Ouyang Jiong

Ouyang Jiong

Ouyang Jiong (896-971) was born in Huayang, Yizhou (now Chengdu, Sichuan). He was a poet of the late Shu Dynasty in the Five Dynasties and Ten Kingdoms. He served as a scholar of Zhongshu in houshu. According to Xuanhe Huapu, when he was Meng Chang, he served as a scholar of the Imperial Academy and a servant of his family. After Meng Chang came to the Song Dynasty, he was given the title of "Sanqi Changshi". He was especially good at Ci and flute. He was an important writer of Huajian School.

Life of the character

Ouyang Jiong was born in the third year of qianning reign of emperor Zhaozong of Tang Dynasty and died in the fourth year of Kaibao reign of emperor Taizu of Song Dynasty at the age of 76. Wang Yan of Shu gave up his life for Zhongshu. After Shu died, he returned to the later Tang Dynasty and worked for Qinzhou. Mencius knew that he was the replacement of Shu in the town of Xiang, and he was also the relic of Zhongshu. Guangzheng 12 years, (AD 949 years) except Hanlin bachelor. He was also the Minister of the Ministry of household affairs. He was in charge of compiling the history of the country. After that, he returned to Ning with Meng Chang and became a Bachelor of Li Hanlin. He turned left and rode for a long time. He was also good at flute. Taizu called him to play in the side hall. Later, he was dismissed. He took charge of Xijing soldiers. His poems are good in nature, and he imitates fifty satirical and remonstrating poems by Bai Juyi. The words are now 48. See the preface of the collection of Hua Jian compiled by Zhao Chongzuo.

After the fall of the former Shu Dynasty, he returned to the later Tang Dynasty and worked for Qinzhou. Meng Zhixiang came to Chengdu and Ouyang Jiong returned to Shu. In the later Shu Dynasty, the official went to the door to serve as the Minister of the Ministry of household affairs, Tongping Zhangshi, and also to study the history of the country. In the third year of Qiande (965), Emperor Taizu of the Song Dynasty, he descended from Meng Chang to the Song Dynasty and was once a scholar of the Imperial Academy. In the fourth year of Kaibao (971), Ling Nanping proposed sending Ouyang Jiong to sacrifice to Nanhai. Jiong said he was ill and was dismissed. He died soon. Ouyang Jiong is able to write poems, "though there are many poems, there is no work.". He wrote 50 allegorical poems by Bai Juyi, which was praised by Meng Chang. He is good at flute and CI. Most of his ci poems are about amorous feelings, and some of them are obscene. "Huifeng Cihua" says that his [huanxisha] "there are tears when we meet each other," and "since the beginning of his erotic poems, almost no Yan is here.". But there are also a few of his works, such as nanxiangzi, jiangchengzi and fisherman, which are about the southern scenery. The content and style are far above the erotic words. Ouyang Jiong also wrote a preface to Hua Jian Ji, describing the purpose and origin of Hua Jian Ci, reflecting the poets' creative attitude and artistic interest at that time. There are more than 40 Ci poems, which can be found in huajianji, zunqianji and Ci of Tang and Five Dynasties. For his deeds, see the history of the Song Dynasty, the family of Xishu and the spring and Autumn Annals of the Ten Kingdoms. Ouyang Jiong's poems are few in the world, but most of them are excellent. For example, his "qingpingle": spring comes to build, spring rain is as thin as silk. Spring is full of spring apricot, spring swallow dance with the wind. Spring streamers spring wisps spring, spring boudoir a little spring lamp. Since the heart of spring is dazzled, there is no basis for the dream of spring. Although there is no brilliant place in the artistic conception, and there is no difference in the general description of spring sorrow poems, the use of words does have its own characteristics. The repetition of the same word in every sentence of poetry had existed long before the Five Dynasties, such as the repetition of the word "Lotus" in xizhouqu. But Ouyang Jiong used ten "spring" in his eight sentences, and he didn't feel uncomfortable at all. It's really strange! However, it can not be said that this is a word game. There is such a style in poetry and there is no such style in CI! Ouyang Jiong's spring grass, fine spring rain and falling apricots grow from the gap of stone steps, which makes people feel that the seasons change from winter to spring. However, "suddenly see the willow color" spring has come, but he is alone, how can a lady not "regret to ask her husband to find a marquis"? The "spring flag" is the little spring flag on the temples of spring outings. Now my husband is away. Although it's the apricot blossom season, the spring flag is still idle there, and I don't want to clean it up. We can see the contradiction and melancholy of the lady in waiting. She had a good dream that her beloved came home, but when she woke up, she only missed her company. Ouyang Jiong is no longer a knot in this way, leaving people plenty of imagination space to savor the taste, which can not but be praised!

