Zhuang Zhen

Zhuang Zhen

Zhuang Bi (1830-1878), a poet and scholar in Qing Dynasty, was named Dongzhuang and haoan. Dantu was born in 1830. Guangxu four years (1878) died. He was 49 years old. He is the author of the manuscript of hao'an, which is attached with the manuscript of CI A and B and the addendum. He said in his preface, "he traced back to Five Dynasties and Ten Kingdoms from the Northern Song Dynasty, and now he seeks the reasons for the gains and losses of the Southern Song Dynasty.". As famous as Tan Xian. Zhu xiaozang's collection of two Ci poems says: "Gao Wenshuo colludes with Zhuang and tan. I feel the frost, I feel the mirror, I feel the clothes, I feel the smoke, I don't know how to explain it (qiangcun Yuye, Vol. 3) based on this, we know that the second surname is the successor of Changzhou school.

Life of the characters

Born in a salt merchant's family, he donated money as the head of the Department in his early years. In the 14th year of the reign of Emperor Guangxu, he first learned the Zhejiang School of Yisheng Ci, and then his family declined. In the fifth year of Xianfeng (1855), he visited the capital and failed to take the test. In the Yi Dynasty and the spring and Autumn period, it also connected the Wei and Hou. In the fourth year of Guangxu (1878), he died.

Poetic style

Zhuang Zhen paid more attention to Bixing than Tan Xian. He wrote a preface to tan Xian's Fu Tang Ci, in which he specially said: "the feeling of family, country and life experience can't be explained. It's also the purpose of covering the wind." ——In the preface to Fu Tang CI written by Zhuang Zhen in the Qing Dynasty, he was concerned about the country and his own life experience. At this time, Fengren, in fact, is Si Ren. CI Ren refers to Fengren in Guofeng. However, he said, "the madness of the world can't tell Zhongxiu's poems, can you tell Zhongxiu's words? If you don't do wrong in propriety and righteousness, how can you show mercy to others? " ——In the preface to Fu Tang CI written by Zhuang Zhen in Qing Dynasty, we can't know Tan Xianzhi's poems, so Zhongxiu is Tan Xian, and the character of Tan Xian is Zhongxiu. He also said, "husband's meaning can be attached, meaning is not deep; metaphor can be specific, metaphor is not wide. "We should cherish the king's country by supporting our ambition." ——In the preface to Fu Tang CI written by Zhuang Zhen in Qing Dynasty, metaphor can be used to refer to metaphor. He said that although there have been many people since the Song Dynasty, there are few who can meet the purpose of Bixing Why? Some of them are "or" meaning is too deep, the words are meaning. Although there are many purposes of Bixing, there is no misty sound ——In the preface to Fu Tang CI written by Zhuang Zhen in the Qing Dynasty, some people can't really express the deep meaning of supporting the Imperial Palace and cherishing the monarchy. Or, the meaning is so deep that it is covered by the word. Although there is the purpose of Bixing, there is no ethereal and sustenance way to express it. So he said, "since ancient times, all the poems are about Bixing. The meaning of the system is unclear. Shout wildly, think generously. Those who correct its disadvantages are mediocre. The meaning of Fengshi is also vague. " ——On the one hand, Zhuangzi's "Fu Tang CI Xu" in the Qing Dynasty emphasized this, and he wanted to support the Zhi Wei Fang and cherish the monarchy. On the other hand, we should also emphasize the importance of Bixing, and we can't do without it. If you just mean to cherish the monarchy, but you are shouting and becoming generous, it's not right. If you correct this, you will become mediocre again. Therefore, he said that there is too little meaning like that guofengyi poem. It can be seen that compared with Tan Xian, there are two differences in Zhuang's comments on CI. The first difference between Zhuangzi's Ci poetry and Tan Xian's is that he expresses his feelings in the light of "the madness of the world calling for the uproar". Tan Xian emphasizes "softness and gentleness". What he wants to correct is the shortcomings of "carving graceful words" and "sweeping the man and dazzling the light". On the other hand, Zhuang's argument against CI is mainly aimed at the so-called "crazy people of the world". He only paid attention to expressing his passionate feelings, but did not emphasize Bixing in this way. There are two differences between Zhuangzi's Ci poetry and Tan Xian's: he emphasizes "supporting the house of ambition and cherishing the monarchy". Second, he emphasizes that he is closer to poetry education. What's more, Bixing is not just a common artistic technique. We can rely on this artistic technique to express our feelings. It has become the inherent requirement of the "soft and thick" tenor of the whole argumentation. As long as you write words, you must have Bixing. However, it is precisely this view of Ci that not only makes Zhuang's Ci successful, but also limits his ci. Why do you say that? Zhuang Zhen never met in his life. Although he made fun of himself and said, "if you don't go up or down, you'll lose your life." because he didn't become an official, he didn't have this kind of sadness in terms of promotion, demotion, gain and loss. In fact, the feeling of his life experience is still expressed in the words. For example, in one of his songs, he wrote his own mood by writing a lamp, which is really self-contained. In the words, there is a lamp, "the lamp flame is like condensation, and the red heart grass is not. Like bituminous coal. According to this, the empty court is full of wax ——The light of Zhuang Zhen in Qing Dynasty, a small one, doesn't look like a wick. Like a pile of bituminous coal, it shines on all sides of the empty court, piled with wax. However, the next turn, "shadow will be difficult to know, light left many peep, also once looked at the mirror moth eyebrow.". Out of the window, the north wind is freezing, and only a slight fire turns to be miserable. " ——As long as there was a shadow, Zhuang Zhen blocked the lamp and lost sight. Of course, but its light is still reserved for you to see. This lamp once illuminated the beauty in the mirror. This is to write the self-esteem and a kind of pride that shine through the empty court and leave the public to see. In the end, it comes down to the saying that when the north wind blows out of the window, when it's frozen, "it's only a slight fire that turns sad." At the moment, in the wind and ice outside the window, his weak and desolate image is actually the result of his own situation and mood. It's true that it's better to have a deep meaning than to have a deep meaning. Therefore, this kind of comparison and gentleness really made his poems. For example, this poem is a new creation of image and a unique conception, which is rare in the previous anthology. However, in Zhongbai Ci, this is also a creative work, which is rare. Of course, there are also some, for example, he wrote in "happy meeting each other:" there are several cuckoos in the deep forest, and dreams are like smoke. Until the dream is hard to find. Butterflies dance and warblers sing. They are always sad. The moon is empty and the court is like water. ——In the Qing Dynasty, Zhuangzi's Zhongbai CI expresses the feelings of life that the old dream is hard to find and the Chinese new year has passed away. However, such situational images have fallen into the pattern. Later, Chen tingzhuo thought that he was "beyond the past and the present" with this poem, which was obviously over praised. Most of Zhuang's poems are like this. In addition, there are some words, he deliberately pursues that the meaning is not attached, and the metaphor does not specifically refer to the one in front of him. In his comments on Tan Xian's words, he said, "husband's meaning can be attached, meaning is not deep. Metaphor can be used specifically, but not widely. " You can have the righteousness that everyone knows, then your righteousness is not deep. Your metaphor is specific to a certain thing, you are not wide. Therefore, he showed a more extensive, deeper and broader "righteousness" and "metaphor", and deliberately pursued it, resulting in a kind of vague and obscure. He was a famous poet at that time.

