Pinghu Museum

Pinghu Museum

synonym

Pinghu Museum generally refers to Pinghu City Museum

Pinghu museum is a comprehensive Local Records Museum, which was established in 1958. It is a public welfare public institution integrating collection, protection, research, education, archaeological investigation and other functions. It is a patriotic education base in Jiaxing City and a popular science education base in Pinghu City. Pinghu museum is rich in cultural relics, including stone tools, pottery, porcelain, calligraphy, painting, bronze and other 16 categories of nearly 10000 pieces, including more than 2000 national precious cultural relics of the first, second and third level.

Development history

The new Pinghu museum is located in Nanshi square of Danghu town. It was completed in 1999. It covers an area of 5 mu and has a construction area of 4900 square meters. It is composed of a main building and an office building. The main building includes a cultural relics storehouse and a fixed exhibition hall (800 square meters), a multi-functional exhibition hall (600 square meters) and an academic lecture hall (200 square meters). There are two permanent exhibitions in the museum, namely "exhibition of cultural relics and historical sites" and "exhibition of calligraphy and painting". The fixed exhibition is open all the year round, with two part-time commentators; in addition, some temporary exhibitions of various types are introduced from time to time.

Pinghu Museum has a rich collection of cultural relics, such as Majiabang culture red pottery trumpet shaped beans, Liangzhu jade Cong and stone earth breaker, Tang Dynasty bronze Buddha head and Ming Dynasty rhinoceros horn cup. Especially in the Ming, Qing and modern collections of calligraphy and painting, such as the Ming Dynasty wenzhengming Xingshu axis, the Qing Dynasty Xinluo Shanren figure axis, the modern Zhang Daqian landscape axis, and the late Qing Dynasty "maritime painting school" works such as Wu Changshuo, Ren Yi, etc., a large number of high quality, is a major feature of Pinghu Museum. Since 1958, the museum has held more than 50 large and small exhibitions, including "historical relics", "modern cultural relics", "collection of Ming and Qing calligraphy and paintings" and "Pinghu party history figures", with an audience of nearly 400000.

Pinghu museum is also responsible for field archaeological investigation, rescue small archaeological excavation, maintenance and management of cultural protection units, holding exhibitions and other specific cultural and museum business. There are 4 provincial cultural protection units, 18 county (city) level cultural protection units and 50 cultural relics protection sites in Pinghu. More important are the Pinghu City newspaper tower, Mo's manor, nanhetou historical and cultural reserve, Zhapu fort, pingqiudun site, daimudun site, etc. Since 1958, the museum has held more than 100 large and small exhibitions, including "historical relics", "modern cultural relics", "collection of Ming and Qing calligraphy and paintings" and "Pinghu party history figures", with an audience of nearly one million.

On March 18, 2020, the construction project of the new museum of Pinghu City, Zhejiang Province, has resumed.

Collection

Pottery exhibition hall

Name: covered bean

Explanation: Neolithic Liangzhu culture, about 5300-4000 years ago. Clay gray pottery, shallow plate, mouth of son and mother, folded abdomen adduction, trumpet shaped thin handle, ring foot. The cover is in the shape of a covering plate, with a folded wall, a trumpet shaped cup-shaped button, and the upside down is also quite like a bean. Tonggao 36. 2. Diameter 15, bottom diameter 14. 5 cm. In 2001, the rescue excavation of Liangzhu Culture cemetery at daimudun site was unearthed. Name: tripod with lid

Explanation: Neolithic Liangzhu culture, about 5300-4000 years ago. It is a red pottery with sand. It has a big mouth, a neck, an arc-shaped belly, a round bottom, a conical foot and a shallow cup-shaped button cover. Pass height 20, caliber 15. 7 cm. In 2001, the rescue excavation of Liangzhu Culture cemetery at daimudun site was unearthed.

Stone exhibition hall

Name: Shi Yue

Explanation: Neolithic Liangzhu culture, about 5300-4000 years ago. Shale, grayish brown, flat trapezoid, narrow at the top and wide at the bottom, with a pair of round holes, arc blade and blunt mouth in the upper part. The production is regular and the whole body is polished. It's 17. 2. The top width is 9. 6. The blade is 10 wide. 6. The thickness is 0. 8. Aperture 1. 2 cm. Collected from pingqiudun site.

Name: diamond stone knife

Explanation: Neolithic Liangzhu culture, about 5300-4000 years ago. Shale, gray, flat rhombic, double-sided blade, wings swept back, middle and upper convex, with a pair of round holes. The transverse length is 12. 6. The wing is 8 wide and 5 high. 2. Aperture 1. 2 cm. Collected from pingqiudun site.

Jade exhibition hall

Name: Yucong

Explanation: Neolithic Liangzhu culture, about 5300-4000 years ago. It is 4 cm in height and 5 cm in aperture. 1 cm, shooting diameter 6. 3-6。 It is 6 cm long and weighs 141 grams. It was unearthed from the site of Dai Mu dun. The short column is round in the inner and square in the outer. It is not segmented. The corner is engraved with the face pattern of God and man. Above it are two long horizontal convex ridges with fine string pattern, which symbolizes the feather crown. Regular production, jade light green, transparent, crystal moist, high grade, Liangzhu Culture jade Cong rare products. Name: Jade Bracelet

Explanation: Qing Dynasty, 1644-1911. Ring shaped, light green, with jadeite patches, transparent, high quality, fine polishing, bright color.

