Jiang Qinmin

Jiang Qinmin

Jiang Qinmin, born in Hunan Province, is a famous Chinese director, screenwriter and producer. He was born on October 30, 1963 with a master's degree in film science. In 1986, he graduated from Hunan University of Finance and economics and was assigned to the literature department of Xiaoxiang film studio. He studied in the literature department of Beijing Film Academy in 1987. He went to Japan to study in May 1992. From April 1994 to March 1997, he studied film director in Japan Film Academy. From April 1997 to March 2000, he studied film theory and production in the Art Department of Japan University and obtained a master's degree in film science. Since 1998, he began to return to China for filming, and now he has settled in Beijing. He won the "best artistic contribution award" of the 15th Tokyo International Film Festival for his "lover in the sky". China's first film maker to obtain a master's degree in Japanese directing is known as "the first person in CO production between China and Japan".

Profile

Jiang Qinmin, a native of Hengyang, Han nationality, is a famous Chinese director, screenwriter and producer. He was born on October 30, 1963 and has a master's degree in film science. It is known as "the first person in the co production of Chinese and Japanese films". He has directed films such as sunflower robbery, lovers in the sky, sister dictionary, pure love, rules before falling in love, new arrival in Tokyo, and TV dramas such as slap in the face, know how many flowers fall in a dream, city of the sky, inside and outside marriage, one family does not say two words, grandfather's war of resistance. He won the "best artistic contribution award of film" in the 15th Tokyo International Film Festival in 2002 for his love in the sky.

Character experience

Born in Hengyang on October 30, 1963. In 1986, he graduated from Hunan University of Finance and economics and was assigned to the literature department of Xiaoxiang film studio; in 1987, he studied in the literature department of Beijing Film Academy; in 1988, he directed the TV series "whirlwind motorcyclist"; in 1989, he wrote the script "fake great Xia" (director Zhang Li) and "Wuhe village" (director Wu Zi NIU) which were shot by Xiaoxiang film studio at the same time; from 1986 to 1992, he wrote the script In May 1992, he went to study in Japan; in 1993, he wrote the script "love and hatred on the blood bank" (directed by Wang Xuexin), which was jointly produced by Xiaoying studio and Hong Kong; from April 1994 to March 1997, he studied as a film director at the Japan Film Academy in Imamura Changping. From April 1997 to March 2000, he studied film theory and production in the Art Department of Japan University, and obtained a master's degree in film science; since 1998, he has returned to China to make films and now lives in Beijing.

Personage introduction

Pursuit of perfection

During his days as a director at the Japan film academy, Jiang Qinmin was always haunted by the same dream: on a snowy night, the platform was bare, like an earthen dike, and a team of Japanese slowly surrounded the station. Jiang Qinmin's perfection is the kind that penetrates into the bone marrow and is unforgettable. From life to art, from career to love, he never let go of every detail. As a director, perfectionism flows in every of his works: the war movie "sunflower robbery", the love movie "lovers in the sky", from the smoke filled northeast to the beautiful mountains and forests of Guangxi, from the Anti Japanese battlefield in the 1940s to the snowy 21st century. In this way, perfectionism is carried by him through north and South China for more than half a century. Today, perfection is not his deliberate pursuit. It has become a passion wandering in his blood and a part of his life. Perfection, like a trickle, trickles into his 38 year old life.