personal works

Ouyang Jiong (896-971) was born in Huayang, Yizhou (now Chengdu, Sichuan). He was born at the end of Tang Dynasty and lived through the whole five dynasties. In the former Shu Dynasty, he became an official in Zhongshu, and then went to Luo to work for Qinzhou in the later Tang Dynasty. After the founding of Shu, he was appointed by Zhongshu Sheren and Hanlin scholars. At the age of 66, he became the prime minister. After the fall of Shu in 965, he entered the Song Dynasty as a scholar of the Imperial Academy and a standing official of Zuo Sanqi. He died in Xijing at the age of 76. Ouyang Jiong's temperament is frank and unrestrained, and he lives a frugal life. He has many talents. He is good at music, painting, writing and poetry, especially in small words. There are two articles in this collection, which can be seen in the whole Tang Dynasty literature and the collection of Tang Dynasty literature. There are five poems, which can be found in the complete poems of the Tang Dynasty, the external edition of the complete poems of the Tang Dynasty, and the continued collection of the complete poems of the Tang Dynasty. There are 47 Ci poems in huawenji and zunqianji.

Ouyang Jiong once wrote fifty poems of Bai Juyi's satire and remonstrance, which were written by Meng Chang. His long ancient poems Guan Xiu Ying Meng Luo Han Hua Ge and Ti Jing Huan Hua Ying Tian Si Bi Tian Wang Ge have rich content, vigorous writing and romantic color, which can be called the best poems of the Five Dynasties. His ci also enjoyed a high reputation and had a wide influence. All his ci spread from Bashu to Dunhuang in Northwest China. However, the style of European poetry is obviously different from that of its poetry, which mostly shows the feelings of the ladies. Once the writing touches the content of deep feelings, it can also write the palace resentment poetry like "thirty six palaces autumn night forever" and the history chanting masterpiece like "late Jinling ancaoping", which aims to reveal the absurdity and subjugation of the country. Ouyang Jiong is good at expressing women's feelings euphemistically and implicitly, such as: "when you see the color of flowers, you can laugh at the east wind. On both faces, night make-up is the same. Close the small building, deep Pavilion, spring scenery. Three or five nights, partial hate, in the moon. Love has not been, the letter has been through, full of clothes still dye Tan red. Hate is not as good as two swallows. Spring to dusk, residual catkins, willow empty. "It is rare in the five pronouns to reveal the characters' inner feelings of cherishing spring and resentment in such a zigzag and in-depth way. However, the views of Ou Shi are the same. Ouyang Jiong attaches importance to the form and content of lyrics, but he thinks that Qu CI is mainly for the entertainment of the upper class, singing "the joy of using capital to cover", and CI is gorgeous, while literati CI is different from folk CI. Therefore, in the tradition of Ci, he especially affirmed and valued Li Bai's Ci and Wen Tingyun's Ci, and believed that Huajian CI in the Five Dynasties was the inheritance and development of this tradition. Ouyang Jiong's theory of CI has progressive significance and limitations, but it represents the views of some Huajian Ci writers, and their creative practice is basically consistent with it.

Other works

[huanxisha]

The falling catkins and the residual warblers are in the sky for half a day. Yurouhua is drunk and sleeps. The window is full of smoke.

The painting screen is covered with sorrow, and the Yao pillow and maid are slanted. At this time, the heart in the side.

[again]

The sky is blue and the clothes are fluttering down. Beauty is more suitable for the first time. Just like the wind dancing through the fragrant muscles.

