Sanchi

Sanchi

Native of Wuxi, Jiangsu Province

Famous Planner / musician / Producer / scholar / Director

Member of China TV drama Directing Committee

Hong Kong Buddhist culture industry - member of Buddhist Music Committee

Doctoral candidate in aesthetics and cultural creative industry, School of philosophy and sociology, Beijing Normal University

Master of aesthetics and cultural creative industry, Department of philosophy, Peking University

Chinese Department of Jiangnan University

Shanqi, the godfather of Chinese Fashion Festival

Character experience

He has planned and produced channel's "very China", "rock on the new Long March", Phoenix Satellite TV's "unlimited music", MTV's "Tianlai village" and "honor list";

Directed and planned the first to sixth (1999-2004) cctv-mtv Music Festival, 2002 MTV Leica Fashion Festival and 2003 superstar whirlwind super Festival, and participated in the award ceremony of the first to third (2002-2004) MTV Asia Awards in Singapore;

Directed 1999-2004 TV singer competition, MTV host competition, MTV campus new air singer competition;

2005 / 2006 "network · entertainment · hero meeting" Tom online honor ceremony chief director;

2006 "moved mother - love of the earth · mother water cellar" public welfare award ceremony director;

The chief director of the awards ceremony of 2007 college music festival and Chengdu (International) mobile film awards ceremony;

2008 Olympic Song · heart of disaster area - dedication of love, chief director of large public welfare party;

Chief director of 2008 original China - A8 music original award ceremony;

Chief director of 2009 Han Hong Taimiao new film press conference;

2010 director general of "director star happy meeting" of China Directors Association;

2010 chief director of Yunnan satellite TV's "music scene" revision;

Judge of 2010 beiinmei mother baby champion show;

Chief director of 2011 "long live understanding action" public welfare party;

2011 Chinese Music Night - General Director of the opening party of a Bing music and Art Festival;

2011 Wuxi qingmingqiao real scene - "love of the ancient canal" large cultural and entertainment party director;

Chief director of "TCL micro Film Festival" award ceremony of Hollywood China theater in 2014;

Li Xia, the first fashion hostess in China, and Zhang Zheng, Wu Zan, Wang Hantao, the personalized hostess were trained;

He was the planner of CCTV "art life" and "Avenue of stars" and the host of CETV "art contending";

Cover character of China Youth in October 2001;

Main works

MV director's works

Creation of Ci and Qu

"Meaning · Jiangnan" album -- Wang Ziming's singing of "love of the ancient canal"

Li Huizhen sings beauty stone;

"Wuxi City" is sung by Wei Xiaotong;

"The bride of Xiaolouxiang" was sung by frog band;

"The moon shines on the West Tower" is sung by echo orchestra;

Wu ruiruirui / sun Jiahuan sang "consciousness · Lingshan";

On the way home, Gu Liya sang, etc;

Media interview

Shanqi: cultivating the mentality of a big country -- Beijing Morning Post

When Shanqi's dialogue with Korea was published, it coincided with South Korean President Park Geun hye's visit to China; in 2009, when his dialogue with America was published, it coincided with US President Barack Obama's visit to China; in 2007, when his seven day talk was published, it caught up with Japanese Prime Minister Yasuo Fukuda's visit to China

The three books all happened to be so coincidental, and friends joked: which country leader would you like to visit China next time, and encourage Shanqi to write another interview.

Shanqi, a famous TV program planner, suddenly turned to writing and published four books in a row, which made people wonder: what is the story behind the turn? What does he write in the book?

Drift North for music dream

I came to Beijing in 1995. Before that, I worked as a Chinese teacher in the South and as a secretary of the Youth League Committee in an enterprise.

I have won the national competition award from primary school music. I have a music dream in my heart, but my hometown has no corresponding soil, so I am determined to travel in the capital.

When "Beipiao" was under great pressure, clothing, food, housing and transportation were all problems. At the beginning, when they couldn't find a job, they interviewed musicians on their own. 1995 was a year of the rise of China's pop music world. At that time, there were very few "entertainment notes". Every newspaper needed first-hand articles to interview artists. This is also the earliest "We Media".

I'm very lucky that the interview was never rejected. At that time, the artists were relatively simple. In addition, many interview resources were recommended by singers.

