National Academy of painting, China

National Academy of painting, China

As a subsidiary of the National Academy of painting of China, the art gallery of the National Academy of painting of China covers an area of about 1900 square meters, with an exhibition line of 400 meters. There are five exhibition halls and VIP halls. There are movable and convenient exhibition walls in the gallery. The lighting, temperature, humidity and the mute function of the wall all meet the standards of the international art gallery. The facilities in the gallery are scientific, and there are galleries and Book bars in the veranda The standardized service improves the construction of the art museum and is an important exhibition window to the outside world. The National Academy of fine arts of China will promote the development of Chinese painting art through the policy of "prospering the museum with talents, strengthening the museum with academic knowledge and establishing the museum with service". The site is located at 54 West Third Ring Road North, Beijing.

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Basic introduction

The art gallery of the National Academy of painting of China, which started in the mid-1980s, has become increasingly prosperous after decades of development. It is displaying the cultural window image of the National Academy of painting of China with a new attitude and playing an increasingly important role in the field of contemporary culture. Its cultural function and academic value are becoming more and more prominent. It is the cultural construction and art exhibition center of the National Academy of painting of China Extended bridges and ties. At the same time, it is also a focus and promotion point for the development and exhibition of Chinese contemporary painting art. The National Academy of fine arts of China will promote the development of Chinese painting art through the policy of "prospering the museum with talents, strengthening the museum with academic knowledge and establishing the museum with service".

Carry out the work

To build the National Academy of Fine Arts Museum of China into the five centers of art exhibition, collection, research, foreign art exchange and major art activities, we must meet the requirements of the times. In order to improve the overall level of the art museum, we should focus on the academic construction requirements of the National Academy of painting of China. Establish brand awareness and establish a good image in the field of Chinese painting.

academic exchange

We should strengthen academic exchanges at home and abroad, absorb experts, scholars and professionals through various forms, improve the initiative and enthusiasm in academic construction, and fully reflect the leading role of China National Academy of painting in academic construction. We will actively plan exhibitions with high academic content through various forms. He has held various art exhibitions, such as "nature and man" Chinese landscape painting oil painting landscape exhibition. Looking back: a large-scale exhibition of landscape, flowers and birds, and figures in Contemporary Chinese painting, golden age: Literature Exhibition of Chinese modern artists, charm of the sky: painting from life exhibition of contemporary Chinese painting masters in Qingchengshan, academic invitation exhibition of Yihe contemporary Chinese painting and oil painting, series observation exhibition of works of 20th century Chinese painting masters, and exploration and exchange exhibition of nine Chinese flower and bird paintings He has published more than 20 large-scale picture albums and assisted in the production of more than 40.

Serving the society

In order to better serve the society, the Art Museum of the National Academy of painting of China is actively making efforts to transform the hardware facilities in the museum, striving to make the work of exhibition, collection, research, communication and social services of the art museum move forward to a scientific, artistic and international platform, and lay a solid foundation for the construction of the cultural functions of the art museum. In the future work process, we need to play a subjective and enterprising spirit, strengthen the internal scientific management, adhere to the concept of academic and spiritual as one, constantly improve and strengthen ourselves, strive to enhance the cultural brand and academic positioning of the museum, contribute to the inheritance and development of traditional Chinese painting, and also add a light to the development of China's Art Museum Color.

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Located in the middle road of the West Third Ring Road, it is an art museum dedicated to the display and exhibition of traditional Chinese art works. It was completed and opened in November 1985. The exhibition hall is an antique building with a construction area of more than 2000 square meters and four exhibition halls. The environment is quiet and pleasant.

This is the exhibition window of the Chinese Painting Research Institute. Chinese painting has experienced thousands of years and has strong vitality. While exploring its own laws of development and prosperity of Chinese painting, the research institute uses the exhibition to show the research results to the society in time. At the same time, it also provides a garden for the research and prosperity of Chinese painting through the exhibition and communication with the audience.

social influence

Since its establishment, the museum has held a number of traditional Chinese painting exhibitions with a certain artistic level, representing different levels and schools, such as "collection exhibition of Chinese Painting Research Institute", "joint exhibition of contemporary Chinese painting", "he Haixia painting exhibition", "Ye Qianyu creation retrospective exhibition", etc. At the same time, in order to enhance foreign exchanges and absorb the creative experience of foreign and Hong Kong and Taiwan painters, we have successively held "Malaysian painter Zhong Zhengchuan ink painting exhibition" and "Hong Kong painter Rao Zongyi painting and calligraphy exhibition", which have had a good social impact.

