Wang Yongfeng

Wang Yongfeng

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Wang Yongfeng, the word Xiangtai, No. Yongtang, other department tiezhuzhai, quanyunlou, jinshajuan. Born in August 1957 in Xinxiang, Henan Province. He graduated from Henan University.

Profile

Wang Yongfeng, the word Xiangtai, No. Yongtang, other department tiezhuzhai, quanyunlou, jinshajuan. Born in August 1957 in Xinxiang, Henan Province. He graduated from Henan University. He is a member of China Calligrapher Association, member of seal cutting Committee of Henan Calligrapher Association, special calligrapher of Henan Academy of calligraphy and painting, lifelong honorary president of Oriental Art Research Institute, special teacher of Henan Province, executive director of Xinxiang Calligrapher Association, deputy director and Secretary General of seal cutting Committee of Xinxiang Calligrapher Association, deputy director and Secretary General of Landscape Painting Committee of Xinxiang City, member of seal cutting Committee of Xinxiang Calligrapher Association Chairman of the county Calligrapher Association. Calligraphy works participated in the invitation exhibition of national famous calligraphers and painters, the 50th anniversary of the founding of China's aerospace industry, the fourth Jinding Award National Calligraphy Art Exhibition (Gold Award), the second national joint exhibition of calligraphy and painting academy works (won the title of top 100 calligraphers and painters), the new spirit cup national calligraphy and painting competition (Silver Award), the first Chinese calligraphy exhibition of Xiling Seal society, and the second national TV calligraphy competition (shortlisted) "Zheng Banqiao cup national calligraphy and painting competition" (excellent award) of the 7th Xinghua Zheng Banqiao Art Festival, the first international calligraphy and painting competition (Silver Award), national supervision system painting and calligraphy exhibition, national teachers painting and calligraphy exhibition (excellent award), Henan Famous Artists Exchange Exhibition (excellent award), the first Henan civil servants and professional and technical personnel painting and calligraphy exhibition (first prize) of Yaxing cup . His works have been included in selected works of Chinese calligraphy, contemporary celebrities' letters and ink, excellent works of members of China Calligraphy Association, selected works of 100 members of China Calligraphy Association, Grand View of fine works of Chinese calligraphy and collection of fine works of 100 Chinese Calligraphers and painters, and have been published and introduced by various calligraphy professional newspapers. Seal cutting works are exhibited in the first, second, third and fourth national seal cutting art exhibitions, the second seal cutting works evaluation exhibition of Xiling Seal printing society, and the first international seal cutting art exhibition. He entered the third and fourth international seal cutting art exchange exhibition, the national young and middle-aged seal cutting artists' works exhibition, and won the gold award of the National Star cup calligraphy and painting competition, the international award of the second international Xiao pictorial seal exhibition, the silver award of the second "Yellow Crane Award" of calligraphy daily, and the silver award of the second seal cutting art exhibition of Henan Province. Seal cutting works are included in the contemporary calligraphy art Dacheng, Chinese seal collection, Xiling Seal society seal cutting joint exhibition collection, seal fate, etc. His works and papers have been published in various journals and compiled into various calligraphy collections. A number of works have been collected by government departments and cultural units, and calligraphy has been adopted by many scenic spots and stele forests, such as the Yellow River stele forest, Gongxian Shenmo stele forest and Kaifeng Hanyuan stele forest. His works are included in a variety of large-scale works such as the great success of Chinese calligraphy. The biography is included in the dictionary of names of modern Chinese calligraphers, the great achievement of contemporary Chinese calligraphers, the member's Dictionary of Chinese Calligraphers Association, and the celebrities of contemporary Chinese art. Writing notes on seal cutting: the heart of carving insects was serialized in seal cutting magazine, and its works and biographies were introduced in calligraphy, seal cutting and other newspapers and TV stations. Published in "Chinese seal cutting hundred - Wang Yongfeng volume" and "Wang Yongfeng seal cutting collection".

