Ji Lanyun

Ji Lanyun

Ji Lanyun (1793-1848) was a poetess in Qing Dynasty. Xiangjuan is a native of Changshu, Jiangsu Province. The wife of Qu Zhoufu in Tongyi. Qu Zhoufu studied calligraphy, poetry and painting. Ji Lanyun was also involved in poetry and painting. At that time, her boudoir had Xu Shu, Qin Jia's eyes. At the age of 24, Qu songman passed away. A son of the adopted family passed on incense. Since then, he has been widowed and caressed his orphans. He has twelve volumes of Chu Wan Ge Ji.

brief account of the author's life

Ji Lanyun was born in a scholarly family. His grandfather, Ji Xuejin, took the palace examination in 1769. After the palace examination, his volume was ranked first and third, but he was reduced to the end of the third because he could not be introduced. He once held the posts of Hanlin academy review, Hedong Salt Transportation envoy, patrolling Taiwan's Bing Bei Dao according to the rank of inspection envoy, and participated in the seal script compilation of Siku Quanshu. Ji Xuejin died in 1798, when he was an official in Taiwan. At that time, Ji Lanyun was six years old. Ji Lanyun began to learn needlework when she was 12 or 13 years old. When she was 16 years old, she was on her way to the north of Chu with her father, who was an official. She loved the scenery of famous mountains and rivers, so she began to chant and began to learn poetry from her father. At the age of eight, Ji Lanyun was engaged to Qu songman, a native of Changshu. In 1812, Ji Lanyun's father died. After the death of his father in 1814, he married Qu songman on October 22 of that year.

Qu songman, named Ziqian and Zhoufu, was born in a scholarly family. His father Qu Baojun, named Zhutian, served as the judge of Zhaoqing Prefecture in Guangdong Province. He was kind and charitable. He is proficient in calligraphy and painting appreciation, and has a large collection of authentic works of song, yuan and Ming people at home. Qu Bingyun, the younger sister of Qu Baojun, is a female disciple of Suiyuan. She is as famous as Xi Peilan. Qu songman was born in 1792. Ji Lanyun is one year old. He has a long body and is upright in style. He is good at poetry and painting. He is good at Guqin and is filial. When his father Qu Baojun was ill, he once cut off the flesh of his arm and prayed to heaven, so his father recovered. Qu songman and Ji Lanyun are both from their families. They were taught by the court when they were young. When they got married, they sang with their husbands and followed their wives. In the winter of the 20th year of Jiaqing (1815), Ji Lanyun saw a picture of Zhao Chengzhi's wife, Mo Zhu. She loved it very much, but in the end, she still couldn't put it in her home collection, so she felt very sorry. Qu songman comforted her and said, "even if you buy it. It's just like smoke passing by. This exhibition will be held for several days. I've got the chance of calligraphy. " He drew a picture of ink bamboo and gave it to his wife in an attempt to make up for her regret. Ji Lanyun mentioned this matter several times in Chu Wan Ge Ji.

Although they were deeply affectionate, their good time together was very short. On February 15, 1816, Qu songman died of illness and was only 25 years old. It took less than two months from illness to death. Ji Lanyun, known as the envy of the happy marriage, only lasted for a short period of more than one year. At one time, she tried to find a short time, but failed. She learned from the bitter experience and wrote down the Manchu prose of offering sacrifices to her husband and qusong, which was passed down by scholars for a time, and 42 poems of mourning for the outside world.

When Qu songman was critically ill, he urged his wife to serve his father well and try to continue the family incense. After his death, Ji Lanyun discussed the issue of his stepson with the Qu family, and finally decided to adopt Qu Weiyu, the third son of Qu songman's cousin. The child named Qu Chengzhu was born in 1817. The child's biological mother, Wu Qingyi, became an important boudoir partner of Ji Lanyun. In the poem, Ji Lanyun repeatedly mentions Wu Qingyi's deep love for herself, such as "you can feel pity for me most, ask yourself that Nong has negative feelings", and describes the friendship between them like this: don't compare Zhong haobi. The boudoir is in charge of Bao.

After Qu songman died, Ji Lanyun lived a long widowed life. Only two months after her wedding, her mother-in-law, ye Wanyi, died. Before and after Qu songman died, his two younger sisters Qu Ning and Qu Min also died one after another. For Ji Lanyun, who has lost her lover, her husband's family is thin, which makes her feel lonely. In the poem mourning for the dead, she once sighed to her husband: "since you take your younger sister with you, I am better than Quantai alone." "Honor and disgrace should be with my husband, who will be merciful if they are not dead. Section order judge Yan Liang, human relations points cold and hot Without a husband to rely on, it became difficult for her family to make a living. In 1819, Ji Lanyun was twenty-seven years old. In this year, she wrote the poem "clothes", which revealed that she had to pawn clothes in exchange for money. When he was thirty-three years old, he once mentioned that "hardship is only for poverty" in Hanci jimoxiang. When she was 37 years old, she wrote: "I'm scared, bonds are new again", which shows that life is beyond its means and we have to rely on loans to live on. At the age of 38, he also mentioned that "the Chinese capital in the box has been exhausted, and there are too many accidents.". It can be seen that when I was widowed, my life was always poor.

