Wang Yisun

Wang Yisun

Wang Yisun, whose birth and death are unknown, was named Shengyu, Yongdao, Bishan and Zhongxian. Because he lived in yusishan, he was also named yusishan. He was born in Kuaiji of Southern Song Dynasty (now Shaoxing of Zhejiang Province). He lived between 1230 and 1291. He once served as Xuezheng of Qingyuan Road (now Luzhi Yinzhou of Ningbo).

Wang Yisun's Gongci is similar to Zhou Bangyan's in style, deep and subtle, such as Huaren · Taimei. The precipitous place is quite like Jiang Kui. Zhang Yan said that he had "a precipitous language and a sense of white stone". Especially in chanting things, such as "Qi Tian Le · cicada" and "Shui Long Yin · Bai Lian", they are good at understanding things to express their feelings. Among the metrical poets in the late Song Dynasty, he is a poet with remarkable artistic personality. He is also known as "four great poets in the late Song Dynasty" together with Zhou Mi, Zhang Yan and Jiang Jie.

Bi Shan yue fu, a collection of Ci poems, is also called Hua Wai Ji, which contains more than 60 Ci poems. The main works of CI are Tianxiang · ambergris fragrance, qitianle · cicada, Gaotai · Hezhou caochuang Jiyue Zhongyou rhyme, Meiwu · Xinyue, Changting resentment · Chongguo Zhongan hometown, faqu xianxianyin · jujingting MEICI caochuang rhyme, etc

Life of the characters

Wang Yisun, Han nationality, born in Kuaiji (now Shaoxing, Zhejiang), is a famous poet in the late Southern Song Dynasty. Wang Yisun was born after Zhou Mi and before Zhang Yan. According to the title of his "light yellow willow", Yisun was different from Zhoumi in Gushan in 1274. The next year, we went to Kuaiji and met for one month. In the winter of 1276, the first year of Jingyan, Zhou Mi was born in shanhuiji. In 1278, Jingyan, Li penglao, Qiu yuan, Zhang Yan, etc. wrote various tunes of Tianxiang in Yue, which was compiled as a volume of Yuefu butI. In the 23rd year of the Zhiyuan Dynasty (1286), Yisun was in Hangzhou, where he had a banquet with 14 people, including Xu Tianyou, Dai Biaoyuan and Zhoumi. In the 24th year, Zhou Mi got the "baomu tie", and Wang Yisun wrote a poem after the August postscript of Dinghai (1287) in Xigu, Zhao Meng, and before the re observation of suwuzi (1288). According to Xia Chengtao's chronicle of Zhou caochuang, "Yisun was almost less than caochuang and was longer than Chou yuan. If he was born between Chunyou and Baoyou, he died only about 40 years ago."

Character achievement

Although Wang Yisun has only 64 Ci poems, he has made great achievements and is highly appraised by later generations, especially by Changzhou CI school after the middle of Qing Dynasty. For example, Chen tingzhuo's Bai yuzhai CI Hua commented: "Bishan CI looks at the whole, and it's self-improvement, that is, it's elegant to seek it between every word and sentence." Another cloud: "the secret of the word, no more than halal (Zhou Bangyan). The height of CI style is no higher than that of Baishi (Jiang Kui). The thick flavor of the CI is no better than that of Bishan (Wang Yisun). "The three wonders of Ci poetry!" (among Wang Yisun's 64 poems, there are more than 30 poems chanting things. These poems represent the highest achievement of Bishan's poems with their desolate and dignified emotion, unique skills of thinking and writing, and the style of being quiet and sad. The comments on Bishan's poems in Bai Yu Zhai's Ci Hua are mostly based on his poems chanting things.) Zhou Ji's "Jie Cun Zhai Lun Ci Za zhe" says: "most of the Chinese immortals have a sense of their homeland, so they don't exert much effort and have high talent. The so-called meaning can respect the body." And in the "Song Si Jia CI anthology review", it said: "chanting things is the most important thing to support the meaning, Li Shi Zhi Yi runs through, deepening without trace, Bi Shan wins the field." He not only ranked Wang Yisun, Zhou Bangyan, Xin Qiji and Wu Wenying as the top poets in Song Dynasty, but also advocated "asking Tu Bishan". Realistically speaking, Wang Yisun's Ci is indeed quite skillful, which has greatly promoted the expressive art of chanting things. However, his Ci is narrow and obscure, which is also a big defect. As for the low mood and the lack of depth and strength of emotion, it is the common fault of his contemporaries. Wang Yisun lived in the late Southern Song Dynasty, and the poets in this particular historical period gave up their concern for social themes, showing more attention to the spiritual world. The tiredness of travel service, the sense of coldness of the world, and the suffering of emotional experience all make the poet's sensitive heart vibrate and sing. In this period, the most striking thing is a large number of Yongwu Ci, whose style is meticulous, which integrates the deep feeling of mianmiao into it. Almost all the later Ci writers become the masters of Yongwu Ci, which is a phenomenon that the Ci writers in other stages can't compare with each other. Wang Yisun's chanting CI is the representative of this aspect. Although he was an official of the Yuan Dynasty, his psychology is very complicated. Many of his poems are about the thoughts of his homeland. However, this kind of emotion is not simply expressed as the nostalgia for the Song Dynasty or national consciousness, but is integrated with the sense of vicissitudes of the world, and at the same time, it permeates the sense of desolation that individuals have no choice but to be at their disposal in the great historical changes. In terms of writing technique, he is more obscure and implicit than Zhou Mi and Zhang Yan. He often borrows a to chant B to describe the other. It seems that most of them are just chanting things, scenery and love between men and women. In the vague, he uses some special writing techniques to imply the real ideas and emotions buried in the words. Such as "Meiwu new moon" in "eternal profit and loss rest asked. It's hard to mend the golden mirror if you slowly grind the Jade axe. It's also like this: "moss floating in the Han court, leaves falling from the Qin mausoleum, endless desolation through the ages" in "Qi Tian Le · Ying". It's also like this in "Tian Xiang · ambergris fragrance". Among them, "Qi Tian Le · cicada" is the most praiseworthy. It is precisely because Wang Yisun expresses his complex emotions in a deep and implicit way that the structure of his Ci is particularly tortuous and his language is particularly refined. More than half of Bi Shan's Ci poems about things account for 34. Among the poets in the late Song Dynasty, his poems about things are the most exquisite. In Bai Yu Zhai CI Hua, Chen tingzhuo said: "it can be said that the poem of chanting things is as empty as the blue mountain. However, it is also due to the feeling of life experience. Later generations can't force it." Wu Mei once said: "most of Bishan's words are based on loyalty and love. There is no intention to fight for wonder, but people can't reach it. On the high quality of Ci, the Southern Song Dynasty should take Huawai as a giant. His chanting articles are the worries of the monarch and his country, but none of them has made any mistakes

