Zhejiang Art red sandalwood Museum

Overlooking the beautiful mountains of Dongyang in the front and the beautiful landscape of Hengdian in the back, it integrates the architecture of the palace of the Ming and Qing Dynasties and modern aesthetic concepts. The museum is full of flowing water, musical instruments, Ancient Rhymes, winding corridors and woody incense Starting from the elements of shape, art, material and rhyme, the museum comprehensively and deeply integrates, excavates and displays the origin, material, genre, technology, connotation, allusion and charm of mahogany furniture, aiming at promoting the mahogany furniture culture with red sandalwood culture as the core.

In November 2011, Xudong Redwood invested in the construction of Dongyang red sandalwood Museum, which was put into trial operation at the end of 2013. It officially opened on October 20, 2014, and was approved as "industrial tourism demonstration base" and "Zhejiang agriculture and Forestry University internship base". By then, it will become the largest red sandalwood Museum in China, forming a new pattern of "North Beijing, South Dongyang" red sandalwood Museum.

Zhejiang Art red sandalwood Museum

Zhejiang Art red sandalwood museum is located in "Oriental Hollywood" Hengdian film and television city of China. It is elaborately built by Xudong Redwood, one of the top 30 Redwood enterprises in China, for three years. Zhejiang Art red sandalwood Museum came into being with the great rejuvenation of the Chinese nation, the prosperity and development of the Yangtze River Delta economic circle, and the concerted efforts of contemporary mahogany people.

Development history

Dongyang red sandalwood Museum

Overlooking the beautiful mountains of Dongyang in the front and the beautiful landscape of Hengdian in the back, it integrates the architecture of the palace of the Ming and Qing Dynasties and modern aesthetic concepts. The museum is full of flowing water, musical instruments, Ancient Rhymes, winding corridors and woody incense Starting from the elements of shape, art, material and rhyme, the museum comprehensively and deeply integrates, excavates and displays the origin, material, genre, technology, connotation, allusion and charm of mahogany furniture, aiming at promoting the mahogany furniture culture with red sandalwood culture as the core.

In November 2011, Xudong Redwood invested in the construction of Dongyang red sandalwood Museum, which was put into trial operation at the end of 2013. It officially opened on October 20, 2014, and was approved as "industrial tourism demonstration base" and "Zhejiang agriculture and Forestry University internship base". By then, it will become the largest red sandalwood Museum in China, forming a new pattern of "North Beijing, South Dongyang" red sandalwood Museum.

architectural composition

Museum display design based on cultural context

The total construction area of the museum is 55000 square meters, with 8 floors, including 5 floors of the main building, with each floor of more than 9500 square meters.

Second floor: Qing style series mahogany (red sandalwood) furniture theme hall, Qing style series exhibition area

Theme Pavilion: fully display the characteristics of Qing style mahogany (red sandalwood) furniture from shape, art, material, rhyme and other elements, and let the public understand and recognize the culture and furniture of mahogany (red sandalwood) through multimedia interaction.

Exhibition area: display the exquisite mahogany (red sandalwood) furniture imitating the famous people of Qing Dynasty systematically and in kind, which can be purchased and customized on site, so that customers can purchase the exquisite mahogany (red sandalwood) furniture without leaving the museum while perceiving the red sandalwood culture.

Third floor: Ming style series mahogany (red sandalwood) furniture theme hall, Ming style series exhibition area

Theme Pavilion: from Zheng He's voyages to the construction of the Forbidden City, it inherits the essence of the furniture culture of the song and Yuan Dynasties, integrates the connotation of the literati and craftsmen of the Ming Dynasty, and comprehensively displays the materials, design, technology and cultural connotation of Ming style furniture, the pinnacle of Chinese classical furniture.

Exhibition area: display the literati atmosphere of Jiangnan garden furniture, show the life of the four talents in Jiangnan and the culture of mahogany furniture, so that customers can appreciate the fine Ming style furniture, and at the same time, they can personally collect and buy the furniture classics with high value for money.

Fourth floor: new classical series mahogany (red sandalwood) furniture theme hall, new classical series exhibition area

Theme Pavilion: display the modern and contemporary mahogany furniture products created by mahogany people on the basis of re understanding of classical elements, on the premise of traditional fine culture and fine genes, on the basis of following the traditional aesthetic principles, integrating the elements of the times, and with modern art, ideas and tastes.

Exhibition area: display the classic display and furniture of contemporary neoclassical mahogany (red sandalwood) furniture in important places, hall of fame and Art Museum, display dozens of high-end furniture exhibition areas of different countries, different levels and different choices, let customers experience the cultural connotation of classic furniture in the blend of history and reality, and enjoy a strong cultural atmosphere and quality life.

Fifth floor: Creative Arts Factory and exhibition area for 100 Masters

Heritage and development of traditional culture is the purpose and vision of the museum. The museum has more than 9500 square meters, providing free creation and exhibition places for craftsmen and art masters, making the museum a place for the inheritance and development of China's intangible culture. It also allows customers to appreciate and collect the classic works of contemporary masters in the museum.