In 1819, Ji Lanyun organized the works left by Qu songman into a volume, which is called the manuscript of mohuaxianguan, and asked the Chinese in the city to chant it. Sun Yuanxiang, a scholar of Changshu, once wrote a poem to express Ji Lanyun's mood: a city is separated like the autumn river. Yao and Yan are congenial as if they were woven together. Gods and ghosts are not allowed. She is a girl in Hunan. I'll take your coffin. Sacrificing for books is like sacrificing for the body. You write with me. To a book is to a man. One universe, one heart and one blood. Paper foot bamboo. Bamboo withers and tears never die. When he was young, Jun Shu died in my coffin, and both of them died. The two books show each other and focus on the spring. In the 27th year of Daoguang (1847), Ji Lanyun's Ci anthology chuwange anthology and mohuaxianguan manuscript were officially published together, which was called mohuaxianguan Heke. It is said in "songs of Chu · Lisao": Yu Zilan's Jiuwanxi. It's also a hundred mysteries of Shuhui. " Later generations generally called Lanpu with the word "Chuwan". Ji Lanyun takes this as the collection name and embeds her own name in it.

Ji Lanyun had a younger sister, Ji Yilan, who died in September of 1834. She was only 39 years old. One of them, Jing Yun, married Qu Chengzhu, the son of Ji Lanyun. After the death of her sister, Ji Lanyun began to learn Buddhism in order to cut off her troubles. In 1840, when Ji Lanyun was 48 years old, she wrote the poem "Juebi" and vowed to stop writing: Huijian would stop worrying. Carefree starts from Jue. I will never be greedy or angry. I will never be infatuated. Meat is the best food. Luo Qi can be distinguished by her clothes. It's hard to write. No happy ending. I can't stop reading. I will never repeat. Every year I think about it, but I don't want to hear it. But if you know that you will never be bored, you will never realize that you are beautiful. It's also good to feel close. I wish I could finish my writing. Once you can finish writing, you will feel like water. He has no heart in his sleep, and his pen is as dead as his heart. According to this, the mind has been lost, and there is no work from now on. In this process, her adopted son Qu Chengzhu died first, and Ji Lanyun and her daughter-in-law raised her orphan together. In the 28th year of Daoguang (1848), the same year Qu Chengzhu's mother Wu Qingyi passed away, Ji Lanyun also passed away, at the age of 56.

Representative works

Poetry

On the night of the moon

I have compatriots, far away. Acacia does not meet, toss and turn more sad.

I had a dream last night. The face is as thin as a Begonia. It's hard to say goodbye. Tears in my clothes.

This evening, I remember, the mood is boundless. The only light that can shine on people far away is the bright moon.

Before the dream can not continue, the night air Panghuang.

The feeling after the book of sending back

When we get together, we don't know how to be happy. After leaving, I feel sad and lost.

Dream like tide, have letter, heart tired of moon reunion. Lonely situation should be similar, pity you more self pity.

Ci works

[teasing order · spring night and ink fragrance listening to rain]

Spring rain spring rain. But it's easy to wash away. Often the sound drops to the court corner.

It's a dream. No dream, no dream. I'm glad to hear it tonight.

[qingpingle · reminiscence in spring]

The sorrow of spring is hard to send. The east wind is soft. The curtain does not roll when I wake up. New things add laziness.

It's hard to be idle. The day is long and the pen is in the window. But by the snow Dress Lady, listen to the chant before the flower.

[gaoyangtai · seeing Yanghua mourning the immortal]

Old dream Sui dike, new worry early build, and smoke thin flutter curtain Jing. Has been bitter spring back, broken by Yi spring heart.

The soul of the song is sad, and the thread of wandering is dim, so we can take advantage of the east wind to pursue it. I have a clear idea. A little bit of incense ball, and make crow marks.

Wandering also like residual red, no one pity, from the tube to leave. Scattered into the pond, Qian who helped light.

Although Hua Ping can still get together, Nai's meeting is the next life. More desolate. To be reunited, remember no antecedents.

[slow voice · the future of shuyudiao in spring night

Rustling. Do make spring cold, Acacia send and flute. Write rhyme red chamber, the sky is generally far apart.

The night before the meeting, turn Tiannong were hurt. It can be regarded as meeting again, how can it reach the season of heartbreak.

At this time, the sorrow of separation is like weaving. It's hard to sleep when the lamp is small. When the disease comes, who cares.

The east wind and the cold rain help me to cry. In the two places, green temples are easy to be white.

[drunken flower Yin · send spring snow to send a letter]

Spring has gone in the bitter rain. Spring goes nowhere. Rain is used to blocking people's return. How can rain block spring's return.

Don't tell me when you are sad. And make new words and sentences. I don't know that next year, when we see each other off in spring, we will be the same as before.

I listen to the rain all day long. I'm so worried. Tears have dried up, not believing in heaven is more bitter than Nong's heart.

I want to be alone. At this time, the mood of birth and departure. Comfort words not sad, must meet the season, feeling compensation.

[the sky in the pot · the hidden picture of Qian Shumei's hidden lake]

The lake is still a thousand hectares, and the light of the mirror and the trousseau is like this. Don't have the world of ancient plum blossoms. There is no place for spring.

Heron old blowing cool, fish sleep choose dream, a leaf floating away. Double shadow of jade platform, fragrance flies to the eyebrow.

I also remember that in the year of Xianshu, Shanshan Peizhen played Lingyun Fu wonderfully. Throw away the soft world, and take care of the fishing gear.

Write rhyme tower, Ou Bo Pavilion, the same circle together. Ling song around, purple Xiao also according to the new spectrum.

Exchange wine with mink fur

The remnant embroidered mandarin duck. The stitches are not blurred, and Zhunong is sad. I remember listening to thrushes in my spare time.

Cut a piece of Wu Ling. Who expected the wind to destroy

Chinese PinYin : Ji Lan Yun