Luo Shengmen

essential information

"Rashomon" is directed by Akira Kurosawa and starred by Mitsuro mitsuzuki, Kyoko, Mori Yashi and Yoshimura. It was released in Japan on August 26, 1950.

The film tells the story of the robber, the wife and the ghost of the samurai after the samurai was killed. In order to alleviate their sins and cover up their mistakes, the three parties tell the judge three different versions of the story of the crime.

Synopsis

Luoshengmen, the South Gate of Kyoto, Japan. The monk, the woodcutter and the beggar take shelter from the rain under the gate of the city. They chat. The topic begins. The prologue of the story begins: a warrior and his wife encounter an accident when they pass through a barren mountain. The wife was insulted and the warrior was killed. Thieves, the wives of warriors and the souls of warriors all have their own versions. There is only one truth, but the purpose of each person's testimony is different. In order to beautify their morality, reduce their sins and cover up their faults, everyone began to narrate a version of the story to beautify themselves. The tragedy on the barren mountain has become an indistinct fog. It's over. It's fine after the rain. The woodcutter found a weeping abandoned baby by the door of Luosheng. He decided to adopt the abandoned baby, so he took the baby to the sunset.

screen credits

Cast list

Staff list

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Role introduction

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Music Soundtrack

Award winning record

Behind the scenes production

The film is adapted from two short stories "in the bamboo forest" and "Rashomon" by Japanese writer Akutagawa Ryunosuke. The film takes the scene of the novel "Rashomon" as the background, and retains the role of servant in the novel, while the plot is mainly from the novel "in the bamboo forest".

Production and distribution

Main company

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Film evaluation

Luoshengmen skillfully adapts the plot of Akutagawa Ryunosuke's novel, and uses a unique technique of multiple parallel narration to narrate the death events in the jungle. The monologues of each character in the film are fragments of the whole event. Through the reflection of people's selfish nature, the monologues themselves become unreliable. In the same way, the narrators themselves are unreliable. The film deeply reflects the complexity of human nature. Death makes people sad and small, great and sincere are exposed to the summer sun. Through the narration of death, the film shows director Akira Kurosawa's understanding of human soul, endows more profound philosophical connotation than death itself, and guides the audience to pay more attention to human nature, how to discard the evil side of human nature and move towards a bright future. (a comprehensive review of film review and Film Literature)

Through the different and seemingly contradictory narratives of Duo Xiangwan, Zhen Sha and Wu Hong, we can see the subtlety and fragility of the love between the two sexes. Bearing loyalty, trust and responsibility, it is difficult to resist the deliberate destruction of outsiders. An original beautiful love can be destroyed in an instant. The narratives of the three parties are in line with their respective identities and circumstances. They are not deliberately lying, but one-sided truth. This kind of one-sided reality is often the carrier of human nature.

If we interpret the ending of the film as Kurosawa's helplessness and compassion for the individual's inability to leave the society and to build human nature in the way of lifting the ear from the ground, it is not impossible. When the passer-by who peels off the baby's clothes becomes angry and scolds the woodcutter for stealing the dagger, the woodcutter is speechless. The film seems to highlight the uncertainty of the facts and the disappointment of human nature. However, when the woodcutter takes the baby from the monk and says that he has six children, and it is not terrible to have one more, the viewer will naturally understand the woodcutter's helplessness in stealing daggers. The monk suddenly realized that he immediately regained his respect for the woodcutter and his confidence in human nature. The film expresses the understanding of the individuals who are struggling in the dilemma of life. In the face of man-made calamity, the tragedy of human nature has the effect of forcing people to tears. (review of Yangcheng Evening News)

Film evaluation

Douban score 8.7, part of the content from Baidu glutinous rice film

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Chinese PinYin : Luo Sheng Men