Mianyang Museum

Mianyang Museum

Mianyang Museum Mianyang International Convention and Exhibition Center (Mianyang Museum) was completed in June 2003. It is located at the foot of fule mountain, the scenic historical and cultural center of Shuhan. It covers an area of more than 100 mu, with a construction area of nearly 20000 square meters. It has three floors above the ground and one floor underground. The exhibition hall covers an area of 11000 square meters. The whole building is 42 meters high, 142 meters long and 54 meters wide It is a bridge connecting ancient and modern, Chinese and foreign. The building is contained by a large area of square and green space. On the square, there is the national treasure shuangshique (the first batch of national key cultural relics protection units) of Han Dynasty. Today, the Convention and Exhibition Center has become the landmark of Mianyang, the second largest city in Sichuan Province, including the National Health City, the National Garden City, the national environmental protection city, and the Silicon Valley in Western China.

brief introduction

Mianyang museum was established in 1996 and started construction in 1999. It is a key project of Mianyang City during the ninth five year plan and the tenth five year plan, with a government investment of 65 million yuan. The Museum covers an area of 90 mu, with a construction area of 20800 square meters. There are exhibition hall, academic lecture hall, office and technical room, warehouse, leisure and sightseeing place for audience, cultural relics store, outdoor sculpture, leisure lawn and green belt and other facilities. Mianyang museum is located in the hanque of xianyuqiao national heritage preservation in Mianyang City, next to the newly built Hanzheng Street, 10 minutes away from the railway station and the southern suburb airport. It is surrounded by fuleshan provincial scenic spot, Mianyang Teachers College, Lidu temple, provincial heritage preservation, Yufu Village Forest Park and fuletang three Kingdoms cultural site. Mianyang museum was created by Dr. Yu Li, designer of "China four seasons altar" and designed by Jingao kaifensi Design Co., Ltd. its overall shape is like an ancient stone arch bridge, which means that the museum is a bridge connecting Mianyang's history, modern and future. It is a window to show Mianyang's historical civilization and modern scientific and technological strength. It is also a window for outsiders to understand Mianyang, and it is also a window for Mianyang people to deeply understand Mianyang Window. The main function of Mianyang museum after completion is to protect, research and display the unearthed cultural relics in Mianyang. It is also used to develop cultural education and cultural tourism industry related to cultural relics. The first-class exhibition hall with an area of 20000 square meters will be built in the western region. On the national day, a century old flat exhibition, an enterprise achievement exhibition, an automobile culture festival and an antique collection exhibition will be held. 200000 people will visit the exhibition, which is unprecedented. From November 20 to 25, 2003, the exhibition center successfully held the 16th Asian International Stamp Exhibition, with 24 countries and regions participating in the exhibition and 100000 people visiting. The organizers have made considerable direct economic income and also brought great harvest to other industries in Mianyang City. In succession, we have successfully held a series of exhibitions, including China's first manned space and world space science and technology exhibition, dinosaur fossil specimen exhibition, fine cultural relics painting and calligraphy exhibition, large insect exhibition, Weifang Q art exhibition, automobile exhibition, real estate exhibition, clothing exhibition, etc., which have won immeasurable social benefits and certain economic income.

Mianyang International Convention and Exhibition Center (Mianyang Museum) is a brand-new modern exhibition hall with complete facilities and advanced equipment. With modern business philosophy and star level service, we will serve all exhibitors and exhibition groups warmly and thoughtfully. We warmly welcome you to visit, investigate, guide work and cooperate to hold high-level exhibitions in Mianyang, so as to achieve win-win results.

scale

Mianyang International Convention and Exhibition Center (Mianyang Museum) was completed in June 2003. It is located at the foot of fule mountain, the scenic historical and cultural center of Shuhan. It covers an area of more than 100 mu, with a construction area of nearly 20000 square meters. It has three floors above the ground and one floor below the ground. The exhibition hall covers an area of 11000 square meters. The whole building is 42 meters high, 142 meters long and 54 meters wide. It is magnificent and looks like an ancient stone arch bridge, implying ancient and modern times The bridge connecting China and foreign countries.

