Built in 1887 at No.2 Tiexiang, Yi'an Road, the temple is a two-way courtyard with a width of 15.4 meters and a depth of 25.7 meters. Between the first entrance and the back hall is the patio, with porches on both sides and Baoxia in the back hall, forming a pattern of four opposite halls. The middle trough roof truss in the back hall is a typical structure of "three five papaya eighteen blanks". Jilue Huanggong temple is a building worthy of the name, which is also reflected. These wood carvings are decorated with round carvings and heavy carvings Chaozhou wood carving art hall, which breaks through the limitation of space and time with different techniques of carving, relief and hollowing out, is decorated with auspicious animals such as dragons, phoenixes and lions with different images at both ends of Liang Fang. Drama legends and folk stories such as tongquetai, Zhangyu boiling the sea and flooding Jinshan are the main themes of wood carving creation. The local scenery system of "Hanjiang Lijing" vividly shows multi-layer In terms of appearance and color, three kinds of expression techniques such as black lacquer gold, five mining gold and natural color plain carving are fully used, which makes the whole building different in weight and level, so it is known as "the first unique wood carving in Chaozhou". Huang Gong's Ci is listed as a key cultural relic protection unit in China.
Ji Lue Huang Temple
Jilue Huanggong temple, located at No.2 Tiexiang, Yi'an Road, Xiangqiao District, Chaozhou City, was built in 1887. It is a two-way courtyard with a width of 15.4 meters and a depth of 25.7 meters. The roof truss of the gate tower is decorated with exquisite stone carvings. The front of the gate goes to "Jilue Huanggong Temple" and the back is engraved with "filial piety".
There is a patio between the first entrance and the back hall. There are porches on both sides and Baoxia in the back hall, forming a pattern of four opposite halls. The middle trough roof truss in the back hall is a typical structure of "three five papaya eighteen blanks".
Historical origin
Jilue Huanggong temple is a veritable Temple of Chaozhou wood carving art. The two ends of Liang Fang are decorated with auspicious animals such as dragons, phoenixes and lions with different images. Drama legends and folk stories such as tongquetai, Zhangyu cooking the sea and water flooding Jinshan are the main themes of wood carving creation. The local scenery of Hanjiang scenic spot is also reflected.
These wood carvings are decorated with round carving, sunken carving, relief carving, hollowing out and other techniques, breaking through the limitation of space and time. The two ends of Liang Fang are decorated with auspicious animals such as dragons, phoenixes and lions with different images. Drama legends and folk stories such as tongquetai, Zhangyu boiling the sea and flooding the golden mountain are the main themes of wood carvings,
The local scenery system of "Hanjiang Lijing" vividly shows the complex content of multiple levels. In terms of appearance and color, it makes full use of three kinds of expression techniques, such as black lacquer gold, wucai gold and natural color plain carving, which makes the whole building different in weight and level. Therefore, it is known as "the first unique wood carving in Chaozhou".
Cultural relics protection
Now it is listed as a national key cultural relics protection unit.
cultural heritage
Chaozhou, an ancient city in eastern Guangdong Province, is surrounded by Jinshan mountain to the north, Bijia mountain to the East, Hulu mountain to the west, and Hanjiang River to the south. The ancient city has a long history, developed culture, deposited a large number of cultural heritages, and the Jiliao Huanggong temple is one of them.
Jilue Huanggong temple is located at tiexiangtou, Yian Road, an ancient city. It was built in 1887. It is 20 degrees from north to South and East, with a width of 18.54 meters and a depth of 25.70 meters. It has a building area of 550 square meters. It is divided into two parts: front and back, with a patio in the middle and a worship Pavilion in the front. There are congcuo, congcuo hall and main gallery on the left and right. In the place of congcuo alley, it is connected by a wall Pavilion, and the main gallery is used Open form, facing the central courtyard, forming a four hall opposite pattern of Chaoshan traditional courtyard architecture. This ancestral hall is small in scale. It is a collection of Chaoshan traditional architectural art. No matter stone carving, wood carving, gold lacquer painting, inlaid porcelain, there are all kinds of things, and the carving is exquisite and gorgeous.
be ingeniously conceived
When we come to tiexiangtou after walking along Yian road in the ancient city, we can see the front appearance of the temple. First, we can see the front appearance of the temple. In the middle of the hall is the aodou gate tower. On the front of the banner of the gate head is engraved with "Ji Lue Huang Gong Ci", and on the back is engraved with "filial piety thinking rule". On the front of the gate tower are four engraved words, including "Ji Lue Huang Gong CI song" and two engraved pictures by Wen Zhonghe of Jiaying family The roof truss of Mianpo is equipped with stone carvings of "FengShenYanYi" character story comic strips. These stone carvings are characterized by figure modeling, rigorous structure, vivid expression and natural transition, which carve out a magnificent historical scene of the ancient Western Zhou Dynasty.