Social commentary

As far as art is concerned, growing up from the traditional soil, through optimization and even alienation, with its own personality, to form its own unique style and achieve the innovative effect of art landmark has been the topic of the art community in recent years, which is also the goal of the next generation of artists. However, due to the impetuous psychology aroused by the economic tide and the temptation of worldly utilitarianism, some artists, especially some young artists, always find it difficult to stick to where they should stick and always go straight. They can't plough deep in silence. As a result, the art world frequently appears the scene of wind rushing and flowers falling. Some talented artists, eager to seek fame and profit, are unwilling to suffer from loneliness and hastily choose to abandon the root and pursue the end. In the end, in a state of malnutrition, or abnormal growth, or visible and listless wilt. This kind of phenomenon is really the people who are really concerned about the future of the art career. They are deeply worried and have a poor mind. Recently, after reading Mr. Wang Yongfeng's calligraphy and seal cutting works, my heart suddenly brightened a lot. whether Mr. Yongfeng's calligraphy works or seal cutting works, there is a sense of freshness in his eyes. As far as his calligraphy works are concerned, he has a wide range of calligraphic skills, including Zhen, Cao, Xing, Li and Zhuan, but he is not involved in general. Regardless of its seal script, official script, running script and cursive script, it can reveal deep traditional skills. That is to say, it can make people read out the strength and ancient charm of traditional calligraphy by borrowing the modern forms of calligraphy. In particular, Mr. Zhang's seal script is deeply rooted in the simple, majestic, thick, mellow and dignified fluency of Sanshi pan. At the same time, it inherits the essence of Wu Changshuo's and Deng Shiru's strokes. Therefore, the overall effect of Mr. Zhang's seal script works is: astringent but not stagnant, dignified and dignified, rich in heritage and expressive in verve. Mr. Ru's "there must be a teacher for three people..." At first glance, the works such as "the government is in harmony with the people" and "the taste is elegant in plum blossom, and the people are as light as chrysanthemum" have their roots in Sanshi plate, especially in the use of pen and characters. However, if we appreciate them carefully, we can find that they have simultaneously cast the essence of seal script masters of the past dynasties. Especially in the grasp of the composition, it not only contains the carefree spirit of Wu Changshuo's works, but also embodies Deng Shiru's style of everyone. It can be seen that Mr. Deng's reference to the excellent writing art of those great seal characters has long been in his heart, and he can skillfully express himself in a free and unrestrained space with the help of his own ideas Now. That kind of freedom of expression, has reached the heart of all, the point of writing. As far as his running script is concerned, although their forms of expression are novel and modern, it is not difficult to read from his works that the two kings are handsome, Mi Fu is skillful, Wang Duo is extremely dangerous, Wu Changshuo is dignified, and Sha Menghai is powerful. That is to say, Mr. Yongfeng's exquisite maturity is all based on his mastery of the characteristics of ancient writing art. Therefore, Mr. Wang's calligraphy, consciously and unconsciously, has its own form of flying, solid and heavy style. Compared with calligraphy, Mr. Yongfeng is more proficient in seal cutting. Tracing back to his creation, we can easily find that he has gone through a road of exploration and innovation based on his mastery of tradition. According to my recollection, he entered the third national seal cutting exhibition with his extraordinary Han seal cutting skills. It is enough to show that Mr. Yongfeng's traditional skills have reached an impressive level. But Mr. Yongfeng was not intoxicated by entering the national exhibition. On the contrary, it was this national exhibition that made him have unprecedented shock and reflection. He keenly observed that the best state of the seal cutting industry is moving forward from neat to bold. In the face of this quietly rising, but it is inevitable to lead to a new trend. A new concept of "change" immediately dominates and dominates Yongfeng's aesthetic consciousness. However, change, where to change? Under the background of experts like forest, how easy is it? He's thinking about it all the time. The characteristics of Hanyin are: the lines are horizontal and vertical, smooth, steady and elegant; the composition is neat and dignified, elegant and beautiful; the characters are divided equally between the characters, and can not bear to give way; the font structure is balanced, with degree, without uneven changes, without the disparity of density. On the sabre technique, we should pay attention to gentle wind and light rain, not quick and not sharp. Seeking change on such a basis is undoubtedly a subversion of aesthetic consciousness. The difficulties are self-evident. But all this can not change Wang Yongfeng's idea and belief. He began to move forward unswervingly, towards the goal he had chosen! in the process of creative practice, on the one hand, he thought about himself, on the other hand, he focused on many teachers to analyze and learn from their composition and knife techniques. After years of efforts, his Xin Zhi was finally recognized by the fourth national seal cutting exhibition. The remarkable sign of recognition is that his works have made a deep leap and revolutionary breakthrough in terms of composition, knife technique and edge design. In terms of composition, there are a large number of new works in his works, such as Ding jingzhiqin, sleeping for thousands of miles, shizhongshan, Buddhism and Zen. These works not only break the traditional structure of Han seal in composition, but also have a lot of mysteries and changes in the trend of depiction and the use of knife techniques. For example, the characteristics of the seal "woyou Qianli", the word "woyou" is not only big on the whole, but also has many changes between the two. The three drops of water in the shape of "you" are not only in the shape of "three vertical and down rush", but also slightly inclined in the process of rush, with some collecting and some releasing. The two characters of "Qianli" are small and big, and the large space between them echoes with the blank space under the three drops of water. With the combination of cutting and punching, the whole work appears to be dense, clumsy and flexible, and has a grand momentum. The other work, shizhongshan, is more skillful with a knife than bold in composition. For example, the ratio of cross and bell characters is almost six to one, and the setting of Shan characters and Ji characters is more wonderful. Shan is like a big stone, Ji is like a shelf about to be broken. In addition to the smooth and light Sabre technique, there are five sabres on the left, which are light and heavy, and the bow on the right seems to be broken and pulled. It's hard for people to think of the artist's passion in this kind of state. "Buddhist Zen" gives people the feeling of fire

Chinese PinYin : Wang Yong Feng