Li Li

Li Li

Li Yu (855? -930？） Ci writers in the late Tang Dynasty. The word Derun, whose ancestors are Persians. Home in Zizhou (Santai, Sichuan Province). The year of his birth and death is unknown. He lived around qianning middle of Tang Dynasty.

Profile

Li Xun is sometimes famous, and his poems are often moving. Sister Shun Xian was Wang yanzhaoyi. He tried to pay tribute to a scholar. He also has a good command of medical science and sells fragrant medicine, which shows that he is still a Persian. When Shu died, he did not take his surname. He wrote a collection of Qiongyao, which has been lost. Now there are 54 poems in it

Historical records

It is recorded in volume 4 of jianjielu by He Guangyuan of Shu after the Five Dynasties

Li Li, a native of Sichuan, was born in Persia. He has been called bingong for many times. The poems are often moving. Yin School Book e, Jincheng smoke month also, and Li Sheng often good friends. Suddenly because of the ridicule of the play, Li Sheng's article swept the floor. The poem says: "foreign lands are never in disorder. Libos is strong in learning articles. If you break off the false Rao, you will get dongtanggui, and the stinky smell will not be fragrant. "

Recorded in Volume 2 of Huang Xiufu's Maoting Hakka in the Northern Song Dynasty

Li Li in Zizhou was the first Persian. He had the name of a poem and paid tribute to a scholar. When Shu was in charge, he was not an official. There is a collection of Qiongyao, which is full of emotion. His younger sister is Yan Zhaoyi, who can also write CI. There is a sentence "Yuanyang tile suddenly sounds", which is mistakenly included in huaruigong CI. Li Si Lang, who was famous as Yu, was a member of the Persian kingdom. He came to Shu with Yu Zong and was granted the official title. Brother Yu, with the name of a poem, paid tribute in advance. He has a gentle manner and a lot of good manners. He is engaged in medicine In his old age, the family had no money to spend on the cauldron, but only Taoist books and medicine bags.

generalization

Li Li, whose name is Derun, lived in the ninth and tenth centuries in former Szechuan (now Santai, Sichuan) in the late Tang and Five Dynasties. Li Li's ancestral home is Persia. His ancestors came to China in the Sui Dynasty. In the early Tang Dynasty, the surname of the Sui state was changed to Li. During the an Shi rebellion, he came to Sichuan and settled in Zizhou. He is called the native Persia of Sichuan. Li Li's brother and sister can be tested by three people, and he is the eldest brother. His younger sister Li Shunxian was king Yan Zhaoyi. His younger brother Li Xun, whose name is Yanyi, is called Li Silang. He likes to travel and is good at living. He is especially interested in refining pills. He doesn't care about his family's products. He used to be the crown prince of Wang Yan.

Research and contribution

Pharmaceutical field

Li Li has a lot of research on pharmacy. He once traveled to Lingnan, enjoyed the scenery of the south, and got to know many drugs introduced from abroad. He is the author of six volumes of marine medicine Materia Medica, which is characterized by quoting marine medicine literature. According to the existing statistics of lost articles, the book contains 124 kinds of drugs, of which 96 kinds are marked with foreign origin. Such as: benzoin, helile out of Persia, borneol out of the law, gold chip out of the food country. In addition, the book describes the drug form, authenticity, advantages and disadvantages, nature and taste, indications, additional prescriptions, taking methods, pharmaceutical methods, taboos, fear of evil and so on. Some provisions also contain the interpretation of drug names. Haitongpi, tianzhugui and myrrh were not recorded in other herbal works at that time. Xiyuan book had been lost until the Southern Song Dynasty, and its contents were scattered in Zheng Lei Ben Cao and compendium of Ben Cao.

Introduction to CI

There are 54 poems by Li Xun, 37 in huajianji and 18 in zunqianji, among which one is repeated in xixizi. There are 15 kinds of CI tunes, including Yufu, nanxiangzi, xixizi, nvguanzi, zhongxingle, jiuquanzi, huanxisha, yiduanyun in Wushan, pusaman, yugezi, wangyuanxing, hezhuan, Yumeiren, linjiangxian and dingfengbo. It is worth noting that in bijimanzhi written by Wang Zhuo of the Southern Song Dynasty, there are five other Ci poems written by Li Xun in five tones. This quotation is as follows: the fake Shu Mao Wenxi has Ganzhou times, Gu Xian and Li Xun have inverted Ganzhou, Gu Xian has ganzhouzi, all of which have no palace tune. (Volume 3) "he Manzi" is a poem by Bai Letian: "it is said that Manzi is a person's name in the world, and it is only when he is about to be sentenced that the song is formed. A song of four words, eight fold, from the beginning is heartbreaking sound " This word belongs to the double tone, two paragraphs each six Bureau, five sentences each six words, a sentence seven words. In the Five Dynasties, Yin E and Li Xun were the same. (Volume 4) there is a song "Fengtai" in Li Yu's Qiongyao collection, which says: "it's commonly called drinking piggy." There is no palace tune. (Volume 5) during the period of the puppet Shu Dynasty, sun Guangxian, Mao Xizhen and Li Xun wrote the song "houtinghua", which was not written in the palace tune, but in two paragraphs with four sentences each. In this song, there are six sentences in each of the two paragraphs. (Volume 5) Hua Jian Ji and Ning you've got the song of Chang Ming Nu, and Li Yu's Qiongyao Ji also has it. The sentences are different, but they are all modern songs. I don't know which one is the ancient Lin Zhongyu and Dali. (Volume 5) these five words, namely inverted Ganzhou, he Manzi, Fengtai, houtinghua and changmingnv, are not found in huajianji and zunqianji, and should have been lost.

