Li Fengsheng

Li Fengsheng

Lee Fung sing, born in Heshan City, Guangdong Province, is a famous Cantonese film actor in Hong Kong. He was active from 1950's to 1960's and is known as "Granny Shan".

Performing films

"Liang Hongyu's bloody battle against Huang tiandang" 1962: "eight female chivalrous men making trouble in the world" 1962: "Ye Chawei on the hero's palm" 1962: "fire dragon engulfs two tiger generals" 1963: "three female tyrants of dragon and tiger" 1963: "White Ape Prince Yin Yang cliff meeting mother" 1963: "bone god dragon sword" 1963: "soul seizing flag" 1963: "half sword and one bell" 1963: "fake jade boy" 1963 1963: half sword and one bell, 1963: huangquan meeting mother, 1963: Yang Bajie making trouble with Jinluan, 1964: Baigu magic whip, 1964: submarine dragon singing sword, 1964: Longjiang three tigers, 1964: Xiangcheng nine phoenixes, 1964: North and South Tieguanyin, 1964: three main palaces saving prince, 1964: banbijiangshan a beauty, 1 964: Jinxiu paradise, 1964: Hero's tears protect mountains and rivers, 1965: ambition prince, 1965: real monkey king fighting eight immortals, 1965: submarine skeleton tower, 1965: Monkey King making thunder temple, 1965: getting married from his wife, 1966: hundred steps lost palm, 1967: Godson Killing Father and Emperor

Performance series

ATV 2006: big city story as Liangshan 2007: lingshe different as female ghost 2008: fire butterfly as Tao Xiuxia