Sixth floor: red sandalwood Museum club, multifunctional learning experience and Exhibition Hall

Red sandalwood Museum Club: Here you can enjoy high-level leisure and entertainment, tea cultivation and music appreciation. The club integrates Millennium Chinese medicinal diet, physical therapy and health care, and provides theme cultural accommodation services. All you hear and see are history and culture related to red sandalwood culture.

Multi functional learning experience and Exhibition Hall: let every customer feel the profound and rich cultural heritage of red sandalwood culture, and regularly carry out seminars, lectures and auctions, providing a high-end, free and interactive exchange platform for appreciation, research and collection of mahogany (red sandalwood) furniture and crafts.

Basement: Furniture dryness adaptation area

Furniture dryness adaptation zone: according to the different temperature and humidity, it can be divided into more than ten zones. According to the characteristics of mahogany furniture, the temperature difference between North and south, heat expansion and cold contraction, it can scientifically solve the cracking and other problems, so as to provide a reliable guarantee for the collection and export of mahogany furniture in Dongyang red sandalwood Museum, and ensure the stability of product quality.

The blend of classical art and modern civilization

Li Xiaodong, born in a family of carpenters of the Five Dynasties, has a natural obsession and investment in tenon and mortise structure, classical furniture and classical culture. His love for mahogany furniture for 27 years has made his Xudong Crafts Co., Ltd. a leader in the industry. High quality mahogany furniture, professional and unique style of classical decoration, lifelike wooden Buddha statues are highly praised and favored by customers at home and abroad. The products are exported to the United States, Japan, Russia, Hong Kong and Taiwan and other countries and regions. "Red sandalwood king", which was solely sponsored by Xudong mahogany, became the first mahogany era drama, and was highly praised in the cultural and mahogany circles. The red sandalwood museum built by Xudong mahogany is bound to become "a collection of cultural appreciation and national treasures of Red Sandalwood Products in the world, and a palace where fine Chinese mahogany furniture art and history meet.".

Collection

Confucian study

The study is a set of furniture composed of a large desk, a large chair and a small rest room. With the traditional mortise and tenon craft, it is magnificent, dignified, dignified and steady, with a strong three-dimensional sense.

The selection of materials is exquisite, and all of them are made of precious top Redwood - Indian red sandalwood. The materials used are just right. One more point is cumbersome, and one less point is not enough, which fully shows the level of design materials.

The mortise and tenon structure is rigorous, firm and firm, with reasonable layout and distinct layers. The whole set of furniture is exquisitely carved, and the small parts can be carved vividly and meticulously. Almost all the wood carvings in Dongyang are based on the "Confucius holy trace" painted by Emperor qintianjian and Tang ruowang's student Jiao Bingzhen during the Kangxi period of the Qing Dynasty. It tells the life course of Confucius from birth, traveling around the world, visiting teachers, resigning from office, and canonizing after his death.

The composition of the whole set of carving patterns is reasonable, and its success lies in that when appreciating it, it can enter into the emotion, from the emotion to the scenery, so that the heart can be moved by Confucius' life.

The carving on the platform of dabantai is based on Confucius' lectures, and three scenes of Confucius' lectures are engraved with strong cultural heritage, which fully shows the Confucian feelings of the ancestors, gathering all the world and covering all generations of people; the front of dabantai is featured with "Jiagu Huiqi", "Wucheng Congyou", "Zaiyang" in the picture of Confucius' holy trace, and the side is featured with "Yipeng Qulu" and "zixiju" ”Inside, the left and right cabinets are based on "Xihe back driving" and "watching the water in Sichuan". They are equipped with imitation fine brushwork painting and carving technology. The composition is rigorous and reasonable, the design is delicate and realistic, the knife technique is mellow, and the grinding is fine. The grand atmosphere of Qing style furniture is perfectly combined with the exquisite and gorgeous of fine brushwork painting. The dignified and elegant indifference contains the respect for status and the admiration for embracing all rivers and learning all over the world. Dignified in see tall and straight, it is pleasing to the eye.

In addition, there are small scenes around the big table, which enrich the essence of Confucius's life. There is a waist at the bottom, a dragon and auspicious clouds are carved at the corner of the table and at the intersection of the mortise and tenon structures, which is not only practical but also beautiful. And the shape of dragon foot holding pearl in auspicious clouds also makes the whole set of furniture more noble. The carved board is surrounded by the patterns of the crutches, which sets off the sense of the dragon's take-off and implies the prosperity, peace and wealth of the children and grandchildren.

The chair is based on tradition, innovation and reasonable structure. It is made of all kinds of mortise and tenon structure, which is strong and durable; its carving takes Sutra as the theme, which makes the soul of the Dragon vivid. This set of furniture is noble, solemn and grand. The back of the chair is full of carved dragons, hovering and playing in the clouds. It has different shapes and sizes. Its four claws are stretched out, just like flying. The two ends of the handrail are also carved with auspicious dragons, and the two ends of the handrail are decorated

Chinese PinYin : Zhe Jiang Yi Shu Zi Tan Bo Wu Guan