Zhang Fengyi
Zhang Fengyi, whose name is Bo Qi and his name is lingxu, is another scholar of lingxu. Nanzhili is a native of Changzhou (now Suzhou, Jiangsu Province). With his younger brother Yanyi and Xianyi, he had a talent name. At that time, his name was "sanzhang". In the 43rd year of Jiajing reign (1564), Yan Yi and he were both successful.
He is crazy and good at composing music. The operas written by Feng Yi include the legends "Hongfu Ji", "Zhufa Ji", "steal Fu Ji", "Guanyuan Ji", "Jian Ji" and "Hufu Ji" (the above six kinds, together with the title "Yangchun Ji"). According to Fu Xihua's "complete catalogue of Ming dynasty legends", there are still three kinds of operas "Pingbo Ji", "Luyi Ji" and "Yuyan Ji", all of which are not handed down.
There are eight volumes of poems and essays in Chu Shi Tang Ji, Meng Zhan Lei Kao, works and paintings of famous artists at home and abroad, selected works and notes, four books and sentences explanation, Ruilan Ge Jing Xing Lu, Qinghe anecdotes, self-made chronology, Guochao Shi Guan Hua Ji, etc. in addition, there are some CI manuscripts of knocking Yue Xuan, which have been lost for a long time. He wrote a preface to outlaws of the marsh.
(overview photo source: biography of famous figures in Wujun county)
Life of the characters
Traditional Chinese opera
After Zhang Fengyi dismissed from office, Du menbu went out and sold his words for self-sufficiency. Zhang Xidu's music, from morning to night, never leaves his mouth. He once co starred with his second son in the story of the pipa, playing Cai Bozhe himself and Zhao Wuniang as his son. In his later years, he was especially fond of writing new sounds of Yuefu, which was popular with people.
Main works
Zhang Fengyi's Opera Collection includes five kinds of Zhang's operas: (1) Hongfu Ji; (2) Zhufa Ji; (3) Guanyuan Ji; (4) steal Fu Ji; (5) Hufu Ji; (6) appendix: Hongfu Ji; (3) five kinds of operas and each edition used in collation: (1) Hongfu Ji: it is based on the relatively perfect Hongfu Ji, which was engraved by Lingshi of Wuxing in the late Ming Dynasty, The proofreading is based on (1) Zhongxiao Hongfu Ji, abbreviated as Jiben, engraved in Jinling jizhizhai of Wanli in Ming Dynasty; (2) Rongwu's criticism of Hongfu Ji, abbreviated as rongben, engraved in Hangzhou ronghetang of Wanli in Ming Dynasty; (3) ding engraved Hongfu Ji, abbreviated as Xiaoben, engraved by Xiao tenghong of Wanli in Ming Dynasty; (4) Hongfu Ji Ding edition, abbreviated as Jiben, engraved in Jigu Pavilion at the end of Ming Dynasty; (5) wenhongshi Huike zhuanju, edited by Liu of Guichi in the early Republic of China《 (6) in 1954, the publishing house of literature and ancient books reprinted the version of "Hongfu Ji", which was revised and reprinted by Kaiming bookstore in 1935. All six books are the same, they are called "each book". (2) "Zhu FA Ji": it is based on the earliest existing engraving of Xu Xiaoke's Xiaoyi Zhu Ji in Fuchun Hall of Jinling in Wanli of Ming Dynasty, and it is also based on the engraving of Zhongxiao Xiaoyi Zhu Ji in Jizhi Zhai of Jinling in Wanli of Ming Dynasty. (3) guanyuanji: Based on the earliest existing guanyuanji (guanyuanji) engraved in Fuchun Hall of Jinling in Wanli of Ming Dynasty, the proofreading is (1) guanyuanji (guanyuanji), a copy of sixty kinds of songs engraved in Jigu Pavilion at the end of Ming Dynasty, referred to as Jiben; (2) guanyuanji (guanyuanji), a copy of sixty kinds of songs, reprinted in 1954 according to Kaiming Bookstore edition in 1935. (4) "stealing Fu Ji": it is a copy of the Qing Dynasty, which is popular in China. The Ming Dynasty Huancui Tang engraving is not found in France. This is based on the copy of Zhongxiao stealing Fu Ji, which is printed in three kinds of rare editions of Chinese opera by Japanese siwenge in 1982 (Showa 57). This edition is the earliest extant edition, which was published for the first time in China. (5) the legend of the tiger: since all the circulated copies are of the Qing Dynasty, it is only based on the inscription of the legend of the tiger of the general with the newly carved image sound in Fuchun hall, Jinling, Wanli, Ming Dynasty. Jian (VI) Jian Ji: according to Jian Ji, an anthology of Jian sounds, there are some proofreading points. (4) this collection is the proofreading version of Zhang Fengyi's existing plays, striving to maintain its original appearance for researchers' reference. Therefore, the words and sentences that clearly show historical limitations are not deleted. The collation is limited to those that are helpful to the understanding of the text or have reference value, and focuses on correcting the errors, derivations and errors in the original text. Therefore, we should correct the common characters, ancient and modern characters, synonyms and so on. 5. If the basic text is similar to or different from the other text, the text of the other text will be corrected as appropriate. If the original text is obviously wrong and there is no other reference, it should be corrected and the explanation should be given. The characters in other editions are obviously erroneous, deviated, extended and wrong, while those in the original edition are generally not corrected. 6. All the proofreading notes are marked with a note code, which is attached to each issue for reference. 7. The illustrations and Book Shadows attached at the beginning of the volume are selected from the series of ancient operas and the three rare editions of Chinese operas, which gives readers a glimpse of the printing format of the original book.
Chinese PinYin : Zhang Feng Yi
Zhang Fengyi