacher's painstaking efforts: "what Mr. Luo said is the law of art, and the actor's learning should be skillful, fluent, refined and civilized. "It's very important to" turn "the actors into their own things in their artistic skills. Only in this way can this kind of art develop by leaps and bounds."

Liu chunai said that standing on the stage singing her favorite luopai Jingyun drum, she is not a "copy", but has her own things. "In the past, the performers of Luo school were all from head to toe, and they didn't use their eyes or gestures. I love watching song Zuying very much. I think her spirit on the stage is very beautiful, and some of the actions in the opera performance are also very good. So I put these into my performance, and the audience accepted them very much, and felt very good. "

Apprentice reception

At the beginning of the Spring Festival in 2010, good news came from the music circle in Tianjin. Liu chunai, the Beijing Drum performing artist of luopai, ushered in her 50th anniversary. The Beijing Concert of luopai, the Beijing Drum Art Seminar of Liu chunai and the ceremony for Liu chunai to accept eight new apprentices, sponsored by Tianjin Federation of literary and art circles and organized by Tianjin Music Association and Tianjin quyi troupe, were held in Tianjin. On the evening of February 9, China's Grand Theater was full of seats and full of joy. Xiao Huaiyuan, director of the Propaganda Department of the Tianjin municipal Party committee, sent a congratulatory letter and presented a big flower basket. Wang Wenhua, vice chairman of the Tianjin Municipal Committee of the Chinese people's Political Consultative Conference, attended and presented a flower basket on behalf of Xing Yuanmin, chairman of the Tianjin Municipal Committee of the Chinese people's Political Consultative Conference. China Music Association sent a congratulatory message. Liu Lanfang, chairman of the China Music Association, sent a calligraphy banner of "tranquility Zhiyuan". Jiang Kun, Secretary of the Party group of the China Music Association, personally wrote "eternal inheritance" for Liu chunai Zhao Tianhao, Deputy Secretary General of the Municipal People's Political Consultative Conference, sun Fuhai, Secretary of the Party group of the Tianjin Municipal Federation of literary and art circles, native place Wei, vice chairman of the China Music Association, Wang Yubao, Cao Yuanzhu, Wei Wenliang, Hua Wubao, etc. attended the performance. The concert was hosted by Zhang Zhikuan, a famous fast blackboard writer, and Luo Junsheng, a disciple of Luomen. Wang Tiecheng, a famous film and television performing artist of Luomen disciples, Wang Guanli, a famous performer of Pingju Bai School of Luomen disciples, Li Guangrong, Li Mengxiong, Chi Zaocheng and other Luomen disciples performed on the stage and sang the classic works of Jingyun drum of Luomen school. Liu chunai affectionately presented the foundation laying masterpiece of Luomen school "Jingge Wenling" to the audience, which attracted the audience and burst into cheers and warm applause from time to time. Eight new disciples sang the representative repertoire of different periods of the Luo school, showing the elegant demeanor of the retransmission disciples, which filled the ears of many "Luo fans". This is a grand event of Tianjin Quyuan. The stage of Tianjin quyi is full of spring, which ushers in the spring of luopai art. Liu chunai was admitted to the youth training team of Tianjin quyi troupe in February 1960, and has been an artist for 50 years. In October of the same year, Luo Yusheng, the master of drum music, recognized the talent in his performance and decided to teach Luo the Jingyun drum. Since then, she has been following Luo Yusheng's footsteps for 42 years. She has a broad, bright and mellow voice, which is similar to Naishi. In the early 1960s, it was the climax of the development of Luo school's art. She studied with her teachers, made great progress, and quickly learned more than ten basic representative pieces of Luo school. During the Spring Festival of 1961, Liu chunai, only 12 years old, sang "the ugly end and the ugly beginning" for Comrade Chen Yun in Tianjin cadre club, which was praised by Comrade Chen Yun. She performed in the first "Jinmen quhui" He sang "Ji Qingwen", which was welcomed by the majority of fans; Luo Pai's repertoire recorded and played in Tianjin radio station was well received by the audience.

Liu chunai is deeply impressed by Luo school's singing of Jingyun Dagu in accordance with her feelings. Her study of Luo school's art has gone through the exploration from similarity in form to similarity in spirit. In the 1970s, Mr. Luo sang songs with her, such as "Han Ying meets his mother", "Jiang Xianghe", "invite Li Yuehua at night" and "lie on the firewood and taste the gall", which made Chun AI's art more and more perfect. Since the 1980s, she has created and performed new repertoire such as "wind dust confidant", "Sima Qian", "Pipa line", "light of life", especially "Yingying Tingqin" created by teacher Zhu Xueying. She and string Master Zhang Zixiu jointly designed the aria, with elegant words and fresh singing, showing a new meaning. At the same time, it has a strong style of Luo school, enriching the aria of Luo school.

Over the past 50 years, she has sung nearly 100 pieces of music, which is the soul of Luo school and the pride of Mr. Luo. Mr. Luo once named her "bridge", which means that she hopes to be a connecting link between the past and the future and shoulder the important task of inheritance. Liu chunai lived up to his teacher's expectations. He has been teaching in North China music school for more than 20 years, and has trained six Luo school graduates of Jingyun. These young actors are active in the Beijing Tianjin quyi stage. In 2004, she opened a class in Tianjin University of geriatric health to popularize luopai Jingyun drum, so that these elderly people can feel the joy of life from enjoying luopai drum. Today, she likes to recruit eight new disciples, which makes Luo school art have successors, further expands the influence of Luo school art, and makes Luo school euphemistic

Your voice moves more friends and makes more people special

Chinese PinYin : Liu Chun Ai