Chen Yanmin

Chen Yanmin

Chen Yanmin, male director in mainland China.

In 2001, Chen Yanmin was also the screenwriter and director of the play. In 2003, he directed the costume drama "how many autumn cools in life". In August 2004, Chen Yanmin directed the song of wordless stele. In 2006, he directed the TV series waiting for happiness. In 2009, he directed the Spy Drama "code name: Nocturnal fragrance". In 2011, he directed the medical drama moving life. In 2012, he participated in the first season of Tenglong program, a new Chinese TV series writer.

Acting experience

In 1986, he worked with Mu Deyuan as the screenwriter of the horror film the lonely soul in the black building. In 1987, he worked with Mu Deyuan again as the screenwriter of the film "no choice". In 1988, he worked with Zhang Longguang as the screenwriter of Xie Yuchen's plot film "wolf and angel". In 2001, Chen Yanmin, who was also the screenwriter and director of the play "human worms", became addicted to Beijing Style TV dramas after "human worms" (and sequel) and "Kyoto Chronicle". In 2003, Chen Yanmin directed the ancient costume drama "how cold is life in autumn", which depicts a picture of all living beings in the early years of the Republic of China. In August 2004, Chen Yanmin directed Wuzi beige. There are two reasons for Chen Yanmin to shoot Wuzi Beige: "one is to fulfill Gao Wa's long cherished wish, and Empress Wu Zetian has always been a screen image she hopes to create for so many years; the other is to continue the unfinished work of historians such as Guo Moruo and Jian Bozan. In 2005, Chen Yanmin directed "Zhu Yuanzhang getting rid of the evil in Chenzhou". In 2006, in order to help Li Ding fulfill his wish, Chen Yanmin made a TV play "waiting for happiness" for him, and many friends in the circle also participated in the performance without pay. In 2009, Chen Yanmin's Spy Drama "code name night incense" was shot in Tianjin, which abandoned the traditional shooting routine of Spy Drama and focused on psychological warfare. In May 2011, Chen Yanmin directed the medical drama moving life, which was shot in Beijing. After the successful creation of forgiveness, director Chen Yanmin and Wang Zhiwen joined hands again to tell the true love stories of life and death in moving life. on April 7, 2012, he participated in the first season of Tenglong program, a new Chinese TV series writer, held in Beijing. On November 6, 2016, Chen Yanmin was the chief director of the original opera the Red Army is not afraid of expeditions.

Main works

Personal life

Luo Qingcheng, a lively and straightforward girl born in the 1980s, and ye Xiaoyu, an easygoing, tolerant but freedom hungry Beijing male born in the 1970s, took the initiative to "force" her marriage two years later, forcing Ye Xiaoyu, who had been afraid of falling into the "marriage cage" since childhood, to overcome the "marriage phobia" and register to marry her. at first, both of them didn't have a deeper understanding of marriage. In addition, one is a Post-70s man and the other is a post-80s woman. They have very different life concepts, ways of thinking and marriage values. For example, one regards housework as his own responsibility, the other advocates zero housework; the other yearns for freedom, but the other wants to bind him to his body like a small part of his own; the other wants to be free The other, fearing that having a baby would take away his "forever and only baby president" position, intends to DINK as the saying goes, "there are no trivial matters in marriage, and a quarrel is a whirlpool", the small frictions, small conflicts and small contradictions between the two people, driven by the external forces of their families, families, brothers and sisters, are rapidly developing in a broader, deeper and more unpredictable direction, gradually evolving into a huge whirlpool of marriage, bringing Luo Qingcheng and ye Xiaoyu to an unpredictable situation, It directly threatens the existence of two people's love, marriage and family. What should they do?

Character evaluation

Tall and straightforward, he graduated from the Chinese department. He is proficient in Peking Opera, antiques, calligraphy and painting. However, there is no "ancient atmosphere", but he speaks fast and claps his thigh when it comes to excitement. Asked why he "repeats" in the field of traditional culture and even Beijing flavor culture, he brightened his eyes and pulled his fingers to count: "first of all, there are only five episodes of antiques in renchong, which I don't enjoy shooting and many people don't enjoy watching. Secondly, in recent years, antiques have become popular. It is said that the prosperity of literary works has promoted the return of cultural relics in our country! What's more, in the early years of the Republic of China, from 1912 to 1929, the warlords fought with each other and the government was in chaos. The longest time for cabinet ministers was six months and eight days, and the shortest was three weeks! People's livelihood is even more complex. Beijing flavor and folk flavor are formed at that time. But there are not many TV dramas about this period of history, so that Li Liqun from Taiwan does not know what the Northern Warlords are. Finally, I've long wanted to combine antiques with Peking Opera. Both are quintessence of Chinese culture! "

Chinese PinYin : Chen Yan Min