Lu Jue
Lu Jue
Lu Jue is from Shunde, Guangdong Province. Director of Zhujiang film studio. Born in 1919 in Shunde County, Guangdong Province, a farmer's family. After 1940, he became a member of China Film Studio and China drama society. After 1947, he became deputy director of Hong Kong "Greater China", "Yonghua" and "Nanguo" film companies. After the founding of the people's Republic of China, he was director of Shanghai Film Studio and Zhujiang film studio, and the fourth director of China Film Association. Member of China Democratic League. He wrote the screenplay "Miss date". The director's films include "the secret sentry of Yangcheng", "Meiling spark" and so on.
Life
Chongqing drama movement is rising. Introduced by the old director Ying Yunwei, he joined the Chinese drama society as a clerical and social worker. It is a professional troupe presided over by Ying Yunwei and Chen Baichen. It has some famous directors, actors, lighting and stage artists from Chinese film studios. The troupe was first in Chongqing, then moved to Chengdu. At that time, the troupe had to perform almost every day, and if it didn't, there would be no food. In spite of the poverty, I still feel full spiritually. Later, Lu Jue became a recording and stage manager. In addition to rehearsing with Ying Yunwei and other veteran directors, she also paid attention to learning some relevant drama theories, and her artistic accomplishment was gradually improved. because I perform in the theater every day and it doesn't cost money to watch movies, sometimes I even watch those movies I like several times. After watching it, I will review every scene, including how to start, how to connect, how to play up the plot and how to match the music. If you can't recite it, read it again until you understand it clearly. Lu Jue has been able to recite some of the highlights of some American literary films in the 1940s, such as "hunduan blue bridge" and "Chunxiao on cuidi". Since there were no movie books to refer to at that time, the only way to learn was to memorize and ponder hard while watching movies. Lu Jue also extensively dabbled in various fields of social science and explored the treasure house of knowledge. He came to read many books and magazines about philosophy, history and political economy. With hard work, erudition and strong memory, he made progress in knowledge and laid a solid foundation for his future artistic creation. When he was a child, he was poor. Relying on his father's meager income as a shop assistant in the county, he studied in a private school for three years. At the age of 12, he left his mother and sister in Shunde and went to Guangzhou with his father. In spite of the difficulty in making a living, his father tried his best to support him to school. Although he did well in mathematics and physics, he was forced to drop out of school and follow his father to Shanghai to make a living. When his father finally found a job in a stockings factory, 18-year-old Lu Jue had just set foot in society. The "August 13" war broke out and the Japanese invaders captured Shanghai, so his father had to send him back to Guangzhou. After six months of writing, the Japanese army occupied Guangzhou again. Lu Jue fled to Hong Kong and couldn't find a job for a long time. He suffered from escape and unemployment. In 1939, when he was in a desperate situation, relying on the introduction of his friends, he accidentally came into contact with film work. At first, I did some copying for the director. Later, I learned to do field notes. In 1940, Lu Jue, together with the old Director Su Yi, went to the Chinese film studio in Chongqing to make a recording, and participated in Su Yi's "Young China". At this time, he was not interested in the film, just to make a living. But when he transcribed the translation of film norms for the old director Chen Liting, he came into contact with film theory and gradually realized that film is also a knowledge. Lu Jue, who is quiet and warm-hearted, was enlightened and influenced by the art of film, so she was a little fond of film. However, a year later, he left the Chinese film studio. The reason is that he thinks that the environment here is complex and he has no future; in addition, he fantasies about earning more money and going to university to study. On the introduction of a fellow student, he joined a group called China Aviation Construction Association as a clerical member. In Chongqing under the rule of the Kuomintang at that time, inflation, soaring prices, wages only enough to eat, where can save money to study? Disillusionment. Later, under the persuasion of some friends, Lu Jue returned to the literary group. In the spring of 1946, after the victory of the Anti Japanese War, Lu Jue left the Chinese drama society and returned from Chengdu to Shanghai to visit her father. Soon after, my father died. In his embarrassment, he was introduced to Shanghai Xinmin Evening News as a staff member and assisted in the supplement. In my spare time, I often write short articles and publish them in newspapers. The next autumn, the newspaper was closed down. Lu Jue followed Wu Zuguang to Hong Kong as his deputy director. He has made three films in Greater China company, including return on a snowy night and youth, and in Yonghua company, tears of mountains and