China Fire Museum

China Fire Museum is subordinate to the Fire Department of the Ministry of public security, with a construction area of 20422.5 square meters and a display area of 9500 square meters, with a total of four floors. The first floor is the preface hall and temporary exhibition hall, the second floor is the ancient fire exhibition hall, the third floor is the modern fire exhibition hall, and the underground is the fire prevention experience hall. The exhibition hall collects and displays the fossil remains of human fire in the peak cave of Beijing, the charcoal of large-scale building fire in Dadiwan, Gansu Province, the fragments of Oracle Bones recorded in the fire of Shang Dynasty, the well fence pottery of "Dongjing fire fighting" in Han Dynasty, the glazed kiss of Tang Dynasty, the fire fighting equipment of shuihui in the late Qing Dynasty, the uniform badge of modern fire hydrant and fire fighting police, the fire fighting equipment in the early days of the founding of the people's Republic of China, and the rescue equipment for Wenchuan earthquake There are more than 4600 remains and witnesses (including objects, photos, ancient books, etc.) of the historical evolution of fire prevention and extinguishing ideas, fire legislation, management, organization, technology, etc.

China Fire Museum

With an exhibition area of 10000 square meters, China Fire Museum is composed of the preface hall, fire prevention experience hall, cultural heritage, fire glory, national comprehensive fire rescue team, international exchange and cooperation, and Exhibition Center. The China Fire Museum, which was built by the Fire Department of the Ministry of public security, is scheduled to start trial operation on November 9, 2010.

The first batch of national primary and secondary school students' research and practice education bases.

architectural composition

Located in Fengtai District, Beijing, China Fire Museum is subordinate to the Fire Rescue Bureau of the Ministry of emergency management. With an exhibition area of 10000 square meters, it is divided into three levels, including the preface hall, the experience Hall of fire prevention and disaster prevention, cultural heritage, fire glory, the establishment of a national comprehensive fire rescue team, international exchange and cooperation, and Exhibition Center. The exhibition shows the long history of fire protection concept, fire protection organization, fire protection legal system, fire protection technology and colorful fire protection culture from ancient times to modern times.

With an exhibition area of 10000 square meters, China Fire Museum is composed of the preface hall, fire prevention experience hall, cultural heritage, fire glory, national comprehensive fire rescue team, international exchange and cooperation, and Exhibition Center. The first floor is the preface hall and the experience Hall of fire prevention and disaster prevention. The multimedia exhibition technology is comprehensively used to show and introduce the emergency avoidance and first-aid knowledge of fire, earthquake and storm, as well as the urban fire planning and building fire-fighting facilities, and the relevant restoration scenes and experience exhibition areas are made to teach the scene experience. The second floor is the cultural heritage exhibition hall, the fire glory exhibition hall, the national comprehensive fire rescue team building exhibition hall, the foreign exchange and cooperation exhibition hall and the special exhibition hall. It collects and displays the physical remains, literature, pictures and video materials reflecting the historical evolution of China's fire protection, especially the development process of new China's fire protection industry, involving fire prevention and extinguishing ideas, legal system, organization and technology Among them, there are large-scale multimedia restoration scenes, such as Wenchuan earthquake rescue, retrograde hero, flag ceremony of national comprehensive emergency rescue team, etc. The third floor is the exhibition center, which is used for fire and disaster prevention exhibition and conference.

The purpose of building the Museum

China Fire Museum aims to display the history and cultural remains of China's fire protection, show the development and evolution of China's fire protection history, carry out relevant academic research and cultural exchanges and fire safety education, interpret the cultural connotation and lofty significance of fire protection, and further enhance the fire safety awareness and quality of the whole people.

Logo design

overview

The logo is simple and generous in shape and meaning. The use of traditional patterns is creative, with rich and meaningful historical and cultural connotation. The unique elements and colors of fire protection are unified. The theme of "history" and "fire protection" is prominent, with distinctive Chinese characteristics. It not only contains historical and cultural content, but also has modern fire protection concept and social education implication. The design of the emblem is complete and standard, easy to identify, convenient for social propaganda and post production.

Creative process

On September 7, 2010, the design style of the emblem of China Fire Museum was approved by the leaders of the Ministry and bureau. The emblem of the museum is shaped by water dragon and flame, and skillfully uses two traditional Chinese totem patterns of dragon and Phoenix. The abstract shape of dragon and phoenix is closely combined with blue and red, and contains 119 words. It not only highlights the theme of "history" and "fire fighting", but also contains the natural dialectical relationship of "water conquers fire" and "water on fire". The overall shape is simple and generous, with both form and meaning, as well as a sense of harmony Historical and cultural connotation, modern fire protection concept and social education significance.

The emblem design of China fire protection museum is an important part of the museum construction. It was launched at the end of 2009. On January 1, 2010, through the main domestic professional design websites and fire protection online websites, the notice of the emblem collection competition was published at the same time. It has gone through many links, such as social collection, preliminary evaluation of experts, in-depth design and comprehensive approval. The organization and preparation of the whole emblem design work lasted a long time, with a wide range of social influence and participation, and a high level of design, which achieved satisfactory results.

