Xiang yuanbian

Xiang Molin

Xiang Molin (1525-1590), formerly known as Xiang yuanbian, is a native of Jiaxing, Zhejiang Province. His name is Zi Jing, and his name is mo Lin. he is also known as Mo Lin Shan Ren, Mo Lin Jushi, Xiang Yan Jushi, tui Mi an master, tui Mi Zhai master, Huiquan Shanqiao, Mo Lin nensou, Yuan Yang Hu Chang, Qi Yuan Aoli, etc. He was born in Ming Dynasty, a descendant of Xiang Zhong and a famous collector and connoisseur in Ming Dynasty.

Less is Yingmin, more elegant, more ancient, no official. At that time, elegant people would visit Xiang yuanbian when they came to Jiaxing. Famous painters Wen Peng and Wen Jia had a close relationship with Xiang yuanbian. In the Wanli period of Ming Dynasty, Zhu Yijun, the emperor of Shenzong, heard his name and gave him a special seal to enlist him as an official.

Xiang yuanbian's calligraphy, famous paintings and Ding Yi jade are all in the sea. Xiang yuanbian was good at appreciating, distinguishing true Yings, and analyzing hair, which was unmatched at that time. According to the records of Xiang's contemporaries, "Xiang's collection, such as Gu Kaizhi '. There are many other inks and ancient Yi wares. His family has been rich all the time, and he doesn't hesitate to pay for it, so he has all the treasures of his family in Jiangnan. " He selected all kinds of utensils made by skillful craftsmen, and engraved them with inscriptions. They are as exquisite as those of Qin and Han Dynasties. In the second year of Shunzhi (1645) of the Qing Dynasty, the Qing army conquered Jiaxing Fucheng. Its collection was plundered by the chieftain Wang Liushui and lost. Most of the existing collections belong to the Imperial Palace and are still stored in the Palace Museum and other museums.

Xiang yuanbian once obtained a Guqin with the word "Tianlai" engraved on it, so he named the place where it was stored "Tianlai Pavilion", and engraved with Tianlai Pavilion, Xiang Molin and other seals. All the collections are stamped with seals, often full of paper. Xiang's name is Tianlai Pavilion, which has been destroyed for a long time. Today's Tianlai street in the city is named after Tianlai Pavilion.

Xiang yuanbian is good at painting and calligraphy. In Yuan Dynasty, Huang Gongwang and Ni Zan studied landscape. Their calligraphy was sparse and elegant, and their spirit was in harmony with each other. Their calligraphy was popular in Tang Zhiyong and Zhao Mengfu. It has published "tianlaige tie" and has written "poetry collection of people in the Moulin mountains".

Profile

Xiang Molin (1525-1590), formerly known as Xiang yuanbian, is a native of Jiaxing, Zhejiang Province. His name is Zi Jing, and his name is mo Lin. he is also known as Mo Lin Shan Ren, Mo Lin Jushi, Xiang Yan Jushi, tui Mi an master, tui Mi Zhai master, Huiquan Shanqiao, Mo Lin nensou, Yuan Yang Hu Chang, Qi Yuan Aoli, etc. He was born in Ming Dynasty, a descendant of Xiang Zhong and a famous collector and connoisseur in Ming Dynasty.

Life experience

Less is Yingmin, more elegant, more ancient, no official. When elegant people came to Jiaxing at that time, they would visit Xiang yuanbian. Famous painters Wen Peng and Wen Jia (the son of Wen Zhengming) had intimate contact with Xiang yuanbian. During the Wanli period of Ming Dynasty, Zhu Yijun, the emperor of Shenzong, heard his name and gave him an official seal.

The family is rich in wealth, and has a wide collection of famous calligraphy and paintings. The collection of calligraphy, paintings and jade of Dingyi nationality is rich in storage, which is "extremely prosperous" in the sea. Xiang yuanbian once obtained a Guqin with the word "Tianlai" engraved on it. Therefore, the place where he stored it was named Tianlai Pavilion and engraved with the seals of Tianlai Pavilion and Xiang Molin. His collection of treasures of calligraphy and painting in the past dynasties was mostly identified with the marks of "Tianlai Pavilion" and so on. Xiang's name is Tianlai Pavilion, which has long been destroyed. Today's urban construction street Tianlai is named after Tianlai Pavilion. Li Bai of Tang Dynasty, a national treasure now kept in the Palace Museum, collected the "Shangyang platform post" in that year and stamped it with the seal of "Mo Lin Xiang Ji Zi". In the picture of fishing alone on the Qiujiang River by Yi Ying, which he collected, he also inscribed a white inscription "the grandson of the king of Western Chu", claiming to be the descendant of the overlord of Chu. The common main marks are "Xiang yuanbian seal", "Zijing", "Li Xiang's family treasures", "Shenpin" and so on. Part of his collection was handed over by Yuan Shu (yuan kelizi) of Suiyang.

At that time, there was no one who could compare his ability to appreciate, distinguish the true from the false, and analyze the hair. He also selected skillful craftsmen to make all kinds of utensils, such as several beds, cabinets, boxes, etc., which were engraved with inscriptions. They were as exquisite as those of the Qin and Han Dynasties.

Xiang yuanbian was good at painting and calligraphy. In Yuan Dynasty, Huang Gongwang and Ni Zan were especially interested in Ni Zan. Their writing style was sparse and elegant, and their spirit was in harmony. However, every painting must have its own postscript, which is similar to the habit of printing. Therefore, some painters paid more than 300 yuan to bribe their servants and took it immediately after the painting was finished, so as to prevent him from recognizing it. They jokingly called the money "free money". Calligraphy is the best in Tang Zhiyong and Yuan Zhao Mengfu. It has published "tianlaige tie", and has written "poetry collection of Moulin mountain people", "nine records of Jiaochuang", etc. The works handed down from generation to generation include the axis of "the painting of orchid and bamboo" and the compilation of "the illustration of participating in the exhibition of Chinese art in London".

In the second year of Shunzhi (1645) of the Qing Dynasty, the Qing army attacked Jiaxing Fucheng, and its collection was plundered by the chieftain Wang Liushui and lost. Later, some of the collections were returned to the Imperial Palace and are still in the Palace Museum and other museums in Beijing.

descendants

Xiang's two arts, calligraphy and painting, were originated in Yuan Dynasty.

Xiang Dechun, the eldest son of Xiang yuanbian, was named mu, named Zhenyuan and wuchengzi. Official book. Calligraphy is omnipotent in Jin and Tang Dynasties. He was as famous as his uncle Xiang Yuanqi, and had the double beauty calligraphy. He is the author of elegant calligraphy and Yuan Zhenzi's poetry.

Xiang Dexin, the third son of Xiang yuanbian, has a new and original character. He is good at landscape painting. The works are rarely handed down, and some people get their pieces of paper, as precious as Gongbi.

Xiang Dexin's sons Xiang Jiamo, Xiang Huimo and Xiang Shengmo are all named after paintings.

Xiang Kuishan, the son of Xiang Huimo, also works on orchids and bamboos, and Xiang Yushu, the nephew of Xiang Shengmo, works on ink orchids.

From the Ming Dynasty to the Qing Dynasty, Xiang's descendants appeared in the painting world one after another, and the number of them was comparable to that of Wen Zhengming.

Chinese PinYin : Xiang Yuan Bian