Wu Yong

Wu Yong

This data is participated and reviewed by the artist data authority and certification network platform.

Wu Yong is from Changzhou, Jiangsu Province. Director of Jiangsu Calligrapher Association, vice chairman of Jiangsu young calligrapher association, vice chairman of Jiangsu Provincial Calligrapher Association, vice chairman and Secretary General of Jiangsu hard pen Calligrapher Association, chairman of Nanjing young calligrapher association, and Deputy Secretary General of Jiangsu Overseas Chinese calligraphy and painting academy. At present, he is secretary of the Party committee of Chemical Engineering College of Nanjing Forestry University, full-time teacher of calligraphy, President of staff Calligraphy Association of Nanjing Forestry University, honorary president and instructor of Calligraphy Association of Nanjing Forestry University.

curriculum vitae

Wu Yong is from Changzhou, Jiangsu Province. Director of Jiangsu Calligrapher Association, vice chairman of Jiangsu young calligrapher association, vice chairman of Jiangsu Provincial Calligrapher Association, vice chairman and Secretary General of Jiangsu hard pen Calligrapher Association, chairman of Nanjing young calligrapher association, and Deputy Secretary General of Jiangsu Overseas Chinese calligraphy and painting academy. At present, he is secretary of the Party committee of Chemical Engineering College of Nanjing Forestry University, full-time teacher of calligraphy, President of staff Calligraphy Association of Nanjing Forestry University, honorary president and instructor of Calligraphy Association of Nanjing Forestry University. Wu Yong has been teaching calligraphy in Colleges and universities since 1996. He has been engaged in calligraphy education, calligraphy creation and theoretical research in Colleges and universities for many years. He has published "general theory of Chinese calligraphy" (Nanjing University Press), "appreciation of Chinese calligraphy" (Nanjing University Press), "appreciation of calligraphy" (Higher Education Press), "Chinese traditional old workshop · approaching paper mill" (Jiangsu Fenghuang children's Publishing House), "calligraphy calligraphy calligraphy calligraphy calligraphy calligraphy calligraphy calligraphy by pen and ink of qiangu Minglian art and technology"（ Shanghai Science and Technology Literature Publishing House, etc., published more than 40 calligraphy articles in various journals. He is the core member of the editing team and the sub volume editor in chief of the calligraphy practice guide for primary and secondary schools in Jiangsu Province approved by the Ministry of education in 2014. He has been praised as an excellent calligraphy instructor by the Ministry of education, China Calligraphy Association and Jiangsu Provincial Department of education for many times. His calligraphy works have been selected into various large-scale exhibitions and competitions in China for many times. In 2010, he went to Canada and the United States for cultural exchange and held exhibitions with Jiangsu calligraphy and painting exchange group. In 2011, he went to Taiwan for cultural exchange with Jiangsu Calligraphy Association. Since 2012, he has been an expert in calligraphy teacher training in primary and secondary schools for many times Invited to all provinces and regions to train calligraphy teachers in primary and secondary schools. The calligraphy course of our University won the second prize of the undergraduate group of the first public art course micro class competition in Jiangsu Province in 2016. Wu Yong has been involved in various styles of calligraphy, especially running script, cursive script and official script. His official script is in and out of the Qin and Han Dynasty tablets, bamboo slips and silk. The style of calligraphy is high, ancient and natural, elegant and honest. In addition to his regular script, he gradually entered the field of cursive writing, which was easy to release and easy to use. He had a good command of style, strength, and ease. It is also interesting to be involved in other bodies.

Appreciation of works

Art evaluation

Brother Wu Yong is a man who loves calligraphy. From his busy years of calligraphy, we can really feel his persistence! if you like calligraphy, you are destined to be on the road of searching all the time. From the beginning of copying, your heart gradually approaches to the classics, but it is always separated by the pulse that is hard to touch. If you like calligraphy, you are destined to have the patience to keep loneliness, because you have made a lot of efforts, you may not be satisfied with the harvest. Of course, the so-called success and happiness in our common sense obviously have different connotations. I think calligraphers should have a sense of history, because what we often face is thousands of years of calligraphy history, from the vigorous and refreshing oracle bones in Yin Ruins to the solemn and artful Qin and Han Dynasties, from the Wei and Jin demeanor of Wang Youjun to the prosperity of stele learning in Qing Dynasty. Obviously, all calligraphers are in the same way Search, therefore, only looking at the present and the past, search will have value and significance. This exhibition is called "searching for Qin and knowing Han". We can see the thinking of the calligraphers and the main direction and skills of the calligraphers in recent years. I believe it will give us a lot of fresh feelings. In addition, I think two points are very meaningful: on the one hand, only seeking can enrich and create. It can be said that every artist's success is constantly seeking and enriching, accumulating and abandoning. As a well-known young calligrapher, brother Wu Yong is engaged in calligraphy teaching in Colleges and universities. His teaching and learning are mutually beneficial, and he is improving day by day. In recent years, he is still striving to move forward, abandoning his old self, accumulating a lot of experience, and taking the initiative to focus on the Qin and Han Dynasties. It can be said that he has a high foothold, actively explores, steadfastly seeks, and achieves thousands of miles in a single step. On the other hand, the calligraphy nutrition of Qin and Han Dynasties is still our rich treasure, which can be further explored In other words, there are abundant resources of the method, and each tablet has the possibility of activating the calligrapher's creative inspiration. From the perspective of contemporary calligraphy, there are many successful examples that can be used for reference in the great trees of Qin and Han Dynasties. Therefore, brother Wu Yong has visited Qin and Han Dynasties many times in recent years. He has traveled thousands of miles to read thousands of volumes of books. He has done a lot of preparatory work and is committed to the tradition. He has ideas and foresight, I believe We have reason to believe that this exhibition is not only a temporary summary of the past, but also the beginning of a new journey. everyone who really likes calligraphy, in fact, will always be on the road, looking, only constantly looking will be possible, only constantly looking will be really happy. I believe this exhibition brings us a lot of useful thinking. - Chen Kenian (member of Chinese Calligraphers Association)

Chinese PinYin : Wu Yong