Other information

However, TV stations in a weak position have no choice but to watch and discuss little stories in a big city no matter how well it receives (compared with ATV). The only comment is that netizens have inquired about the white haired, seemingly insignificant granny Shan. She looks familiar, but she can't remember who she is. Mother in law Shan is Li Fengsheng. "Liang Hongyu's bloody battle against Huang tiandang", "a beautiful woman in half of the country", "yedawei in the hero's palm" and "fake Yulang" Li Fengsheng, a famous actress in Cantonese opera, has not been filmed in the 1960s. Most of the audience can only see her in the video or in the Cantonese long films replayed late at night. However, in the past 10 years, she has made occasional appearances in Luo zhuoyao's films and ATV's dramas to attract the audience's attention again. Youtai's licorice is famous for her opera. She can hold concerts and compete for the award of Shidi Shihou. Granny Shan is old and may not be able to stand such a toss, but Li Fengsheng is quiet. Shi Shiran goes to a teahouse to drink tea, talk about the past and continue her career of promoting Cantonese Opera in Australia. In a word, Li Fengsheng has been out of shadow for 30 years. In 1966, she said goodbye to Hong Kong and married to Malaysia, where she ran a restaurant business. "At that time, I invited many stars to come to the stage. Luo Wen and others were very cheap in those years. Later, when Zhang Guorong was not very popular, I also asked him to come." Sitting in the teahouse, Li Fengsheng told reporters her story. At that time, the story of a big city had just ended, and she was preparing to go back to Australia to deal with the upcoming Cantonese Opera Competition. it's hard to be an overseas Chinese if you go to Australia to set up a quyi club. Even though the business of Malaysian restaurants is booming and there are a lot of stars on the stage, they can't stop the local anti Chinese incident. In 1991, Li Fengsheng ended his business and immigrated to Australia. However, the martial arts stars couldn't let go of their skills, and the achievements of famous Cantonese Opera actors couldn't be wasted. So he found something to do. Five years later, he founded Liyuan Yaji quyi club to spread seeds and promote Cantonese Opera culture. "When I first arrived in Australia, there were no special Cantonese Opera groups. Now there are more than 20." Li Fengsheng said that mother-in-law Shan's white hair is like a fake package, but she is full of vitality when she talks, "running Cantonese Opera classes and hosting Cantonese Opera programs on the radio, because even in Australia, we have to have our own culture. Today's drama club can be said to be a hundred schools of thought contend. We often compete with each other, perform for charity, raise money and so on. We are busy with many things. Last year, he raised money for charity and did a three-day drama. " When promoting Cantonese Opera in Australia, Li Feng is a well-known reporter, but she smiles: "they all say I'm a famous actor of Cantonese opera, but I'm not from Cantonese Opera at all." today's people who join the industry often meet celebrities. They come from rich families and have "rich family background". They are not afraid of meager income. When Li Fengsheng was a child, he joined the film industry, "because of his family's limited financial ability, he only wanted to find a job to make a living, and he was willing to play any role." But the new salary is not good, "one year contract, no salary, only the fare." When I first started shooting Cantonese movies, my income was low, and I had to do some dangerous actions myself when I was working. "Only when I participate in big production or belong to big actors, can I have a stand in." How can you say "endure" when you make a movie? Li Fengsheng has been in the film for many years, playing small roles, until she meets her mentor, Deng Biyun. At that time, Deng Biyun suggested that she transform to be a civil and military student with more opportunities. Later, she set foot in Cantonese opera. Since then, Li Fengsheng has performed in a series of fights, such as "Liang Hongyu beat the drum to beat back the golden soldiers". On the screen, she has a lot of success, but in essence, she is guilty. "I've always been a filmmaker, not a dramatist." The only way to achieve satisfactory results is to make up for her hard work, steal a teacher from her predecessors, learn while doing, and practice her hand and body. As a result, she has made many martial arts movies. "The most impressive one is yedawei in hero's palm. After the film industry recognized this play, it took on a lot of plays and made almost 30 films a year. " Li Fengsheng said that the reporter's vague memories of "hundred steps missing palm", "fake jade Lang" and so on, of course, can't be short of her Yue King Gou Jian's modeling in "a beauty in half the country". "Around 1965, the major productions of Shao's company, such as" one armed sword "and other ancient martial arts films, were very popular with the audience. As a result, song and dance films and Cantonese Opera lost a number of supporters, and the production in the industry was greatly reduced." Li Fengsheng said that she has reduced from performing more than 30 films a year to only a few films. In order to earn money, she began to appear on the stage in all directions, and participated in performing Shengong opera in Huang Daxian, Changsha Bay and other places. It was not until 1966 that the film officially faded out of this circle. It's a hundred years to go back. It's 30 years to come back. In 1996, Luo zhuoyao filmed the story of Chinese families who immigrated to Australia. The title of the film "Floating Life" was introduced to Li Fengsheng, who was running a quyi club. "I was very nervous during the audition. I haven't been involved in the shooting work for 30 years, so there was a lot of pressure." She plays the mother of an immigrant family, burning incense and praying for the blessing of Bodhisattva. The generation gap between the old and the new generations, and the impact of Chinese and Western cultures, Li Fengsheng, who is deeply sympathetic, won the nomination of Best Supporting Actress for the 33rd Golden Horse Award. "I am also an immigrant, and I used to be unaccustomed to the local life. The situation in the film really happened to me." But in the end, Qiu Xiumin, the winner of "loyal boy", won the prize. Then ten years later. "Big city story" is another breakthrough. I have never made a TV series. There are many scenes on the shooting scene, which is a little bit uncomfortable. The producers on the scene are very kind to me. " After relieving the pressure, the performance was brought into full play. Originally, it was only a small role in ten episodes, and it became one of the discussion points of the play. "The challenge of TV performance is more immediate, which requires full involvement and contract actors; while the film performance is different, which can be shot one by one, with time to cultivate feelings." But what she likes most is to share years of performing experience and promote Cantonese opera culture. during the interview, Li Fengsheng repeatedly mentioned that the older generation was willing to teach the way to play. For example, Shi Jian taught her how to cooperate with each other to achieve good results. Li Fengsheng still has a fresh memory of his hard bridge and hard horse real kung fu. "What he did was real Kung Fu, down to the meat." The teaching of her predecessors has been deeply branded in her heart. Li Fengsheng said that what he did, like other older generations, was to let young people understand the past history and make the existing one continue to be handed down. "If we don't, who else will?"

Chinese PinYin : Li Feng Sheng