Technique of expression

according to the author's rough statistics, there are more than 40 poets in the Tang Dynasty (excluding Huajian CI Poets). Generally, there are only one or two kinds of CI tunes used by each poet, and the number of works is small. Among them, Lu Dongbin, a Taoist, has the most works. He has 48 poems and 17 kinds of CI tunes, all of which are related to Taoism. In addition, Liu Yuxi and Bai Juyi used seven kinds of intonation, with 41 and 29 works respectively. Among Huajian Ci writers, there are four whose works are more than or equal to Li Yu, among which Wen Tingyun has 69 Ci poems with 18 tunes; sun Guangxian has 61 Ci poems with 25 tunes; Gu Yu has 55 Ci poems with 16 tunes; Wei Zhuang has 54 Ci poems with 22 tunes. The special one is Mao Wenxi. Although there are only 31 works, there are 22 kinds of tunes. In addition, the works and tunes of all people are not as many as those of Li Xun's 54 and 20 tunes. In a word, the number of numerals in Li Xun's Ci works is the fifth, so we can deduce the status of Li's Ci. According to the notes of Tianxiang Pavilion, there are mountains in the northwest of De'an City, which are filled with water. There is a reading platform of Sima Wengong, under which a stone is chiseled to form a hole. In the hole is engraved with the word "yugezi" (Chu Shanqing) written by Li Xun. The Ci of Tang Dynasty and Five Dynasties were carved in stone, only seen here, which shows that Li Xun's Ci had been widely recited at that time.

content

most of Huajian's poems are about the love of beautiful women, with lingering sentiment, soft fragrance and gorgeous words. Although the main theme of Ci poetry is graceful and gorgeous, each has its own merits. In terms of content, there are not only the life description of the poet duhong Weicui, but also the emotional expression of spring and autumn sorrow and parting Acacia. There are also some life pictures of Hengli bamboo bridge and fishing girl Xiaogu, which are different from the theme of Huajian CI. They are the same works describing women and love, with different perspectives and emotional colors, reflecting the author's different mentality. Therefore, when it comes to the style of Huajian Ci, it is generally divided into two schools, represented by the strong (thick and bright) of Wen Ci and the light (clear and beautiful) of Wei CI. Zhou Ji of Qing Dynasty compared Wen Ci to "severe makeup" of beautiful women, while Wei Ci to "light makeup". Other poets of Huajian School, according to their style of Ci, either belong to Wen school or Wei school, while Li Xun belongs to Wei school. "Xuzhuang Manji" says: "most of Li Derun's Ci are pure and euphemistic. He writes about the scenery of South Vietnam, which is especially true and lovely In addition, Yu Gezi, Yu Fu and Ding Fengbo, all of which express their own mind and mood, are elegant and can be recited. It is very rare that Huajian Ci writers can write as many aspects as Li's. Therefore, I said that Derun CI could be a school in Huajian, but it was also a school between Wenwei and Jieli. " The theory of what should be called.

Graceful style of Ci

Subject classification

Li Li's Ci poems can be roughly divided into two categories according to the theme of his singing: one is describing the posture of beautiful women and the love between men and women, which is called graceful CI here; the other is singing the leisure and seclusion, expressing the sadness of today and regional customs, which is called Lyric CI in this paper. The former is 22, accounting for 40% of all CI works, while the latter is 32, accounting for 60%. On the contrary, among the 66 Ci poems, 59 belong to the former, only 7 belong to the latter, accounting for 90% and 10% respectively; coincidentally, there are 54 Wei Ci poems, 44 graceful Ci poems and 10 Lyric Ci poems, accounting for 80% and 20% respectively. It can be seen that Li Li's graceful words about beauty and love are far less than those of Wen Tingyun and Wei Zhuang. There are few poems describing the beauty posture and love between men and women in Li Zhen's poems, and the style is similar to Wen Wei's, among which the four poems huanxisha are the most obvious. For the convenience of analysis, this article is as follows: in summer, light make-up should be used, the color of Yue Luoyi should be faded and golden, and the color of jade mother of Pearl and sandalwood should be used to help the appearance. Meet speechless and hate, a few back to spell but think, on the window path dream Youyang. When you come out late to see the crabapple, you learn how to make up at home, and the little hairpin wears a fragrance. The jade comb is slanting, the cloud temples are greasy, and the golden clothes are fragrant with snow. I think about what can set up the setting sun. visit the old wound, want to break the soul, no reason to see the people of Yulou, six streets light rain carved incense dust. As early as not to meet Wuxia dream, that can be wasted Jinjiang spring, meet flowers pour wine, don't say frequency. Red lotus flowers to the threshold frequency, can be leisurely reminiscent of people like flowers, old love is like a dream, absolutely sound dust. Cuidiehua Pingshan faint, cold Shop Wendian water sparkling, where a new cicada soul. the first song is about the beauty of a woman with light make-up. The next one describes a woman who meets her lover but can't express her heart. She thinks about it several times and can't restrain it until she is still in love in her dream. The second one describes the adornment and contemplative attitude of a woman who walks out of the courtyard to watch begonias at dusk. The third one describes the protagonist's return to his hometown, visiting his beloved, which makes him sad. When he is helpless, he wants to seek flowers, indulge in wine and indulge in debauchery. The fourth song is about the melancholy caused by the fragrance of flowers, the melancholy of the beauty, and the difficulty of the old love. The next film opens, starting from the scenery, green screen pattern mat, the scenery is still, you think infinite. These works are fragrant, soft and gorgeous, so there is a saying in later generations that "you often make sand poems in Huanxi, which are appreciated by later generations. You can't spend your time in the night of wuxia

Chinese PinYin : Li Xun