Where is it now

Where is it now

He Zai, formerly known as Zeng Yu, was born in Nanchang, Jiangxi Province in 1977 and graduated from Xiamen University in 1999. He was the deputy general manager of Kyushu company.

He has published novels such as Wukong Zhuan, Ruo Xing Han Tian Tian, Kyushu series, diary of journey to the west, filmed film novel unparalleled in the world, drama version of Wukong Zhuan, and online series of my journey to the West. He is one of the screenwriters of the movie Wukong Zhuan.

Character experience

He Zai, formerly known as Zeng Yu, was born in Nanchang, Jiangxi Province in 1977 and graduated from Xiamen University in 1999.

After graduating from University, he worked in a computer game company in Dongguan, Guangdong Province. He has worked as a game Planner (and wrote some background novels for the game, such as the age of Empire) and screenwriter (wrote scripts for Wong Kar Wai and Liu Zhenwei, such as writing lyrics for the unique world and theme song).

When he entered Jinyong Inn today, the famous network novel Wukong Zhuan was written there. He later served as the moderator of Jinyong Inn and later resigned.

2000 --- Wukong biography was published on sina.com.

December 2001 --- invited to cooperate with famous Hong Kong directors Wong Kar Wai and Liu Zhenwei for the first time to write the film novel "unparalleled in the world", write lyrics for the film theme song "happy meeting" and "drunk scene", and interact with the film shooting.

June 2002 --- invited by the Hong Kong Arts Development Council to attend the 4th Hong Kong Literature Festival as a guest. He attended the "new human, new author, new century seminar" attended by writers and scholars from the mainland, Taiwan, Hong Kong and Macao, and delivered a speech on "the development of network literature".

April 2011 --- cooperated with Tencent game company as the world architect of the large-scale online game "Dou Zhan Shen" based on "Wu Kong Zhuan".

2012 --- main members of the production team of 3dmmo online game Kyushu world.

2005-2012 --- cooperated with other sci-fi writers to create the original Oriental Fantasy architecture world - Kyushu fantasy. "Kyushu fantasy" has a large number of readers and a large number of authors, which has become the fantasy architecture system in China.

2005-2012 --- participated in the inter school cultural exchange and lecture activities held in Tsinghua University, Peking University, National People's Congress, Beihang University, Nankai University, Fudan University, Tongji University, Nanjing University, Sun Yat sen University, Wuhan University, China Academy of fine arts, Northwest University of political science and law, Xi'an Jiaotong University, etc.

2007-2012 --- attended the 10th anniversary celebration of sina forum "forum decade summit dialogue", the second network literature summit of magic sword book alliance, China's "world science fiction and fantasy conference", the first art festival "summit dialogue" of China Academy of fine arts · Netease, and fantasy Culture Festival of colleges and Universities in Shanghai, Xi'an, Zhuhai and other cities.

2013.1 --- co authored the film novel Journey to the West. Subduing the devil with the Filmmaker Stephen Chow, and participated in the media meeting, press conference, screening and other publicity activities of the film journey to the West. Subduing the devil with Stephen Chow (the film set 20 box office records for Chinese films).

Main works

Published

Unpublished

"Chinese youth" series, "Huachi Gang", "Legend of feather II", "strange ambition of the sea", film novel "confession: east evil and West poison" and so on.

Creative features

Theme of the work

Today's novels are all about where he grew up in the world. All novels, without exception, take the youth as the protagonist of the novel. This youth is destined to be extraordinary from the date of birth. They are gifted and have a rough fate, but they are always fighting against the fate. Kant in the starry sky is destined to be an appendage of the devil's rebirth. However, he yearns to be a paladin. He has gone through all kinds of external difficulties and hardships, as well as intense inner pain and suffering, and has performed an extraordinary life legend. Xiang Yiyi in the legend of the feather in Kyushu was born among the human race. He was discriminated against by the human race when he was young, which brought disaster to his parents. In the process of searching for the feather, he was ignored because he was different from many of the feather. He is an "ugly duckling" among the badminton people, but he has the qualification of "white swan". He eventually surpasses all the badminton people and becomes a hero of the generation. They have amazing qualities, but also have a character incompatible with the secular. What is praised is that they have experienced hardships that ordinary people can't imagine. They are stronger than ordinary people, and they have more courage to challenge their fate. They reproduce the power and glory of human nature, which makes people feel sad. Fundamentally speaking, Jin He Zai's novels are legendary novels. The driving force and internal factors of the characters' growth are more legendary destiny, which does not have the realistic logic of modern "Bildungsroman". The novels only focus on the characters' character logic, that is, the characters' inner struggle and struggle in the face of rough destiny and various realistic challenges. The readers are deeply impressed by Mu Yunsheng's infatuation, mu ruhanjiang's bravery, Kant's integrity, Xiangyi's loneliness, and fenglingxue's nobility.

