Xu Huapu

Xu Huapu

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Xu Huapu, male, with the name of Yunshan and the name of Yunmen, claimed to be a native of Yunmen mountain. He was a native of Yanghe and Weiren in the late Ming and early Qing Dynasties (now a master of Yanghe). He was a Gongsheng in Shunzhi years and a famous local scholar in the late Ming and early Qing Dynasties.

Reading poems and books in frustration of imperial examination

When Xu Huapu was very young, his father died. Xu's family is not bad, so his mother let him study at ease, so that he can grow up a little promising. Xu Huapu, who studied hard and studied hard, originally wanted to be a Jinshi and a half official with his ten years of hard work. Who knows that with his real ability, he failed to make a name for himself in the dark imperial examination field, and even failed to touch the edge of a person. After returning home, he became even more indignant and determined to surpass those vain dandies with his real talents and practical learning. After several years of staying in the door, Xu Huapu not only knew his history by heart, but also knew his words and poems by heart. The excellent knowledge not only impressed the people of the county, but also the well-educated people who came from other places.

Chief writer of Yunzhong county annals

In the early years of Shunzhi (1644-1661) of the Qing Dynasty, Datong mansion moved to Yanghe after "Jiang Bian", and Xu Huapu, who lived in Yanghe city for a long time, became more obvious. Cao Qiuyue (Mingrong, a native of Jiaxing, Zhejiang Province, once served as a military officer of Yanghe) and Wei Huanji (mingxiangshu, a native of Weizhou, Zhili, and an official to the Minister of criminal justice) who were officials in the Yamen of Yanghe prefecture were all famous scholars at that time. After talking with Xu Huapu, they could not help but marvel that there were such high officials in Yanghe town. From then on, Xu Huapu became more famous. During this period, Xu Huapu was elected as Sui Gong by yanggaowei and Datong government, and was also employed as a teacher in yanggaowei county school. In 1650, the magistrate Hu Wenye planned to write and revise the annals of Yunzhong county. Xu Huapu, who was familiar with the local situation and learned a lot, applied for the job and eventually became the main writer of the annals of Yunzhong county. Yunzhong county annals, compiled by governor Hu Wenye in the ninth year of Shunzhi in the Qing Dynasty (1652), is a woodcut edition. It is only collected by 12 libraries in China. Due to its detailed materials and good writing style, it has become one of the important representative works of local annals in the Qing Dynasty. Hu is a native of Puzhou (now Yongji County), Shanxi Province. He was born as a Gongsheng. He once served as the magistrate of Changping. In June of 1650, he was transferred to the magistrate of Datong. In 1652, he ascended to Pingyang (now Linfen City). Before promotion, he compiled the annals of Yunzhong county. This book covers 13 counties in Yanbei, Yu County in Hebei, Laiyuan and the border of Shanxi and Inner Mongolia along the Great Wall for reference. The book consists of eight volumes, fourteen volumes, nine annals and fifty-nine items. That is: Qianji: Volume 1: Fangyu Zhi (preface 3, evolution, territory, Xingye, mountains); Volume 2: Fangyu Zhi (scenery, Xingsheng, historic sites, customs, feudalism, touring); Volume 3: Jianzhi (city, office, fangbiao, school, Cangyi, bridge, sacrificial ceremony, Mausoleum); Volume 4: shihuozhi (taxes, Dingyi, products); Volume 5: Zhiguan Zhi (rank official) (governor, governor, governor, governor, rater, supervisor, Shouling, staff, teaching staff, Xiezi, Dusi, shoubei); Volume 6: Minghuan Zhi (loyal and meritorious); Volume 7: Wubei Zhi (soldier, rater, Shouyu, levy, border police, Fuqian, Guansai, bianpu, Fenghou); Volume 8: Renzhi (zhengpi, Jiadi, Xiangju, Lixuan); Volume 9: Renzhi (loyalty, filial piety, Zhuoxing); Liji volume 10: Chronicles of people (achievements, literature); Volume 11: Chronicles of people (chastity); Volume 12: Chronicles of foreign countries (Overseas Chinese residence, immortal interpretation, inversion, disaster and auspiciousness); Kunji Volume 13: Chronicles of Arts and culture (inscriptions); Duji Volume 14: Chronicles of Arts and culture (inscription, postscript 2).

My hometown

With boundless love for his hometown, full enthusiasm, prudent attitude and skillful writing skills, he recorded the glory and disaster of his hometown in detail into the historical materials. After Xu Huapu's scientific induction, he carefully deliberated: "once the government abides by the constitution, the government will enter the new era.". The scenery of the mountains and rivers is strange, and you can pick up the emerald with a mouse's hair. If you are filial, loyal and virtuous, you dare not mix fish with pearls. The military equipment is in the order of Chen, zhuo'er is in the river and he is in the Han Dynasty. The selection of Arts and culture is the way to enter the country, and Jia is the way to strike jade and gold. " "It's the compilation of money, the creation of grass, the compilation of ideas. Fourteen volumes of chapter a and chapter B have been prepared. There are more than 50 kinds of bandits listed in the middle of the book. " Yanghe is Xu Huapu's hometown, and it coincides with the establishment of the government in the early Qing Dynasty. Here, the government was established, the Academy was reorganized, the Chengguan was built, and the temples were renovated. The scene of prosperity filled the streets. Xu Huapu eulogized the scenic spots in Datong, especially in Yanggao. The only ones included in Yunzhong county annals are "Yanghe eight sceneries · Baideng ruins", "Yanghe eight sceneries · Qinglong Huishui", "Yanghe eight sceneries · Shengu Cangfeng", "Yanghe eight sceneries · chiseling stone to channel", "title of Datong Guanyin Temple", "works of Hewang Hengshan" and so on. In different styles and from different angles, these poems not only show the local historical style, but also highlight the local natural landscape and cultural landscape. In the form of poetry, he systematically summarized the eight sceneries of Yanghe. Among them, the remains of Baideng wrote: "the matter of Pingcheng is over, and hegemony is always in depression. The setting sun is flat and the sand is shallow, and the west wind shakes the ancient trees. We all know that there are six risks. Through the ages, the green mountains are old, and the long songs break the loneliness. " "Qinglong Huishui" wrote: "you don't have to be tall if you have mountains. If you have mountains and waters, how many people can you cultivate? Cook all day long. Zizhi old green spring, Yao grass cold. The Golden Lotus comes from the water. If you want to cut it, you can't pick it. " "The wind in the Sacred Valley" exaggerates the description of the special scenery of mountains, valleys and sacred wind.