Sitting alone contains blowing bamboo. In the garden, the flowers are broken slowly. When there is love, there is no power.

[again]

There are tears when we meet. Wine is too heavy to be entertained. The phoenix screen and the Mandarin pillow sleep in the gold shop.

The orchid musk deer smells and gasps, and the silky thread shows the skin. At this time, I still hate it.

[three word order]

Spring is coming to an end. Peony. Loporo roll, green curtain down. Color paper book, red powder tears, two hearts know.

If people are not here, Yan Kong will return. Negative. Incense ashes fall, pillow letter. Clear moon, thin flowers, Acacia.

[nanxiangzi]

Tender grass is like smoke. Pomegranate flowers bloom in the south of the sea. At dusk, the river Pavilion and the spring scenery. Mandarin duck bath. It's a long way to go.

[again]

The painting boat stops. The bamboo bridge outside the hibiscus hedge. A woman on the sand. Review. Laugh at the banana forest.

[again]

The shore is far away and the sand is flat. The sun slants back and the sunset is bright. Peacocks feel sorry for themselves. Near the water. I can't recognize a pedestrian.

[again]

Who lives in Dongkou. The Magnolia ship is a magnolia flower. The girl with red sleeves is attracted. Visit Nanpu. Smile on the spring breeze.

[again]

28 flower mother of pearl. The chest is like snow, the face is like lotus. Earrings are golden. Xiayi is narrow. Smile on the river to attract tourists.

[again]

The road leads to nanzhong. Polygonum pinnatifida var. After a light rain. Harvest red beans. At the bottom of the tree, I lift my hands.

[again]

It's made of gauze. We invite each other with a smile. Vines, branches, wine drops. Lay a sunflower mat. Among cardamom flowers, walk and sit in the evening.

[again]

Jadeite jade. Little satin in white apple. It's cloudy and rainy on the island. Reed flower puff. Where are the fishing boats.

[sincerely]

See good flower color, smile east wind. On both faces, night make-up is the same. Close the small building deep, spring scenery. Three or five nights, partial hate, in the moon.

Before you know it, you know it. The clothes are still red with sandalwood. Hate is not as good as two swallows. Spring to dusk, residual catkins, willow empty.

[he Ming Dynasty]

In memory of the past, I first met you. Half covered with red sleeves, make-up face turns gently. Pomegranate skirt, so will be slender, jade fingers steal twist. Double phoenix gold thread.

Bi Wutong, deep and deep courtyard. Who expected two feelings, when teach love. Envy spring to double swallow. Fly to the jade building and meet at night.

[again]

In memory of the past, after meeting among the flowers. It's only by hand. Throw red beans in the dark. I don't know what's going on in front of me, but I don't know what's going on. Live up to the spring day.

Blue Luo clothes are embroidered with gold. See to the mandarin duck, empty tears through. It's a long time to miss your beauty. In the end, it's just for me to be skinny.

[jiangchengzi]

In the evening, the grass was flat on the Bank of Jinling. The sunset is bright. Water is merciless. Six generations of prosperity, dark by wave sound. There is Gusu station in the sky, like a mirror in the west, shining on Jiangcheng.

[fenglouchun]

Phoenix bun green clouds. Deep cover room long. Jin Shu Tong. I feel lazy when I meet in my dream. Even face tears, face beads melt. Because I want to know where Yulang is going, who is the same to Shujing.

In the small building. Spring thoughts are endless. Leaning on the fence, the dark leads the melancholy, and the willow flowers fly to the east wind. Slanting sunlight curtain, luopao fragrant cold powder screen empty. Begonia scattered, yingyu residual red.

(the above 17 pieces of Chao's Hua Jian Ji)

[nangezi]

Jinzhang silver lamp shadow, screen window jade leakage sound. It's hard to dream of a long and eternal night. Worry about the small court autumn, the moon is clear.

[fisherman]

Get rid of the dust machine on the fishing boat. It's a time of honor and disgrace to be free from education. Without a tie,

Chinese PinYin : Ou Yang Jiong