Lu Xun's former residence in Shanghai is located at No.9, Continental New Village, Shanyin road. During this period, Lu Xun wrote many fighting essays, edited translation magazine, translated dead souls and other works. He advocated woodcut and woodcut, and edited Qu Qiubai's "Hai Shang Lin". In 1935, he sent a telegram to congratulate the workers' and peasants' Red Army on their successful arrival in Northern Shaanxi. In early 1936, he actively participated in the Anti Japanese national united front work in the literary and cultural circles.
The title of the museum is the personal title of the late Premier Zhou Enlai. The shape of the building has the traditional style of Shaoxing folk house, Lu Xun's hometown. More than 17000 exhibits in the museum give a general introduction to Lu Xun's ideological development and fighting history, focusing on his social and cultural activities in Shanghai during the past 10 years.
Luxun's former residence
Lu Xun's former residence is the place where Mr. Lu Xun lived, a great thinker, revolutionist and educator in modern China. Now it has become an important museum of humanities, which is of great significance for the research and dissemination of humanistic thoughts in the early 20th century.
Lu Xun devoted his whole life to the cause of ideological emancipation of the Chinese people, so his residence changed constantly. Lu Xun lived in four places: Lu Xun's former residence in Beijing, Lu Xun's former residence in Shanghai, Lu Xun's former residence in Shaoxing and Lu Xun's former residence in Guangzhou. Now let's take a look.
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No. 9, Continental New Village, Shanyin Road, Shanghai. This is a three story building with brick and wood structure and red brick and red tile
During this period, Lu Xun wrote a lot of fighting essays, translated into translation magazine, translated dead souls and other works. He advocated woodcut and woodcut, and also sorted out Qu Qiubai's "Hai Shang Lin". In 1935, he sent a telegram to congratulate the workers' and peasants' Red Army on their successful arrival in Northern Shaanxi. In early 1936, he actively participated in the Anti Japanese national united front work in the literary and cultural circles.
The former residence faces south. It is a small garden when you walk into the black iron gate. Up the steps is the reception room. There is a western style dining table in the middle. On the west wall are the bookcase, the hand gramophone and the workbench Qu Qiubai gave Lu Xun when he went to Ruijin, Jiangxi Province. Through the glass screen door is the dining room. In the middle of the table is a wide lacquer eight immortals table, surrounded by four roast flower round chairs. In the west corner is a double cupboard and four stools, and in the east there is a coat rack. These simple utensils reflected the living conditions of Lu Xun's family at that time. He only relied on his meager income to support his family, but he was very generous in helping others and supporting revolutionary mass organizations. In Lu Xun's diary, there are many donations. The front room on the second floor is Lu Xun's bedroom and studio. Facing the south window, there is a desk and an old rattan chair. Lu Xun leaned over the desk and wrote many articles that frightened the enemy. He meditated on the rattan chair, where many essays were born. On the east wall is a black iron bed with thin quilts and printed pillows arranged as they are. In 1936, Lu Xun was seriously ill and still insisted on writing. After Song Qingling knew it, she wrote him a letter. Later, Lu Xun died on this iron bed. There was an old calendar card on the dresser, which was torn to October 19, 1936. The alarm clock on the stage, the pointer to 5:25, these precious objects, become people's permanent memory.
The title of the museum is the personal title of the late Premier Zhou Enlai. The shape of the building has the traditional style of the folk houses in Lu Xun's hometown. More than 17000 exhibits in the museum give a general introduction to Lu Xun's ideological development and fighting history, focusing on his social and cultural activities in Shanghai during the past 10 years.
Lu Xun came to Shanghai from Guangzhou in October 1927 and died on October 19, 1936. He lived in Shanghai for nine years. During his stay in Shanghai, he successively published nine miscellaneous anthologies and historical novel anthologies new edition of stories, and successively published literary journals such as Yu Si, Ben Liu, Chao Hua, Ya Ya Ya, Qian Shao, Shi Zi Jie Jie, and translated many foreign literary works. In 1929, he edited the series of scientific art theory. He supported the policy of the Anti Japanese national united front put forward by the Communist Party of China and put forward the slogan of "mass literature in the National Revolutionary War". In 1930, Lu Xun took part in the initiation and organization of the left wing writers' League of China, and served as the leader of the left wing writers' League. During this period, he also participated in the China freedom movement alliance, China Civil Rights Protection Alliance and other organizations, and waged a long-term resolute struggle against the Kuomintang and imperialism.