In China, it's hard to survive by writing. The media's contribution fee is low, and it's late. Some of them don't give it if they procrastinate. When I came to Beijing, I had 3000 yuan in my pocket. I kept the ticket money in my pocket, and I had to be careful with the rest. At that time, I could take the subway, never take a taxi, or take the bus, never take the subway.

Break into the TV business

The hardship of Beipiao mainly comes from mental pressure. We are full of fear for the future. Fortunately, at that time, the rent was still cheap. I rented a small bungalow. The landlord's children had to take the entrance examination. They beat their children every day and said to me, "it's so hard to live in Beijing. It's better to go back.".

In 1995, channel launched the column "very China" to recruit employees, and my friends recommended me. Due to the foreshadowing of the previous half year's interview, I soon started and became a TV man.

In the next 10 years, he successively transferred to Phoenix Satellite TV, MTV, etc., directing and planning the first to the sixth cctv-mtv Music Festival, etc. In 2001, I became the cover figure of China Youth magazine. When I was Secretary of the Youth League Committee, I was responsible for subscribing to and distributing this magazine. I was recommended by a magazine I was familiar with. I feel very honored.

After 10 years in television, I decided to quit in 2004. There is too much pressure in this industry. There is no personal time. What they do is repetitive work. They catch up with the programs every week and give awards at the end of the year. They feel that there is no room for improvement. In this state, people are especially easy to feel tired.

At the end of 2004, I gave up the job that many people envied and went to Peking University to study.

Kato asked me to start a conversation

I don't regret my choice, because I never infer the value of action from the result, and always enjoy every stage of my life.

In Peking University, I read books and write autobiographies. Occasionally, I do big parties at the invitation of my friends. In 2006, I met Kato kaichi, a Japanese student. He was studying at Peking University. He was a very progressive and thoughtful young man. He was very rare among his peers. There was no obstacle in communication. After thinking for a few days, I decided to write a dialogue book with him.

When I do TV, I am building a bridge to connect the eastern and Western pop music, while writing books is also building a bridge to realize the cultural exchange between China and foreign countries. In this way, the seven day talk was published and won a publishing award that year.

Later, I wrote dialogue with the United States, and this year I published dialogue with South Korea. In contrast, the latter two books are both dialogues with professional scholars, which are more in-depth.

There are many misunderstandings about South Korea

China and South Korea are familiar with each other, but there are some misunderstandings among the people. I hope this book can play a positive role.

For example, many netizens are worried about South Korea's "Dragon Boat Festival" application for world heritage. In fact, South Korea's Dragon Boat Festival culture is really deep and quite different from ours. The people of South Korea are very free to express their opinions. There is indeed a right-wing voice, but it is not the mainstream. However, we always regard the minority views as the general views. Maybe, there's no need to be so sensitive. Good things can't be said.

Korean tradition is well protected, and Chinese traditional culture is very popular among the people. In contrast, Korean people are more conservative, Chinese people are more open, and there are no taboos. In the streets of South Korea, there are no lovers hugging and kissing each other. In fact, the degree of Westernization of other people is not bad.

A lot of Chinese knowledge about South Korea comes from Korean dramas, but most of them are for the elderly. For example, men are superior to women, which is not the case in life. However, Korean people are very polite and have a strong sense of hierarchy. Young people must bow when they see their predecessors.

Historically, Chinese people have always been more tolerant, but now they seem to be a bit harsh. They care too much about other people's views and lack a big country mind. As a matter of fact, you should listen to others' criticisms. Only when they respect you and hope you are well, will they give their opinions. I think that only when our mentality is not so fragile can we be really strong. (Beijing Morning Post, July 7, 2013)

Publication of works

Shanqi's inspirational autobiography walking on the edge of entertainment was published by the writers' Publishing House in March 2006;

Shanqi's and Kato Chiayi's seven day talk was published by Xinhua Publishing House in August 2007;

Dialogue with America, a folk dialogue between Shanqi and ouyalun, was published by Foreign Language Press in November 2009;

Shanqi and Quan Jiyong's dialogue between China and South Korea was published by Sichuan people's Publishing House in June 2013;

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Chinese PinYin : Shan Qi