Qigong

Qigong

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Qigong (1912-2005), who called himself "qiminggong", also known as Yuanbo, was born in Beijing. The ninth grandson of Emperor Yongzheng. Chinese contemporary famous calligraphers and painters, educators, classical philologists, appraisers, Redskins, poets, masters of Chinese culture. He used to be an associate professor and professor of Beijing Normal University, a member of the Standing Committee of the National Committee of the Chinese people's Political Consultative Conference, chairman of the state cultural relics appraisal committee, director of the Central Museum of culture and history, doctoral supervisor, consultant of the Jiusan Society, honorary chairman of the Chinese Calligraphers Association, founding chairman of the World Federation of Chinese Calligraphers and painters, chairman of the Chinese Buddhist Association, the Palace Museum and the National Museum Museum consultant, President of Xiling Seal society.

Personal experience

early stage

Mr. Qigong is a famous historian, Mr. Chen Yuan. He specializes in the teaching and research of the history of Chinese literature, the history of Chinese art, Chinese prose, poetry and Ci of Tang and Song dynasties. He has been teaching for more than 60 years and has made outstanding achievements in the teaching and research of Chinese classical literature. He has cultivated a large number of teaching and research talents for the country. In order to promote the motherland's education and repay the teachers' education, he extended Mr. Chen Yuan's teaching and set up the Liyun scholarship with more than 2 million yuan from the sale of calligraphy and painting.

Life

In 1913, his father died and lived with his grandfather. In order to pray for blessings, his grandfather once asked him to worship an old Lama in the Yonghe temple as a teacher and become a registered little lama, named "chagdor Zab". At that time, it was after the 1911 revolution that the Qing emperor abdicated his throne. His great grandfather refused to live in the capital because he did not want to participate in politics. It happened that his great grandfather had a student named Chen Yungao, who was also an Hanlin. His family was the richest man in Yixian County, Hebei Province. He had a lot of money, so he invested in buying houses in Yixian city and asked his great grandfather to live there. Zeng Zu moved to Juyi county with his family. He was only three or four years old when he started his career. Later, he went to a private school to read poetry. In 1933, he was recommended by Mr. Fu Zengxiang and studied in Chen Yuan. Later, he was employed as a Chinese teacher of Furen middle school. In 1935, he was a teaching assistant in the Fine Arts Department of Furen University. After 1938, he was a lecturer in the Department of Chinese culture of Furen University and a special member of the Palace Museum. He was engaged in reviewing manuscripts and identifying cultural relics in the Palace Museum. In 1949, he was an associate professor in the Department of Chinese culture of Furen University and an associate professor in the Department of Museum of Peking University. After 1952, he served as an associate professor and professor of Beijing Normal University, a member of the Standing Committee of the National Committee of the Chinese people's Political Consultative Conference, chairman of the State Commission for cultural relics appraisal, director of the Central Museum of culture and history, and doctoral supervisor. In his later years, he served as the consultant of the Jiusan Society, honorary chairman of the Chinese Calligrapher Association, founding chairman of the World Federation of Chinese Calligraphers and painters, consultant of the Chinese Buddhist Association, the Palace Museum and the National Museum, and President of the Xiling Seal society. he died in Beijing at 2:25 on June 30, 2005.

work

His main works are ancient typeface, poetry rhythm, qigong Cong, qigong rhyme, qigong catchwords, qigong superfluous words, Chinese phenomenon, Shuo jueju, Shuo notes, Shuo Bagu and Qigong painting album. The complete works of Qigong was published by Beijing Normal University Press. The first 10 volumes are works, including poetry creation, lectures, oral history, letters, diaries, etc., while the last 10 volumes are works of calligraphy and painting, including album, fan, scroll, banner, vertical axis, calligraphy class, temporary writing, etc. Qigong complete works not only has precious historical value, but also has great appreciation value and high value

Research

Value. According to the genealogy, Emperor Yongzheng Yinzhen, the fifth son and Prince hongdaytime, the first son yongbi, the second son mianxun, the third son Yiheng, the fifth son zaichong, the second son puliang, the eldest son Yulong, the only eldest son Hengtong, the only eldest son Qigong, was born in a scholarly family. Qigong's grandfather Yulong (1872-1923) inherited his family education from childhood, and in the 20th year of Guangxu (1894), there were 109 first-class Enke in Jiawu Jinshi, the editor of Sanguan. When he was young, his great grandfather Pu Liang (1854-1922) asked for the removal of his title and salary, and took part in the imperial examination. He passed the examination of the 37th Jinshi in the second grade in the sixth year of the reign of Emperor Guangxu (1880). Hongzhou (1712-1765), the distant ancestor and Prince of Qigong, was a famous absurd prince in history. He liked to hold funerals and eat sacrifices. However, some historians pointed out that he was actually hiding his light in the name of absurdity in order to avoid being involved in the fight for the throne between Hongshi (the third son of Yongzheng) and Hongli (the fourth son of Yongzheng, Emperor Qianlong).