Record changes with poems

When he wrote local chronicles, he did not stick to the style of writing, but also recorded in detail the social changes in Datong in the form of poetry and literature, which were reflected in both the natural beauty and the sweat of the lower class people. For example, chiseling stones to open channels vividly describes the magnificent scene of Yanggao people's opening mountains and cutting mountains and developing water conservancy in Qing Dynasty. "The title of Guanyin Temple in Datong" has a special flavor: "who moves the falling and floating here, Qingfen and Zen are suitable. We will join hands to visit Songxue and Zhongfeng baiyunshi. " "The work of he Wang Hengshan" is full of witticism: "love Hengshan, Hengshan really can go up, the single peak is unparalleled, the four mountains let the majestic. Three thousand and three thousand are dragon elephants in the Dharma. There is a cave flying king an, and the rocks dare not look up. When the clouds come and the snakes form an array, when the stones go, the birds think. Once upon a time, white bats made a magnificent sound. The road lies on the mountain, and the dust is like a rush. White clouds and green grass, where can I go? In the misty haze and clear valleys, I see the giant spirit palm. Where does Zhao Fu bury when he chooses the orchid terrace in the stone chamber? "

Yanghe Yunlin Temple

Yunlin temple, also known as Yunlin temple, is located in the southwest corner of Yanggao city. In May 2006, it was approved by the State Council to be listed in the Sixth Batch of national key cultural relics protection units. The temple, built by the emperor in the early Ming Dynasty, was in disrepair in the early years of Chongzhen. Li Xin, a Buddhist monk of Yanghe, began to donate money to build the West Temple of Yanghe in 1349. After more than 10 years, he has successively repaired five halls, including the main hall, the heavenly king hall, the King Kong hall, and the East West underground hall. At the same time, he has created more than 10 bell towers, stele towers, and corridors, making Yunlin temple a complete group building. Xu Huapu Xinran wrote the inscription of rebuilding the West Temple for this purpose, which describes in detail Li Xin's contribution to Yunlin Temple by carrying forward the spirit of Yugong moving mountains. After praising the magnificent landscape of Yunlin temple after reconstruction, Xu Huapu expressed his heartfelt emotion: "I know that giving and changing each have their own wishes, and it is a great cause. Everyone has the same nature as heart, the same power as wish, and each should be as good as watching, which is the result."

Xu Huapu's representative poems

Many of Xu Huapu's poems have been handed down. The main content of his poems is to record the local scenery of Yanggao or express his feelings for the local historic sites of Yanggao. It is one of the important carriers to record Yanggao local culture. For example, his poems about the mountains, clouds and grasslands in the sky recorded the social customs and ecological environment at that time. Xu Shichang's collection of poems in the late Qing Dynasty (Volume 34) includes his works Ming Fei Qu and so on.

famous scenery

"Silver hairpin ridge" is no better than taking off hairpin. She is too amorous to make up. The dew is cold in the morning and the grass is yellow in the evening. Don't be surprised at the fragrant chariot, the orchid has been used as a wasteland. (Note: yinchailing is now yuncailing. ）"Dashengdian" the sand moraine is sparkling, the grass is filled, the lonely city looks east, and the battlefield is flat. It has always been an iron armor and a yellow stone, a mud pill and a redbud. the snake array of Cangshan Mountain is far away, and one day the frost feather crane is frightened by the wind. When I feel sad for a long time, where can I hear the dusk. The dashengdian described in the poems is today's Jingsheng "air prairie". According to the county annals, it was the ancient battle field where the Yuan Dynasty cavalry defeated the Jin people.

Historical expression

In He Liang Qu, Su Wu and Li Ling joined hands to serve the Han Dynasty. Why the wind and rain night, hand words floating. Qinghai has one wild goose foot and two yellow swans in the river. Ice and snow lonely heart, blood and tears cry in other places. how can the blood and tears from other places be? The autumn wind is thousands of miles away, and the river is far away. Poor after parting, soul chasing, life and death, the end of the world dream more. The song of the Ming imperial concubine. Old Ajiao, the head of the Han family, died a long time ago. Princess Ming leaves the palace museum one day, and the peach dew enters the palace to stir the spring breeze. The son of heaven is more glorious than gold in buying painters. The sound of wild geese is loud and clear. So far, the clouds are cold and the grass is green.

Old age and death

When he was nearly 80 years old, Xu Huapu sat in front of the window every day, holding his hands

Chinese PinYin : Xu Hua Pu