Yu Peng
Yu Peng
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Famous contemporary Chinese Artists
Born in 1955 in Taipei, Taiwan
1966 self exploration sculpture, clay sculpture
1968-1975 studied woodcut and watercolor
He studied in Chen Yigeng's studio from 1971 to 1975
He is now a member of Taiwan Visual Arts Alliance,
brief introduction
He has participated in and held art exhibitions at home and abroad for many times, and many of his works are collected by major art museums at home and abroad. His representative works are: landscape of desire, landscape of desire - the splendor of the sea, and the soul travels beyond the image
Collection
His works were collected by the Hong Kong Museum of art in 1992, by the British Museum in 1993, by the Taipei Museum of art in 1994, by the Asian Museum of art in San Francisco and the Taipei Museum of art in 1998, by the Metropolitan Museum of art in New York in 2007, by the Asian branch of the National Museum of art in Berlin in Germany, and by the Harvard University in 2008 Art Museum collection 2009 works collected by Taipei Art Museum (according to the CPI data Hezi (2010) No. 045224 of "biography of Chinese contemporary artists - Yu pengshenyouzhe", Hebei Education Press, 2010, isbn978-7-5434-7022-4)
Hand made Yixing pot
Zisha teapot is a traditional tea vessel originated from Song Dynasty. It is also called Yixing teapot because it was produced in Yixing, Jiangsu Province. Since ancient times, many people have injected literati atmosphere into the daily tea set and signed down, making Yixing teapot famous all over the world. Yu Peng used the teapot making skills inherited by Yixing for hundreds of years, and added his own ideas of ink painting, so that Yixing teapot skillfully exuded the artistic flavor of literati. Each pot is printed with the signature of national first-class craftsman Zhang and Yu Peng. It is a rare collection of fine arts. It is represented by Hong Kong Xinyi company.
Art evaluation
What Yu Peng's paintings show is a patchwork and splicing world. The garden world in his paintings is not only a partial representation and embodiment of his own garden and his personal gardening philosophy, but also a place for performance. Yu Peng has a serious creative motive of "making himself proud of the ancients today". Although his garden landscape has a certain degree of authenticity, its narrative characteristics are integrated with a high degree of fiction and surreal or anti realistic techniques. What he really "reproduces" is his own or some of the tastes and hobbies of the middle class in the contemporary urban culture of Taiwan. Although Yu Peng has a teacher, he has never formed any family school, nor has he entered any Academy of fine arts for further study. Therefore, he does not have the limitation of traditional adherence to the family law format, and can go in and out of China and the West in his creation.
Chinese PinYin : Yu Peng
Yu Peng