Evaluation of the Qing Dynasty

Tan Xian

The thought in boudoir, the legacy of spirit, move in sadness and happiness and can't help themselves, white when said: "not my beauty, Mo can also solve." [words in the trunk 5]

Chen tingzhuo

Haoan CI has a poor source and a deep foundation, but few people know it. Yu Guanqi's Ci, the only bandit of his generation, can surpass the three Tang and two Song Dynasties, and is similar to Feng, Sao and Han Yuefu. And its strength originates from Guofeng, Xiaoya, Huaihai, Dasheng, and Bishan. [Bai Yu Zhai CI Hua 5]

personal works

Reminiscence Tour

Grass test plain polar eye. Green and soft. There are not enough burn marks. Rely on the east wind. The ancient road is blurred. It's not going to kill you. Sometimes dark long band. Hold the pomegranate skirt. Look at the alleys. The suburbs are deserted. It's all about worry. Gentle. To whom. Think of all kinds of spring. It's hard to talk about seclusion. Don't lose time. Let the flowers fall and the catkins fly. Pay fangzun. Where does the masiko go. Jiao killed Yulou people. Lonely and empty. The path of vine and turnip is deep, and the door is closed.

Yulouchun

In the closed sea, spring is quiet, and the dream of the afternoon is fading. Sleep speechless, make up lazy. The warbler's voice revolves around the flower. Swallows go through the caisson. Gossamer curls to the swing shadow. There is no definite promise. Good things in dreams are hard to find. Tired eyes, Xu thought to himself.

Nankezi

Nankezi

At night, dew and dust fill the hibiscus mirror. It's fragrant and fragrant. I can't help her. One voice at a time. A copper pot dripping at night. After the turbid wine wakes up slightly. The residual make-up is beginning to unload. At this time, Qingjing is easy to follow. There is no bright moon. Around the crow.

Fragrance of qiluo

Go back to Yangzhou for a rainy and sunny night. It's slightly cold and warm. The curtain is long and clear. The grass is dark. The door is as green as embroidery. Through the caisson. Green feather is confused. Cover bead foil, red chamber as before. We should discuss with each other. We will be together at the end of our time. In a hurry, you can go up the river. Don't say it's too early. When the lights are off. Shallow rise is born. Blowing green waves, slightly wrinkled. YedU and pingxu were floating yesterday. Just the dike and willow branches sing. Man melancholy, deep courtyard dusk. The tears covered the sleeves.

Ruihexian

Yimao returned to Yangzhou from the sea in February to see the new Yan Fu and Yan feizhuang. Think carefully, the two habitat also let so stable. The green maid is hidden in the screen. Ask the blue sky and the blue sea. It may lead to each other. The flower tips make shadows. Yang worry heart, dry dream wake up. Genloutou, yangliuyiyi. Said good spring will end. It's a good time to leave the province. It's like a car. Du Ling scenery. The celery mud is damaged. The broken bowel. It's better who gets it. Come back early. Deep silence. The day will last forever. Afraid of the window, there are warblers. Show off to others.

Sidekick

Tumi's Halal rhyme is red and green. Light even greasy powder, new make-up beautiful. People decide. It's like a mirror in the ethereal Qionglou. The ice muscles cover themselves. The snow moon is deep. The wind is still. He is greedy. The light floats the shadow of the jade cup. Yingying press frame

Chinese PinYin : Zhuang Yu