Start with words

The initial pursuit of perfection begins with words. When he went to university in Hengyang, he studied economics. But he just likes literature and art. There is no reason for a like. Maybe it's about love. Keats, Yeats, Mayakovsky, their poems enlighten him on love, and also lay the foundation of his life's view on love, pure, romantic and beautiful. It's beginning to be perfect. The standard literary youth. In fact, there was another person who influenced him. As a Hengyang person, he could not escape the influence of Shen Congwen. During the summer vacation of his freshman year, Jiang Qinmin quietly went deep into the hinterland of Western Hunan. He just wanted to prove a question: is western Hunan as beautiful as it is described in words. Of course, he is not a tourist. He doesn't need Zhangjiajie or Huanglong. When he arrived at Fenghuang and Mengdong River, he followed the route Shen Congwen had taken in those years, which he later left behind in words. After a trip, he found that the words were so pale in front of the beautiful heart. In the face of Xiangxi's dreamlike amorous feelings, he can't express himself at will. He had helplessness and confusion. He began to think about whether the beauty of words can win in the competition with the beauty of nature? In those days, Jiang Qinmin was extremely strict with words. In his works, there were no pale and empty words such as "very". What he wants is aura, aura of heart, aura of words, aura of landscape. The beauty of Xiangxi brewed the perfection of Jiang Qinmin. The mystery of Xiangxi gave him all kinds of stories. An uncontrollable passion surged in his pursuit of perfection. He had to write those things. I don't care whether it's perfect or not. He's like a writing machine. He can't stop. Keep writing, keep thinking. Novels, plays, poems, as long as they are related to words. In the summer vacation of his sophomore year, he had to travel again. This time, it is no longer the smart Xiangxi, but the metropolis Shanghai. This serious literary youth was invited by Shanghai film studio to revise his literary script. It was a beautiful and difficult journey. no result. the result of his writing is that after 1989, his plays "fake great Xia", "Wuhe village" and "love and hatred on the blood bank" were launched one after another, and the directors he cooperated with were Wu Ziliu, Zhang Li and Wang Xuexin who were famous at that time. In those two years, he really had a good time. He is no longer the reticent literary youth in the university campus. He is the youngest screenwriter in the literature department of Xiaoxiang film studio. His young colleagues don't know what to call him for a moment. They call him Lao Jiang, Lao Jiang. In fact, Lao Jiang is not old. He is only 26 years old. Lao Jiang doesn't care what others call him. He doesn't want trivial things. He's still thinking about perfection. At this time, he didn't like Keats and other poems for a long time. He liked Whitman, naked and bold. Similarly, his interest in the strict pursuit of perfection is no longer so strong, and his interest turns to another. A perfect career. This is another step in his life. He has to cross over, no matter what the cost, no matter how hard the process.

Travel in Japan

So he went on a trip again. This time, it's not Xiangxi or Shanghai. It's a long journey across the ocean, eastward to Fusang, a country separated from China, to Japan. Life can never be as easy as traveling. Compared with the previous two excursions, it is not only the distance, but also the heaviness of heart and body. It can be imagined that a Chinese scholar who has no strength to bind a chicken will be able to do something in such a highly modernized country? Can he survive? It's not that old Chiang himself didn't think about it. His persistent pursuit of a perfect life and a perfect career encouraged him. He had to face all kinds of hardships, which were not possible but inevitable. He had to overcome these difficulties. In those years, none of his former friends knew how he survived. Still correspondence, still send photos, photos of his style is still, the background is mostly beautiful Japanese park. It seems that life is comfortable. In fact, only Lao Jiang himself knew what was going on. Lao Jiang never complained to others, especially at home and abroad.

Film career

In this way, Lao Jiang went through his 20th century. In the last spring of this century (March 2000), he received a master's degree in film theory and production from the Art Department of Japan University. In the last summer of this century (July 2000), he completed his first film "sunflower robbery" as a director. It's the title of struggle. It is a new movie which is known as the war theme movie. When he got here, Jiang Qinmin initially completed his cultivation of perfection. When the bell of the 21st century had just rung, Lao Jiang and a group of people rushed to the high mountains of Guangxi to declare war on the perfect love in his heart. Behind him, the music of "sunflower robbery" is swirling in the sky of the city, the gunfire is sweeping the screen wantonly, and the Japanese named haotaro is suffering from the soul. The troll of war has torn him apart. The urban heat is showing the perfection of Jiang Qinmin's style: incomplete, cruel, cruel At the same time, in the beautiful and amazing place of Hechi in Guangxi, Jiang Qinmin's camera rack is on the edge of a cliff 1000 meters above sea level, facing an ancient wooden house built in the air. A beautiful love story takes place in the cabin. Three protagonists of love are about to appear: Dong Jie, Liu Ye and Tao Hong come from behind the camera. The love between the deaf and the dumb is really out of Jiang Qinmin's imagination. It's not easy to have a normal person Tao Hong, but it's just the embellishment of love. It seems to be the bright line and the main line. In fact, it's hidden murder. When love really comes, it's not your share. For the redundant person, love has always been impolite. Even if you don't give up, you have to do it yourself. Tao Hong, a normal person, had to fly away by the ominous red balloon over the mountain village. This is Jiang Qinmin's second telegram

Chinese PinYin : Jiang Qin Min