artistic characteristics

Mr. Qigong is a famous contemporary scholar, painter and calligrapher. He is rich in works, proficient in language and Philology, and even has a lot of research on the Eight Legged prose which has become a historical relic. He is a good poet and an expert in ancient calligraphy and painting, especially in the study of stele and calligraphy. When appreciating his calligraphy works, we should always associate with his profound research on the inscriptions, because his research on the inscriptions has an inseparable connection with his calligraphy achievements. The study of the inscriptions is a rising science in the Ming and Qing Dynasties. He is one of the pioneers of this garden. Apart from the antiques collectors who boast of their rarity and dazzling collection, this knowledge can be divided into two categories: one is to study the historical materials, to prove the history by inscriptions, or to proofread the inscriptions; the other is to appreciate and study the art of calligraphy. Mr. Qigong is not only good at both, but also good at the latter. He integrates the two and breaks through the barriers of his predecessors. "It's different to buy a stone to return a pearl. Most of the rubbings are for calligraphers. What's the end of the Taotao piansan. He wrote this poem with the feeling that in the past, many connoisseurs attached importance to the calligraphy of the inscription, but often ignored its Chinese words. Famous writers such as sun Chengze, Weng Fanggang and ye Changchi all have this defect, and he does not neglect the content of the text. Because of this, he refuted the "monument of Cao'e" which has always been the final conclusion. Therefore, the so-called "Cao'e tablet" written by Wang Xizhi does not exist. What's more, Cai Yong's elixir. I like Mr. Qigong's calligraphy theory works best. He uses metaphors and makes witty remarks from time to time. He has his unique "a hundred quatrains on calligraphy" on many problems in the art and history of calligraphy. This is his experience of decades of calligraphy practice and research. In particular, the self annotation in the poem is meaningful and interpretative. I have some long-standing problems. After reading them, I feel that they can be easily solved, and I feel suddenly enlightened. For example, it is verified that the ode to the bird was worshipped by Kaiyuan Imperial Academy; on Yue Yi, a book written by Wang Xizhi, is a powerful one; it is verified that Bu Xu CI Zuo, written by Zhang Xu and Yu Xin, is a work written by Song Dynasty after Dazhong Xiangfu; and it is verified that suojing's calligraphy in Ge tie is true by the remnant paper of Jin people in the western border. These are all the cases in the history of calligraphy. The arguments are solid and convincing. In addition, on the calligraphy of CAI Xiang and Zhu Yunming, Liu Gongquan and Huang Tingjian did their best to form their own style. Among them, the characteristics of famous calligraphers of all ages, the posture and style of calligraphy of all ages, as well as the identification of the origin and development of calligraphers, and the reasons for their changes are very incisive. Shandong Wenxuan Gallery recommends calligraphers. In the late 1930s, Mr. Qigong took part in the SONGFENG Painting Association, a famous modern Chinese painting group, and was named "Songhe". SONGFENG Painting Association has a history of nearly 90 years, and has produced three leaders: Pu xuezhai (Songxue), Pu Zuo (Songkan) and Guan Ruizhi (Guan Songfang). Mr. Qigong's painting "Autumn Mountain" -- in the painting, the distant mountains are covered with clouds, and the pavilions are looming. It seems like an unreachable fairyland. Corresponding to this fairyland is a wild village built on the edge of the water, and a self-propelled boat. The satin and light ink make the painting have a quiet charm. and the warm colors add a caring attitude to the tranquility, which makes the painter's broad-minded and natural mind fully embody. (drawing appreciation)

Artistic contribution

Calligraphy

His achievements lie in calligraphy → creating his own "Qiti" with high selling price < br > Qigong once studied a large number of Steles and calligraphy works, no matter the banner, album, screen couplet, can show beautiful rhythm and far-reaching artistic conception, which is called "Qiti". The calligraphy circle commented: "it is not only the book of calligraphers, but also the book of scholars and poets."
For the art of calligraphy itself, he also has many creative ideas. Most people begin to learn calligraphy by writing "Jiugongge" or "mizige", and focus on the center of the square. Qigong found that the center of gravity of Chinese characters is not at the center of the traditional meter grid, but at the four corners not far from the center. He also calculated that the proportional relationship between them is in line with the so-called "golden ratio", which has important guiding significance for learning calligraphy.
Qigong's calligraphy works are very popular in the market. Taking the spring shooting in Beijing in 2003 as an example, China Jiade launched a total of 10 of his works, and all of them were sold. Among them, 4 of them were sold for more than 80000 yuan. The heart of the mirror of "seven pieces of running script Tang and Song Poetry" was sold for 418000 yuan, and the transaction price was amazing.

painting

The style of Qigong's paintings is: the composition is rigorous, the technique is vivid, the color is bright, and the charm is long. He is especially good at landscape, bamboo and stone, which is full of the interest of traditional literati painting. "Qiushan people walking in paintings" is a common theme. In the 1930s and 1940s, he made his mark in the world of painting and reached the peak of art in the 1950s. He also painted and sold money to supplement his life.
In Qigong's later years, the price of paintings showed a steady upward trend. China Jiade auctioned his painting of Zhu Zhu Mo Shi in autumn 1999

Chinese PinYin : Qi Gong