Kong Aiping

Kong Aiping

Kong Aiping, female. Graduated in 1985, he was personally taught by Zhang Xian, Zhang Xunpeng, Zhang Jiqing and other artists, and formed his own unique performance style. He is one of the best performers of the third generation in Jiangsu Kunju Opera Academy. He has been a member of China Drama Association, a member of Jiangsu Youth Federation, and Deputy Secretary of the Party branch of Jiangsu Kunju Opera Academy.

Life of the characters

Kong Aiping is a female worker. Her plays include the palace of eternal life, the story of jade hairpin, the legend of the White Snake, the sword given by a hundred flowers and the joy of the fisherman

You GUI Ji, Tang Bohu legend, peach blossom fan, Zhao Wuniang, kite mistake, xiuru Ji, etc. Awards: the "orchid best performance award" for the first youth exchange performance of Kunqu Opera, the second China Drama Award · plum blossom Performance Award (the 24th China Drama Plum Blossom Award), etc.

Graduated from Kun Opera Performance Major in 1985, he was personally taught by Zhang Xian, Zhang Xunpeng, Zhang Jiqing and other artists, and formed his own unique performance style. He is one of the best performers of the third generation in Jiangsu Kun Opera Academy.

She is beautiful in appearance, elegant in temperament, graceful in singing and exquisite in performance. It's both passionate and reserved. He has starred in many plays, such as "a hundred flowers for a sword", "odd double meeting", "broken bridge", "parachute", "Banquet" and "Qin Tiao". His representative works are Peony Pavilion and xiuru Ji. He has performed in Hong Kong, Taiwan, Japan and other places for many times, enjoying a high reputation.

Award winning experience

In 1994, he won the orchid Award for the first national cultural exchange performance of young Kun Opera actors.

In 1996, he won the excellent performance award of the first youth actor Drama Festival of Jiangsu Province for playing Li Yaxian in xiuruji. The play won the performance award in the national new drama performance and the first jasmine nomination award in Jiangsu Province.

In 2002, Du Liniang, who participated in the national Kunqu Opera Competition, won the "Kunqu performance art promotion Award" jointly awarded by UNESCO and the Ministry of culture.

In 2005, he won the title of national advanced worker.

He is now a member of China Drama Association, a member of Jiangsu Youth Federation, and Deputy Secretary of the Party branch of Jiangsu Kunju Opera Academy. He is currently studying in the fourth graduate class of China drama academy and is a national first-class actor.

February 7, 1997, the first day of the first month of the year of Dingchou in the lunar calendar: the 1997 spring festival TV show of the Ministry of culture was broadcast;

February 12, 2002, the first day of the first month of the Lunar New Year: the 2002 spring festival TV show of the Ministry of culture was broadcast;

January 29, 2006, the first day of the first month of the third year of the lunar calendar: the 2006 Spring Festival TV show of the Ministry of culture was broadcast;

On December 17, 2006, at 19:30 on October 27 of the third year of the lunar calendar, pan zhongqisheng's solo concert of "Lan Yuan Guan Yun" Chinese Kunqu opera was held;

On the evening of March 2, 2007, the 13th of the first month of the year of Dinghai in the lunar calendar, the special performance of Kunqu Opera in the spring of 2007 was held in the Kunlun evaluation room of Jiangsu Provincial Committee of the Chinese people's Political Consultative Conference;

November 14, 2007, the 5th day of October in the year of Dinghai in the lunar calendar, 19:30: Beijing National Culture Palace Grand Theater, November 14, 2007;

Show repertoire

"Marry a younger sister" (Hou Yongqiang (the third session of Shanghai Opera School))

Seeking a dream (Kong Aiping, the 4th Kunju Opera Theater of Jiangsu Province)

Borrowing tea (MA Baowang (Northern Kunqu Opera Theater, 4th session))

"Leaving the frontier" (Luo Yan (the third session of Hunan Kunqu Opera Troupe))

"Changsheng Palace · banquet" (Shi Hongmei (Northern Kunqu Opera Theater, 3rd session))

"A hundred flowers for a sword" (Yang Fengyi (Northern Kunqu Opera Theater, 3rd session), Wang Zhenyi (Northern Kunqu Opera Theater, 4th session))

Acting experience

The Peony Pavilion

Five hours, play to rebirth.

It should be said that the script was well changed. First, Su Yuan came out, and Chen Zuiliang came out to refute the hurt of spring. He saw the opposition between ethics and love for the first time, and then the combination of garden tour and dream. Then there is Xun Nu, simplified as Du Baoxun's wife and old lady Xun Chunxiang. The contradiction is gradually approaching Du Liniang. In this way, the sentimental illness of Jingmeng is very convincing. In the second half, the most important change was the oath of alliance, which added a plot inspired by Du Liniang to remind them of the love in their dreams. Without accompaniment, they slowly chanted out the verses of that time, so Liu Mengmei was afraid of nothing. This kind of treatment is refreshing and reasonable. The only drawback is that it adds a few words to Liu Mengmei, which are not in the original book. It's a little less elegant (why don't you ask Sanqu experts to polish it).