Nowadays, most of Ho Zai's fantasy works start with ordinary characters, mostly depicting the stories of little people growing up in the turbulent world of War II and death. They mostly show the individual's powerlessness and dismay in the fate, focusing on the individual's struggle against fate and the ridicule of fate against individual struggle. Therefore, the theme of the novel is mostly struggle fate.

artistic characteristics

In the apotheosis stories of these legendary figures, the author also left many warm paragraphs. In these paragraphs, the novel shows the young people's pure friendship, budding love, sympathy for the weak and so on. Such as jing'er and Xiang in the legend of Kyushu feather, Xiang Yiyi and the wind and snow, Mu Yunsheng and Panxi in the story of Mu Yun on the sea, Su Yuning and mu ruhanjiang, Mu Yunsheng and Ping Yan, Kant and Yundi, Kant and Bai Ya in the sky of if Xinghan. The novel does not simply show the relationship between them by setting off the heroes with beautiful women, but describes the pure feelings between young men and women through some warm details and life-style conversation.

Rewriting the classics: inheritance or betrayal argues that the reconstruction of the classics is not a ridiculous fabrication, but a creative "reshaping of the characters' character and behavior details". What's more, it reflects a kind of post-modern spirit with original value through the remolding of character and behavior details. While subverting the previous unitary value orientation, it also creates the multiple dimensions of the characters, "which have never been seen in the previous classic texts", "bringing a possibility of continuity to the traditional culture, and more importantly, creating the possibility of multiple perspectives and multiple interpretations to the continuity of the traditional culture."

Nowadays, when constructing his works, he uses a lot of postmodern expressions, such as metafiction. Through the deliberate deformation of the classic characters and the reconstruction of the classic plot, he subverts the legitimacy of the traditional value system, and uses the non-linear fragmented narrative structure to eliminate the metanarrative mode. At the same time, the works are full of suspicion and rebellion, pursuit and fate, and strong anti hero The existentialist consciousness of anti authority is the embodiment of breaking the traditional context and clearing up the boundaries in the theory of postmodernism.

Throughout his works, in addition to the more peaceful and happy plot structure of "unparalleled in the world", more than ten other novels are unfolded in the dripping blood and desperate sacrifice, ending in the vast desolation. In the legend of feather, Xiang Yiyi was regarded as ominous by his people because he was born with a remnant feather and could not fly. In order to escape his fate, he tried hard to look forward to flying, but at the moment when he condensed his wings, his people lost their ability to fly and were slaughtered. The ominous fate came at the moment when he thought he had finally won the battle. In my journey is the sea of stars, Lu Boyan fought to protect him The fleet, however, could not protect the regime that was ill and brought up. It could only watch the warships and comrades fall in the enemy's encirclement under the wrong command of the superior. Even if the rare ending of "if the starry sky" had a bright color, it could not escape the entanglement of sadness: the fallen knight Kant wanted to become a paladin and kill witches and dragons, but under the guidance of fate, Although Yundi wants to stop the nightmare before it starts, he just pushes Kant to the end of his destiny. No matter how the characters in the story resist, the story always falls to fate.

Contrary to the tragedy, the story is always full of optimism. In the story of Mu Yun on the sea, mu ruhanjiang's tribe was demoted to the ice, facing the cold and powerful enemy; Shuofeng and ye's tribe were defeated in the war, and their survival was hanging in the line. In the cold light of death, they did not give up and successfully tamed the foal and the wolf, and their fate turned from then on. Kant, with only 80 copper coins left, still dares to dream of a hero: "I want to be a hero, and I will ask all those who are defeated by my sword to admit that the one I love is the most beautiful woman in the world". Even when he is on the verge of despair, he does not obey the temptation of the devil, and strives to believe in the light.

The fantasy novel of where is today is a novel of constant exploration. Wukong Zhuan is obviously influenced by Dahua journey to the west, which is a successful imitation. "If the star man sky" is a work of homage to the Lord of the rings, even the names of the characters are all westernized. The legend of Kyushu feather makes up the world of Kyushu through creative imagination, which is a wonderful and illusory world completed by many works. The story of Mu Yun on the sea is full of magic elements and the elements of traditional Chinese popular novels. The narrative of the novel is more sophisticated and the story is weaved

Chinese PinYin : Jin He Zai