Characteristics of poetry

Wang Yisun is most skilled in chanting things. He has 64 poems, 34 of which are chanting things. Among the poets in the late Song Dynasty, Wang Yisun wrote the most and the most exquisite poems. One of the characteristics of his chanting words is that he is good at using allusions in official affairs. He does not directly describe the state of things, but skillfully selects allusions with specific meanings according to subjective ideas and organically integrates them with the chanted things, so as to make the objective images and subjective feelings generate each other. This is what Zhou Ji of the Qing Dynasty said: "chanting things is the most important thing to support the meaning, the official affairs are the most important things, and the meaning runs through, which makes it clear that there is no trace, and the green mountain wins the field." Second, he is good at using symbolic and personification techniques, using symbolic language to personify the chanted things, so that it has rich symbolic meaning, so his words are often considered to have far-reaching sustenance. Such as the famous "Mei Wu · Xin Yue": "gradually new trace hanging willow, light color wear flowers, break the early dusk according to the agreement. There will be reunion, deeply worship, meet who in the fragrant path. The thrush is not steady, but su'e and I still hate. Most worthy of love, a small silver hook, Baolian hanging autumn cold. never ask about profit and loss. It's hard to mend a golden mirror if you grind a Jade axe. Taiye pool is still in the desolate place. Who can give Qingjing again. So the mountain night is forever. Try to treat him correctly. Look at the mountains and rivers outside the cloud, the old and the shadow of Guihua. the new moon in the poem, which can't be filled, expresses the poet's deep sorrow and great pain of hopeless restoration after the collapse of the Song Dynasty. The cicada in the song "Qi Tian Le · cicada" is a reflection of the life experience and mentality of the adherents. The third is the sad and sorrowful style, the light and elegant artistic conception. There are many words in Bishan's Ci poetry, such as "cold", "hate", "broken soul", "haggard", "desolate" and "miserable", which can't be separated from sadness. In Bai Yu Zhai CI Hua, Chen tingzhuo said: "Wang Bishan has the highest quality, the thickest flavor, the deepest artistic conception and the heaviest power. Cao Zijian and Du Zimei are two of them. The poet has this, the common people have few regrets

personal works

Wang Yisun often advocated harmony with Zhou Mi, Tang Jue and others, and there are 64 existing Ci poems.

Character evaluation

Zhang Yan's "white cloud CI in the mountains · Volume I · preface to the words of Suo Chuang Han": "Bishan Nengwen, Gongci, Zhuoyu, Qiaoba, with the meaning of white stone.". In Deng Tingzhen's essays on shuangyanzhai, Wang Sheng and his works are related to the body, but not the color and fragrance. In Wang Pengyun's huawaiji · postscript, Bishan's Ci was a hero of the Southern Song Dynasty.

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Tan Xian's "Tan Ping CI Bian": Saint and essence can be expressed in a graceful way. Lu Yi poetry school, Dali school, go to open, treasure is not far, Yutian (Zhang Yan) is a strong enemy, but the morale is Bishan victory.

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Zhang Huiyan's Anthology of CI: there are many articles about Bi Shan's chanting of things, and there are worries about the monarch's country. He likes the monarch and has the ambition to recover, but he regrets that there are no virtuous officials. Chen tingzhuo's Bai yuzhai CI Hua: Bishan's Ci poetry, which is based on the whole, is self-contained and highly unique. It is also elegant to seek it from one word to another. The poets of the Southern Song Dynasty are sentimental and sentimental. Those who are affectionate and warm have never crossed the blue mountain, and those who are less than white stone (Jiang Kui). The white stone is not as beautiful as the blue mountain, but it is empty The secret of morphology is no more than halal. The height of the word case is no higher than the white stone. The thick flavor of Ci is beyond the blue mountain. There are three unique skills in the field of CI. Bai Shi's Ci is elegant, upright and gloomy. However, compared with Bishan, Jue Baishi is still popular. Zhou Ji's "miscellaneous works of jiecunzhai on Ci Poetry": most of the immortals have a sense of their homeland, so they don't exert much effort. They have high talent, so the so-called meaning can respect the body. Zhou Ji's prelude to the selection of Ci Poems of the four schools of Song Dynasty: Bishan's mind is tranquil, so the feeling of "Shuli" and "maixiu" is only expressed by singing and sighing, without the habit of drawing swords and crossbows. The first step of Ci is to think and write

Chinese PinYin : Wang Yi Sun