The outer diameter is 7. 9, aperture 5. Nine centimeters, one pair. Ding kekui's lady axis collected by Pinghu Museum

Painting and calligraphy exhibition hall

Name: Lady DINK Kui

Explanation: Qing Dynasty. The silk version of the work is a beautiful lady with fine brushwork, 85 cm in length and 43 cm in width.

Ding kekui was born in Xiaoshan, Zhejiang Province during the reign of Emperor Kangxi. He was good at flowers and feathers. He was not beautiful and beautiful. He was natural and beautiful.

Name: Ren Yixi's love for Geese

Explanation: Qing Dynasty. The silk version of the work is composed of fine brushwork characters, 132 cm in length and 65 cm in width. Ren Yi (1840-1895 or 1896), a native of Shanyin (now Shaoxing), Zhejiang Province, lived in Xiaoshan. Ren Xiong's disciple, who studied painting from Ren Xun, has been selling paintings in Shanghai since his middle age. He is good at painting figures, flowers, feathers, landscapes, especially portraits. He has a fresh style: calligraphy can be used in painting, and he is also very alert. His paintings have a great influence in the south of the Yangtze River, and he is a representative of the "maritime painting school".

Bronze exhibition hall

Name: gilt bronze Buddha head

Description: Tang Dynasty, 618-907 A.D. Copper cast, hollow, Sakyamuni head, bun, fat ears, shoulders, face as pure as the full moon, drooping eyes, dignified and kind.

Height 33, head circumference 80 cm. In 1984, the songfengtai civil air defense project was unearthed. According to the analysis, it may be the object of the dezang temple. The dezang temple was built in 842, the second year of Huichang in the Tang Dynasty. The head portrait is dignified and steady with simple and smooth lines.

Collection of national treasures

Pinghu Museum has a collection of more than 10000 pieces of calligraphy and paintings, which has become one of the most abundant counties and cities in Zhejiang Province. Recently, a group of five experts, jointly formed by Zhejiang Provincial Bureau of cultural relics and Zhejiang Provincial Museum, made a special trip to identify the calligraphy and painting works of Pinghu Museum at the national level three.

One of the calligraphy and painting works has been recognized as a national first-class cultural relic by the Provincial Bureau of cultural relics. Six works, including master Hongyi's calligraphy Amitabha Sutra, Wu Changshuo's flower painting, Chi Kai's eagle painting, and Shen Zengzhi's calligraphy, have been designated as national second-class cultural relics, and more than 1300 museum collections have been designated as national third-class cultural relics. There are two exhibitions in the Museum: the exhibition of cultural relics and historical sites and the painting and calligraphy Museum. The Museum of calligraphy and painting collects works of famous artists in Ming and Qing Dynasties and modern times, such as Wen Zhengming, Hua Yan, Zhang Daqian, etc., as well as works of Wu Changshuo, Zhao Zhiqian, Ren Yi, etc., which reflect the profound national tradition and high artistic achievement of calligraphy and painting. The exhibition of cultural relics exhibits the essence of the cultural relics in the territory, presenting the long history and splendid culture of Pinghu. In addition, there are other functional exhibition halls and academic newspapers hall. Pinghu Museum has elegant display and rich connotation. It is an ideal place for people to increase their knowledge, cultivate their sentiment and enrich their cultural life. It is also an important position for patriotism education.

As one of the activities of the watermelon lantern cultural festival, Pinghu museum's collection of works of calligraphers and painters of past dynasties shows more than 100 pieces of calligraphy and paintings, including the works of Li Shutong, Wu Yifeng and other masters. The picture shows several citizens enjoying the works of calligraphers in our city.

Important events

Mobile exhibition of Pinghu Museum in Xindai yuqitang Village

Temple fair in yuqitang village, Xindai, Pinghu City, Zhejiang Province

Fan. The mobile exhibition of Pinghu Museum followed the "Changhong Qiuyun" 2009 Pinghu literature and art activities to the countryside. This time, the museum has brought with it "the mark of history - the picture exhibition of Pinghu City's third national cultural relics survey results", two mobile exhibition plates and brochures of six cultural and Museum units, namely, the museum, Mo's manor hall, Wu Yifeng Art Museum, Lu Weizhao painting and Calligraphy Academy, Li Shutong Memorial Hall and folk custom museum.

On the one hand, it introduces the distribution of immovable cultural relics in Pinghu to the general public in the form of intuitive display of pictures; on the other hand, it distributes publicity materials in the activities of people watching literary performances to further publicize Pinghu's historical and cultural heritage, so that more people know the display contents of several free open venues (except Mo's manor), and more people enter the cultural museum venues Knowledge of cultural relics. After seeing the Xindai plate exhibition, some people said: they usually feel that the cultural relics are far away from themselves, and they never expect that the cultural relics are nearby.

This activity is also one of the specific measures for the museum to deeply study and practice the scientific outlook on development and use culture to serve the new rural construction. It will also go to the community

Chinese PinYin : Ping Hu Bo Wu Guan