While striving to do a good job in academic exhibitions, the exhibition hall has continuously held some mass art exhibitions, which have done a lot of work for enriching the mass's amateur cultural life and improving the appreciation level of the audience.

Painters' works

Artist name: ye Qianyu

Work title: on the grassland of Inner Mongolia

Year of work: 1980

Ye Qianyu, born in Tonglu County, Zhejiang Province on March 31, 1907, loves painting and folk art since childhood. After graduating from middle school, he went to Shanghai and worked in advertising, book illustration, dyeing and weaving design, stage setting, etc. later, he was mainly engaged in comic creation. Together with Zhang Guangyu, he created Shanghai comic weekly, edited time pictorial, and published a long comic series Mr. Wang. During the Anti Japanese War, he established and led the Anti Japanese cartoon propaganda team, devoted himself to Anti Japanese propaganda, and edited China today pictorial in Hong Kong. Since 1933, he has been engaged in life sketch for a long time. Since 1942, the creation of figure painting with traditional ink and brush has opened a new realm for Chinese painting. In 1947, he was employed to teach in Beiping art college. Later, he successively served as professor and director of the Department of traditional Chinese painting of the Central Academy of fine arts, vice president of the Institute of traditional Chinese painting, vice chairman of the Chinese Artists Association and member of the second to seventh CPPCC National Committee. From 1966 to 1975, after ten years of turmoil, he was sentenced to prison. In 1979, he was officially rehabilitated. After the rehabilitation, he donated his salary to the Central Academy of fine arts as a scholarship for the Department of traditional Chinese painting. In 1988, he donated most of his paintings, paintings and books to his hometown Tonglu County. In his later years, he continued to paint and write books, and organized art troupes for teachers and students to go deep into life, create and discuss.

Ye Qianyu was engaged in art education all his life and established a set of teaching system of Chinese painting. At the same time, he worked hard and gave consideration to theoretical research. With his artistic practice in many aspects, he cultivated new people and made outstanding contributions to the cause of Chinese art. He became a great master of Chinese painting. He died of illness in May 1995 at the age of 88.

Development overview

After more than 20 years of development, the Art Museum of the National Academy of Chinese painting, from the exhibition hall of the National Academy of Chinese painting to the Art Museum of the National Academy of Chinese painting until now, with the development and changes of the National Academy of Chinese painting, it is also growing and mature. After more than half a year of renovation and decoration inside and outside the museum, it is showing the National Academy of Chinese painting in a new posture Its academic status and cultural value bear the image construction of the National Academy of painting. Relying on the National Academy of Chinese painting, the academic orientation and professional direction of the art museum must be consistent with the overall planning and objectives of the National Academy of Chinese painting. The orientation of our art museum is: to carry forward the national spirit, continue and develop the traditional context of Chinese painting as the purpose, with the collection, display and research of modern and contemporary Chinese painting as the characteristics, at the same time, we plan and undertake the exhibition of contemporary Chinese painting works, academic seminars and so on And international art exchange activities. On the premise of building a harmonious culture and cultural innovation and development, and in combination with the actual work of the art museum, all the comrades of the museum have conducted in-depth study and discussion for many times, and made targeted research and planning on building the first modern art museum with contemporary Chinese painting exhibition, collection, research and planning as the main line in China. Around the above principles, all the comrades of the museum, guided by the spirit of the leaders of the Academy, have carried out in-depth thinking, and made full preparations for the opening of the new museum after the transformation and the development and construction of the art museum in the future.

In his speech, Long Rui, President of the National Academy of painting, put forward the academic proposition of "straightening out the source and getting close to the context", which was positively responded by the industry. As we all know, Chinese painting is the greatest expression of the spirit of the Chinese nation. Chinese painting and Chinese calligraphy are typical representatives of the long history and culture of the Chinese nation. They concentrate thousands of years of history and culture of Chinese civilization. They are the symbol and symbol of Chinese culture. They have a very special aesthetic status and unique cultural value in the world art forest. With the enhancement and development of China's national strength For the prosperity of Chinese culture, it is necessary for us to further study it, develop it, and even carry it forward. This is a major event related to the confidence of Chinese culture and national aesthetics. Under his leadership, the whole academy actively started to work in all aspects of creation, research, teaching, communication, publishing and exhibition, trying to give full play to the academic function and good art guidance of the National Academy of painting.

Sponsored by the National Academy of painting of China, CO sponsored by the Academy of Chinese painting of the Central Academy of fine arts, and undertaken by the art gallery of the National Academy of painting

Chinese PinYin : Zhong Guo Guo Jia Hua Yuan Mei Shu Guan