rivers. Since then, Lu Jue has formally embarked on the road of film art. Politically, he also gradually joined the progressive ranks of the Party leadership from dissatisfaction with the reactionary rule of the Kuomintang. In 1949, Lu Jue, as the deputy director of famous director Zhang Min, made two films in Nanguo company: "getting married" and "winter goes and spring comes". At the same time, he participated in the progressive collective review of Cantonese film review organized by Chen Canyun, Huang Guliu and Li men, and wrote some comments. In 1950, he joined the "1950s company" led by the party and cooperated with others in the film industry, and became a deputy director in the film "fire phoenix" directed by Wang Weiyi. Since then, Longma company was established, and its directors include Zhu Shilin, Qi Wenshao, Bai Chen and Lu Jue. Lu Jue's screenplay missed date was revised by Bai Shen and directed by Liu Qiong. However, due to the persecution of progressive filmmakers by the Hong Kong and British authorities, Lu Jue, Liu Qiong and others were arrested and expelled, so the film could not be completed. In January 1952, Lu Jue was arranged by the party organization to return to Guangzhou from Hong Kong. He first worked in the Guangdong Provincial Writers' Association, and later made some documentaries reflecting the new appearance of the hometown of overseas Chinese. In 1954, Lu Jue was transferred to Shanghai Film Studio as a deputy director, and participated in the shooting of "can't go that way", "storm on the South Island" and "Li Shizhen". He became a director in 1957 and began to make independent films. Secret sentry in Yangcheng is his first film. In the past, Lu Jue never dabbled in thrilling literary works. After accepting the task, he read a lot of such works. When revising the film script, Lu Jue firmly grasped one point: fascinating and unpredictable; unexpected and reasonable. As a result, the film was a success and was well received by the audience. In 1958, Zhujiang film studio was established in Guangzhou, and Lu Jue was transferred to Zhujiang film studio. He was the chief director of the artistic documentary "heroic poems". From 1962 to 1963, Lu Jue completed his second film, pursuit. In this film, he deliberately seeks novelty, tries to abandon mysticism in the thrilling style, and strives to show the fine style of public security personnel who believe in and rely on the people, attach importance to evidence, and attach importance to investigation and research. The structure of the film is rigorous and the technique is delicate, which leaves a deep impression on people. During the ten years of turmoil, Lu Jue was also censored and criticized for his misdemeanor, and sent to the cadre school to work. It was not until 1975 that Lu Jue was assigned to edit and organize scripts for a period of time that she directed the third film, Maple Bay. This is a film adapted from the drama of the same name to reflect the peasant movement in Hunan during the great revolution. Lu Jue has made a lot of efforts in Filmization, which makes the film achieve some artistic achievements. In 1981, Lu Jue directed the movie "Meiling spark". This film reflects Comrade Chen Yi's deeds of persisting in armed struggle in the Guangdong Jiangxi border region after the long march of the Red Army. With deep feelings, Lu Jue truly reproduced the historical features of the revolutionary struggle and the great spirit of Comrade Chen Yi's revolutionist on the screen. Lu Jue's life is plain and arduous, and she studies hard. He likes to buy books. His only pleasure in life is to explore and study art. In creation, he has a serious attitude and pays attention to life. In 1965, in order to do a good job of writing a play about foreign aid, he went to the shipyard to take part in the work of knocking rust, resulting in eardrum injury; in order to understand the situation of road construction and the life of workers, he braved the cold to observe and experience life at the construction site of railway soldiers in mountainous areas. He likes to write down what he sees and thinks. Over the years, his neatly bound writing notes, collected material extracts and script manuscripts show his rigorous academic research and hard work style of artistic creation. He was also enthusiastic, sincere and tireless in supporting the later scholars. All the people who worked with him were moved by his diligence and creative attitude. As for her future plans, Lu Jue said, "I have no other luxury. I just want to make one or two more films that reflect the revolutionary history of Guangdong." Because he has worked in Guangdong for more than 20 years, and few people have done anything in this field, he really wants to have a try. This still reflects his spirit of continuous exploration of art.
works
1988 "soul of China" (director, screenwriter) 1984 "Dr. toad" (screenwriter) 1982 "Meiling spark" (director) 1963 "tracking pursuit" (director) 1960 "heroic poems" (director) 1956 "Li Shizhen" (Deputy Director / assistant director) 1955 "storm of the South Island" (Deputy Director / assistant director) 1954 "can't go that way" (director) 1951 "miss the best time" (Deputy Director / assistant director) 1947 "no negative" Youth (Associate Director / assistant director)
Chinese PinYin : Lu Jue
Lu Jue