First, the leaders of the bureau pay attention to the design of the emblem. After the design of the emblem was launched, the leaders of the Bureau listened to the reports on the progress of the work for many times. The director's office meeting specially reviewed the selection results and design adjustment scheme, and put forward specific opinions and suggestions.

Second, senior experts strongly support and guide the design of the emblem. After the collection of the museum emblem, Zhao Chungui, director and researcher of the exhibition Art Committee of the Chinese Museum Society, Xia Shushen, former director of the exhibition Art Committee of the Chinese Museum Society and chief designer of the Chinese people's Revolutionary Military Museum, Zhou Shiqi, design expert of the exhibition Art Committee of the Chinese Museum Society and researcher of the National Museum, and other senior experts were organized to discuss the design theme The entries were comprehensively evaluated from the aspects of design, modeling, cultural connotation, etc. the shortlisted winning entries were determined, and the modification suggestions were put forward. On August 27, relevant experts were invited again to review the final version of the emblem after the adjustment and deepening of the design, and the approval opinions were issued. Third, all sectors of society actively respond to and participate in the design of the emblem. After the announcement of the competition, officers and soldiers of the public security fire forces, professional design institutions, designers and design enthusiasts from all walks of life actively responded and participated. After nearly two months of manuscript collection, 205 works from 131 units or individuals were received, with various design styles and creativity. The competition fully mobilized the enthusiasm of social participation, the publicity effect was remarkable, and effectively improved the social influence of the museum.

Pattern composition

Water, fire, 119.

Modeling description

The design of the emblem adopts the abstract water dragon and fire phoenix shapes, and the Phoenix shape contains 119 characters.

The outline is in the shape of an abstract dragon, flowing water, blue, and leaping out of the water almost in a circle; the inside is in the shape of an abstract Phoenix, flame, red, spreading its wings, looking back and filling in the shape of a dragon; the deformed word "119" is contained in the shape of a fire phoenix, which is an integral whole.

The implication of pattern

The emblem of the museum is composed of water dragon and fire phoenix patterns, which respectively correspond to the main elements of fire fighting work: water and fire. Water dragon envelops Fire Phoenix. It contains the natural dialectical relationship of "water conquers fire" and "water on fire" and the ancient and simple disaster prevention thought of "prevention in the first place". At the same time, it vividly reflects the exposition of the book of changes: "water on fire, both economy and gentleman's prevention by thinking about it." This is also the origin of the idea of "combining prevention with fire fighting and putting prevention first". In addition, in the traditional Chinese concept, dragon and Phoenix shape implies harmony, auspiciousness and unity.

The dragon shape and water elements are unified, and the meaning of Jiaolong's going out to sea has the meaning of "the sea embraces all rivers, and tolerance is great". It means that the history and culture of fire protection has a long history. The museum stores the old and accepts the new, and collects forever. The dragon is the ancient totem of China, which is the representative pattern of the Chinese nation. It metaphors the spirit of China's take-off. Its shape is not only strong and powerful, but also imitates the spirit of Hongshan culture Jade dragon shape has a long history; Dragon dominates water and water conquers fire, and the caisson of ancient architecture is also specialized in making water dragon shape or decoration to suppress fire; the ancient Chinese folk fire organization is called "water dragon Association", its members are called "dragon soldiers", and the fire pump is called "water dragon". The perfect integration of Chinese ancient totem and the unique elements of fire history highlights the "history" of China Fire Museum And the theme of "fire protection".

The shape of Phoenix and fire elements are unified in the inner part, which means the nirvana of Fire Phoenix, the echo of Fire Phoenix and water dragon, the spread of wings and the soaring of flames, and refers to the object of fire fighting work disaster fire; Phoenix is also an ancient totem of China, and the old saying often uses "Phoenix cave" to refer to the place of literary talent gathering, which means that China Fire Museum gathers the great achievements of China's fire history and culture; "119" is included in the fire phoenix pattern, left The side feather is transformed into the character "11", the phoenix head, Phoenix crown and phoenix tail form the character "9", and "119" is the special telephone number for fire alarm, which is also the pronoun of fire fighting work. It complements the fire red spot color used by Phoenix shape, and has a distinct fire fighting theme. At the same time, it takes the meaning of Phoenix bathing in fire and nirvana rebirth to vividly interpret the professional characteristics of "going through fire and water, sacrificing one's life and forgetting one's death" of public security fire forces We hope that the fire history and culture can be inherited orderly, and the fire cause can be developed scientifically and innovatively.

Experience project

There are many experience projects in the Fire Museum, such as the experience of alarm on the ground floor, earthquake escape experience, subway fire experience, family fire fighting experience and so on. Video experience is also available in the ground exhibition hall. But it has to be done with the help of staff.

Practical information

Appointment method

Chinese PinYin : Zhong Guo Xiao Fang Bo Wu Guan