Lu Xun lived in jingyunli, HENGBANG Road, Hongkou District in Shanghai. In April 1933, Lu Xun moved to No.9, Lane 132, Shanyin Road (formerly shigaota Road, Continental New Village). This is Lu Xun's last residence in Shanghai. The new village of the mainland is a group of new three storey houses with red brick, red tile, brick and wood structure, which was completed in 1931. Lu Xun's former residence covers an area of 78 square meters, with a construction area of 222.72 square meters. Now the precious articles and writing tools used by the master are displayed in the house. The former residence was restored according to the scene of Lu Xun's life; there was a small flower bed in front of the house, planting peach, Bauhinia, pomegranate and other flowers and trees. The front room on the ground floor is the living room. Along the west wall, there is a bookcase and Qu Qiubai's desk. The back room is the dining room, with western style clothes rack and hat rack on the east wall. The front room on the second floor is Lu Xun's bedroom and study. On the east side is an iron bed. Along the west wall are a cupboard, a tea table, two rattan chairs and a mirror stand, on which foreign prints are displayed. An oil painting of Zhou Haiying when he was born on the 16th is hanging on the top of the chest of drawers on the gable. The south window is pasted with colored cellophane, and under the window is a desk with stationery, fireworks and flower sets on it. The calendar on the window wall remains the same: on October 19, 1936, the alarm clock on the mirror stood at 5:25 a.m., indicating the date and time of Lu Xun's death.
The front room on the third floor has a balcony. In Haiying's and nanny's bedroom, the furnishings are simple except for a big bed. The back room is a guest room with simple bedding, tables, chairs and bookcases. Lu Xun covered Qu Qiubai, Feng Xuefeng and other Communists here. Most of the furniture in Lu Xun's former residence is original.
When he first arrived in Shanghai and lived on the 23rd in jingyunli, Lu Xun always went to the bookstore opened by his Japanese friend Nishiyama Matsuo to read and buy books every day. With the deepening of their contacts, Lu Xun and Nishiyama Matsuo forged a deep friendship. Naiyama was always faithful to their friendship and tried to protect Lu Xun's safety. In addition, Lu Xun had a deep friendship with Qu Qiubai, the early leader of the Communist Party. On June 18, 1935, Qu Qiubai was killed by the Kuomintang. In order to commemorate his dead friend, Lu Xun spent most of his last year on the publication and translation of Qu Qiubai's Hai Shang Lin. This year, he was often ill, weighing only 37 kg, but he still supported the sick body and insisted on looking at the proofs again and again, expressing his boundless affection for his dead friend.
On October 19, 1936, Lu Xun died in his apartment at the age of 56. Lu Xun's value as a thinker and writer has not been diluted by history, but has become clearer and brighter. Lu Xun's glorious life is just like Mao Zedong's comment that "he is cold to thousands of people and willing to be an ox". Mr. Lu Xun said that "the enthusiasm of the young people who will never change their old age and the spirit of indomitable soldiers who will die will remain in the world forever with his exquisite works.".
Lu Xun's former residence is now listed as a cultural relic protection unit in Shanghai. In the Lu Xun Park next to the former residence, there is a Lu Xun Memorial Hall for people to look forward to.
Address: No.9, Lane 132, Shanyin Road, Hongkou District
Transportation Guide: Tourism Line 10, rail transit line 3 (Pearl Line) - Hongkou Football Field Station, airport line 4, Lu Xun Park terminal, bus 18, 21, 70, 51, 52, 97, 139, etc.
Lu Xun's tomb is in Lu Xun Park at 2288 North Sichuan Road. The No. 6 residence beside Lu Xun's former residence is Mao Dun's residence. Nearby are Duolun Road celebrity culture street, Hongkou Stadium, neishan Wanzao apartment and Qu Qiubai's former residence.
Ticket price: 8 yuan
Location of Lu Xun's former residence in Shanghai
Address: No.9, Lane 132, Shanyin Road, Hongkou District, Shanghai
Longitude: 121.48435974121
Latitude: 31.266176223755
Tel: 0575-85132084
Transportation information: Tourism Line 10, rail transit line 3 (Pearl Line) - Hongkou Football Field Station, airport line 4, Lu Xun Park terminal, bus 18, 21, 70, 51, 52, 97, 139, etc.
Ticket information: 8 yuan
Free Day: May 18
Opening hours: 9:00 a.m. - 5:00 p.m
9:00-16:00。 Monday is off.
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