Museum Collection

Junque, Yangfu, Hanping

It is located in front of the gate of the new building of Mianyang Museum. It is made of stone strips and slabs. There are carved stones on it, commonly known as "bookcase stone". Que is an ancient architecture, generally standing in front of the official Temple and tomb gate. This que is composed of a large one and a small one, 26.2 meters from the north to the south. The main one is 5.45 meters high and 1.66 meters wide, while the auxiliary one is 5.29 meters high. They are composed of Que base, que body and que cover. The inscription "Hanping Yangfu Junshu Shinto" was originally engraved on the eaves of the main palace, but now it has two characters "Hanping". The word "Fu" can be seen vaguely, and the rest of the handwriting has been weathered. On the lintel of the main building is engraved with a relief picture of the tomb owner's car and horse traveling before his death. The first picture is guided by two flags, followed by two columns of eight soldiers with swords, followed by six carriages, each with a pair of shafts, followed by one soldier, followed by one rider. On the position of the corner scuttle, each carved a high relief horn God. The horn God bares his chest and abdomen. There are also designs such as mother and son monkey hugging, toad and rosefinch flying. There are various relief sculptures on the wall of the Dougong. The North que is a picture of chasing pigs, and the South que is a picture of dancing music. Among them, the images of playing the piano, playing badminton with horses, and duel dancing are clear. In the middle of the Jieshi in the east of the North que, a woman in a bun half opens the Chai leaf and holds the door with both hands to look out at the high relief; in the west of the Jieshi, a tiger with bow back and head up is carved, which is lifelike. The corner of Jieshi is engraved with high relief sculptures of dragon, lion and two lions fighting. In the middle of Jieshi in the west, a ferocious image of Taotie is engraved. At the corner of Jieshi, a pair of winged Tianma and Ximayu people are engraved in the northwest corner, Shuanghu in the southeast corner and Shuanglong in the northeast corner. The shape and sculpture of the auxiliary building are the same as those of the main building, but the sculpture is seriously weathered. In the third year of Liang Datong's reign (529), Buddhists chiseled out some Han carvings on the Que and engraved 33 niches of Buddhist statues with a dome shaped top. The largest niche is 35 cm high and 33 cm wide. In the west of the North que, a standing statue of Guanyin is engraved on the third layer of the stone. The figure is slender and has broad clothes. The lines on both sides of the niche are engraved with Buddhist rituals, waiters' Huagai and Fanchuang's entourage. On the left of the niche is engraved with the inscription "July of the third year of Datong". In the south of the third layer of the stone, two lions are engraved on both sides of the Buddhist altar, one Buddha and four Bodhisattvas are engraved on the altar, and 10 people are standing in Picchu Sitting in front of the Buddha, there is a picture of Buddha worship under the niche; in the three niches on the three layers of stones in the East, each statue has a body, and the head of the statue has been damaged. In 1914, Segaran, a Frenchman, went to Mianyang to inspect the junque in Pingyang Prefecture of the Han Dynasty. His Book Archaeology in Western China highly praised the junque in Pingyang Prefecture of the Han Dynasty. It is believed that this que is the most representative of the complex stone que. It is also said that the stone statue of Buddhism in the third year of Datong Liang Dynasty on the que is the only Buddhist statue of the Liang Dynasty in Sichuan, which is valuable material for the study of Buddhism. As for the origin of this que, the records of Huayang state records a man from Fu County named Li Fu, "Li Fu is sun De, so is Fu people. In the ninth year of Jianxing, he moved to Brazil to be the prefect. Later, he was the governor of Jiangzhou and the general of Yangwu. He became the Minister of state and was appointed the Marquis of Pingyang Pavilion. " Shu annals of the Three Kingdoms says Li Fu: "the word is sun De, the name is Fu, and the name is Fu. Yizhou was appointed first, then shuzuo, Xichong governor and Chengdu order. In the first year of Jianxing, he moved to Brazil and became the governor of Jiangzhou and the general of Yangwei. He became the Minister of state and was appointed the Marquis of Pingyang Pavilion. " Li Fu died when he went to Hanzhong with general Jiang Wan in the third year of Yanxi reign (238 AD). Because the name of Shu was Han and Li Fu was from Fuxian County, it is possible to bury him in Fuxian county and call him "Prince of Pingyang Prefecture". In 1956, the people's Committee of Sichuan Province announced the junque of Hanping Yangfu as a cultural relic protection unit, and in 1961, the State Council announced it as the first batch of national key cultural relic protection units.

Talking and singing figurines of the Eastern Han Dynasty

In June 1986, it was unearthed from the cliff Tomb of the Han Dynasty in East Kowloon, xiangjiamiao village, Hebian Township, Central District, Mianyang City. The terracotta figure is made of red pottery standing upright, with a height of 58 cm. The head is decorated with flowers and the corner of the scarf is tied in front of the forehead. The upper body is naked and the belly is round. The buttocks are tilted back, the legs are separated and slightly bent, the lower body is wearing big legged trousers, and the lower part of the trousers legs is wrinkled and barefoot. With a smile on his face, the figurine sticks out his tongue as a rap and hits his belly with both hands. Its simple and charming, exaggerated and vivid shape, detailed description. Wang Chaowen, an esthetician, made a special trip to Mianyang to investigate the figurines.

A cash cow in the Eastern Han Dynasty

In November 1989, it was unearthed in tomb No. 1 of Shanya cliff tomb after the residence of No. 24 Construction Company of Ministry of nuclear industry in hejiashanzui, Mianyang. It is made of copper. The height of the tree is 1.98 meters, which is the highest in China. Five baht coins are decorated around the leaves. The tree base is ceramic, mountain shaped, about 0.4 meters high, with holes in it, used to insert the tree.

Bronze Buddha of Eastern Han Dynasty

In February 1990, five Buddha statues were unearthed from tomb No. 1 of Shanya cliff tomb after the residence of No. 24 Construction Company of Ministry of nuclear industry in hejiashanzui, Mianyang. They were all cast on the trunk of cash tree, and each one was about 6-7 cm high.

The bronze horse of the Eastern Han Dynasty

In February 1990, a 1.23-meter-high and 1.15-meter-long horse driver was unearthed from tomb No. 2 of the Eastern Han Dynasty at the back of the site of No. 24 Construction Company of the Ministry of nuclear industry in hejiashanzui, Mianyang. The mouth of the horse contains a copper bit, a belt of copper reins on the neck of the horse, and a copper saddle on the back of the horse. The bronze horse shows the posture of raising its head and eyes, opening its mouth and raising its ears and tail. The muscles on the horse's head are protruding, and its posture is vigorous and vivid. The whole body of the bronze horse is divided into seven parts: head, neck, waist and limbs. The wall thickness is only 3-4cm. The parts are connected by rivets after they are joined together with buckles. The connection between waist and neck of the horse is left with traces of red ink, and the eyeballs are painted black. He is a bronze warrior. He is 60 cm tall and has broad clothes. His right arm is raised high and he holds the reins of the horse. His feet are left front and right back. He leans forward slightly, which is very dynamic.

Chinese PinYin : Mian Yang Shi Bo Wu Guan