Although there are some changes in the provincial and Kunlun's, I think it is more original. Because the characters are relatively complete, especially Chen Zuiliang. In the youth version, he has an active atmosphere with Chunxiang. Although he is circuitous, he is still lovely. Since it's lovely, it can't help weakening the circuitousness of the original characters. Sheng Kun grasped Chen's circuitousness, such as Chen's performance in diagnosis. With strict parents and a teacher, Du Li Niang's life is really interesting.

For the actors, I saw Kong Aiping's performance for the first time. Without a lot of experience, I can't speak jargon. I just think her voice is really good. Her voice is very expressive. Her high and low pitched voice is even, showing her skill. Shi Xiaomei, I like to listen to her singing. She sings well and rhymes well, but I don't like her voice and smile. I think her voice lacks cadence, but her smile is terrible. No matter how hard the imitation is, it's not as natural and powerful as the real male voice.

I read the important passage of Youth Edition again this morning. Although the heroine's singing skills are not good enough, but two people play with very good, dance is better than a chip. Especially in Hangzhou, there is a happy and harmonious life for young couples.

interview

Kong Aiping:

Jiangsu Kunju Opera academy outstanding young actors, her mentor is China's famous Kunju Opera performing artist teacher Zhang Xunpeng, they are the same mother and daughter. Mr. Zhang gave me everything he could. Fortunately, she not only met Zhang Xunpeng, but also got the appreciation of two other teachers, Zhang Xian and Zhang Jiqing. Three teachers around her, advantaged! She happily excited about the scene of learning with the three teachers, told the three teachers moving story, let us hear for the old artist is very moved. She said that Zhang Xun Peng often goes to bars. You must be surprised! Why? Unimaginable!! It can't be said here. I'm waiting for you to listen and reveal the secret! She said affectionately that teacher Zhang took her to a hotel to teach drama when her lover died. In fact, she was very distressed. Kong Aiping told her to stop talking. She said: it's not easy for you to come to Shanghai. At that time, Kong Aiping did not dare to look up because her eyes were full of tears. Said a lot of teachers, I asked her: why don't you talk about yourself? She smile: I am very simple, nothing to say. I always feel that she is not like an actress, but the eldest sister next door.

Tang: today I come to Jiangning Fu Xue, which is located in Chaotian Palace in Nanjing. It used to be the imperial examination hall. Jiangsu Kunju Opera Theater is located in such a classical garden building. We will have an interview with Kong Aiping, a famous young actor of Jiangsu Kunju Opera Academy. First of all, say hello to Kong Aiping!

Kong: Hello, opera fans and netizens!

Tang: Kong Aiping's teacher is a student of Zhang Xunpeng, a famous Kunqu Opera artist in China. I also heard that Kong had studied drama with three teachers?

Kong: at that time, when I entered the theater school in 78, the theater school invited Mr. Zhang Xian, Zhou Chuanying's wife, to open a door for me. After three years of study, the school sent me to Shanghai Opera School to study opera with Zhang Xunpeng, a Kunqu Opera teacher in Shanghai Opera School. After graduation, I was assigned to Jiangsu Kunqu Opera Theater to study opera with Zhang Jiqing. So I'm very lucky in my academic career, with three teachers. Their three teachers have played a very important role in my growth. From Zhang Jixun to Zhang Pengmen, the teacher must pay attention to the basic characteristics of body and eyes, especially when we teach her how to use eyes The teacher is very characteristic, she uses the voice to mold the character, so these three teachers are my wealth, gave me a big creative space, creative wealth!

Tang: Miss Kong Aiping, it can be said that her opportunity is very good. She has studied drama with three famous Kunqu Opera experts. Can you tell me more about her experience in drama school with Miss Zhang Xian?

Kong: at that time, when Mr. Zhang Xian came to teach us, I was still a blank sheet of paper, and I didn't know anything. Mr. Zhang pulled out all the moves. The teaching conditions were very difficult at that time. When Miss Zhang Xian was invited, she was basically teaching in the open air at that time. In this case, Miss Zhang Xian also worked tirelessly to give us serious teaching. Up to now, I am also grateful to Miss Zhang Xian for her training of us. She taught me "Yang Guifei" of "love poems". Kaimeng I am "Yang Guifei". Miss Zhang explained to us the richness and temperament of Yang Guifei, from literature to life. She took the trouble to introduce us into the traditional opera. Her explanation of charm means that we have never seen ancient people I don't know what the ancient people were like, so when she taught drama, she imparted this ancient feeling. With this feeling, it's much better for me to learn drama later and extend it. Miss Zhang Xian pays most attention to the relationship between the eyes and the characters. The book "think of the world" she taught me later does not belong to boudoir's day. It belongs to Huadan's, but to xiaoliudan's. She is very particular about teaching, so teacher Zhang Xian can separate them and explain them in a very detailed way

Chinese PinYin : Kong Ai Ping