At the same time, according to the structural requirements, the main force bearing beam was carved by floating, which did not affect the structural force bearing; the other beams were carved by passing, which not only met the structural requirements, but also were suitable for aesthetic appreciation, which fully reflected the ingenious conception of skilled craftsmen
Walk through the gate, enter the front hall, pass the front screen door, and you can see the courtyard in the center of the ancestral hall. The courtyard is planted with flowers and plants. It is full of spring scenery and has a special taste. The patios of Chaoshan buildings are usually small, exquisite and elegant. They usually have flowerpots, lotus pots, plants and goldfish to create an elegant and quiet environment. In this kind of environment, Chaozhou people gradually consider and taste Gongfu tea and leisurely play the flowing Chaozhou string poetry, cultivate the elegant people's character and maintain the exquisite mentality, here is no exception.
Layout structure
In front of the main hall and in the center of the patio, there is a worship Pavilion. The worship Pavilion is located in the center of the plane composition of the ancestral hall, and it is also the perspective center after people enter the ancestral hall. The roof of the worship Pavilion is different from the hard top of the front and back roof, which makes the roof of the worship Pavilion prominent and varied, and enriches the appearance of the whole ancestral hall roof. The gold lacquer wood carving decoration carried by the wood of the worship Pavilion is the most concentrated and wonderful place in the ancestral hall.
These gold lacquer wood carvings are based on traditional opera legends and folk stories, such as "water overflowing the Golden Mountain". In the form of comic strips, they represent the spectacular scene of the white lady fighting with Fahai. The figures are vivid, and the shrimp soldiers and crab generals are lifelike. In terms of techniques, it adopts different techniques, such as round carving, sinking carving, relief carving and hollowing out. It breaks through the limitation of space and time, and vividly displays multi-level complex content. It is a masterpiece of Chaoshan golden lacquer wood carving. What's more amazing is that there are 18 golden lacquer wood carving Phoenix on both sides of baiting wood. Its shape is vivid and its craft is exquisite. It is integrated with other golden lacquer wood carving All in one, it shows a magnificent and exquisite decoration space. These gold lacquer wood carvings are applied to the wood. In addition to viewing, they can also lift the heavy beams and reduce the depression of the roof space. The eighteen Phoenix, with beams on their heads, also play the role of a bucket arch. This is really a wonderful combination of art and architecture. The exquisite conception and workmanship are amazing.
Ancestral hall
Walking through the pavilion is the hall of ancestral temple. On the lintel of the front door of the hall is a long scroll painted lacquer painting "Guo Ziyi's birthday". The picture shows the lively scene of Tang Dynasty Civil and military officials paying homage to Guo Ziyi in Fenyang mansion. The author makes full use of the space to present the characters in different time and space at the same time. The middle section is the center of the story, and the scene is large The couple sat in the Fenyang mansion to receive people's greetings. The left and right scenes were small, separated by walls and doors, but they could communicate with each other. Through the plots of the characters in different spaces, the costumes of the characters and the relationship between them, people were reminded of the lively atmosphere in the Fenyang mansion at that time.
The painting is beautiful, with delicate outline, rich layers and vivid images. It fully shows the simple, rich and magnificent craft characteristics of Chaozhou golden lacquer painting. It is a rare folk craft masterpiece. When you enter the hall, you can see the plaque "Yanqing hall" hanging in the hall. The hall is spacious and magnificent.
Woodcarving display
Now it is called "golden lacquer wood carving exhibition hall", which displays some rare Chaoshan wood carvings. In the middle of the hall, there is a typical "three wood carrying, five papaya and eighteen flowers". The beam frame has seven beams, five beams and three beams. It is commonly known as "three wood carrying". There is a melon column on the beam, and a papaya is inserted into the beam at the lower part of the column, so it is commonly known as "papaya". The most distinctive feature is that the melon columns are interspersed with multi-layer arch braces, which has some characteristics of the bucket beam frame. At the same time, the melon columns are also connected with multi-layer decorated arch braces. The whole structure is painted with gold, which highlights the magnificent and dignified atmosphere of the ancestral hall.
Great significance
Huanggong temple in Jiliao is famous for its exquisite Chaoshan wood carving decoration art, and embodies the artistic characteristics of Chaoshan residential buildings in the late Qing Dynasty. It is a pearl embedded in the ancient city of Chaozhou. It was announced as a national key cultural relic protection unit in 2001, and people who come to visit all marvel at its beautiful golden lacquer wood carving decoration.
Address: No.2 Tiexiang, Yi'an Road, Xiangqiao District, Chaozhou City, Guangdong Province
Longitude: 116.64813393283
Latitude: 23.665644569313
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