McCann

McCann

Marcan, film producer and director. Born in Cixi City, Ningbo, Zhejiang Province in 1978, he graduated from the Chinese Department of Zhejiang University (now the school of media and international culture of Zhejiang University) and studied with Hu Zhiyi, a famous scholar of drama culture. After many years of graduation, he entered the Photography Department of Communication University of China and Beijing Film Academy, majoring in journalism and cinematography. He has worked as a news photographer, TV program host and producer, documentary director and cinematographer. He has created hundreds of documentaries and a large number of TV and film works. He learned from Chen Xiaoqing, a famous Chinese documentary producer.

Now he is a professional filmmaker and director.

At the same time, he is the general manager, producer and director of China Film Xinrui (Beijing) film company.

Personal profile

Life creed:

Don't do good for small things.

Awards:

Golden Lotus Award for outstanding producer of the 4th Macau International Film Festival. excellent project director of the 66th Cannes International Film Festival Film Market China new filmmaker foundation forum. director of four commandments was shortlisted for the 4th Macau International Film Festival and the 4th Vientiane International Chinese Film Festival. director of four commandments was invited to the third Beijing International Film Festival.

works

Director / screenwriter

2006-2008 dramatic changes 2007 Huangmei Opera 2009 sea ups and downs 2009 brotherhood rhyme 2011 four commandments 2012 Rouhua the most cute height difference 2016 Huatian wedding 2019

film producer

documentary Wenjun's westward expedition 2007 documentary the mystery of the Republic of China 2008 TV series garrison in the West 2012 TV series conscience 2013 film "best friend" 2014 film "homegirl detective Guixiang" 2015

Brief introduction

"Four commandments" is a comedy film directed by Mark Kan and starred by Feng Lei and Liu Hua. It tells an absurd comic story. The ordinary characters in the film, such as "pseudo health care master, coal boss, hostess, doctor, insurance salesman and black car driver", originally run according to their own life clues. As the plot unfolds, contradictions escalate, and conflicts between each character change Ben's potential connection has gradually surfaced. People are entangled because of a car accident, and everyone's fate has changed abruptly. The film was released in Chinese mainland in June 8, 2012. the film, based on the story structure in line with China's social reality, arouses the thinking of social contradictions in China's transition period, and dramatizes the fate of the characters through black humor, reflecting the complex and misplaced interpersonal relationships and desires in modern Chinese cities, emphasizing the balance between people, between people and society, as well as the balance of desires.

Huangmei Opera

Huangmei Opera (also known as Huangmei Opera) is directed by the famous documentary producer Chen Xiaoqing, executive director Mark Kan and Chief Photographer Jin Chenyu. It is Chen Xiaoqing's documentary team. Following the creation of the large-scale natural documentary "song of the forest" in 2007, it turns its attention to the unique charm of Huangmei opera. After a long-term and in-depth research and expert argumentation, we strive to make the film into the most authoritative image of Huangmei Opera. "Huangmei Opera" firmly adopts the concept and method of "grand historical view" to observe the history of Huangmei Opera for more than 100 years. The grand historical view is also known as the overall historical view. Its main spirit is expressed in the history of characters, politics, economy and culture separated from each other in the past It is a "whole society". A country's politics, economy, culture, mental state, social life, ecological environment and so on are all interrelated organic components, which affect the whole body. Therefore, it is necessary to examine history comprehensively from the perspective of holism. This film boldly breaks through the traditional documentary and stage drama shooting techniques, and creates a unique alternative style in the image. Although Huangmei Opera is about the development of Huangmei Opera, a folk opera originated in the countryside for more than 100 years, it is not a very narrow one. No matter the origin and development of Huangmei Opera, or the legendary figures in Huangmei Opera circle, they all discuss "from the big to the small" under various backgrounds, trying to make the seemingly "isolated" phenomenon find the appropriate coordinates in the complex framework of various cultural factors. Among the first batch of "traditional drama" in China's national intangible cultural heritage list, Huangmei Opera declared by Anqing city of Anhui Province and Huangmei County of Hubei Province are on the list. This is a happy thing, but it also shows that Huangmei Opera has been faced with a dilemma, and it has been in a weak position in the Chinese society where all kinds of culture originated. The shooting of Huangmei Opera is a kind of "rescue" of Huangmei Opera art. Some of the historical witnesses involved in Huangmei Opera, such as performers and fans, have passed away, and many of the living are also elderly people. With a serious attitude towards art, the creators of this film visit old artists and fans again and again. Witnesses like Shi Bailin, Zheng Lisong and Wang Guanya are all senior figures. They were moved by the sincerity of the cast and told many unknown stories. Many opinions and facts are first disclosed in this film. in the process of sorting out the hundred year history of Huangmei Opera, the creators gradually found that the emergence and development of a kind of folk opera has its own rules. As long as they pay attention to innovation and audience experience, as small as a Huangmei Opera class, or a Huangmei Opera film, as large as the whole Huangmei Opera industry and culture, they can break through the bottleneck and achieve new development. "Huangmei Opera" is full of hope. In the long history, it deeply excavates the artistic vitality of Huangmei opera itself, and also provides some thinking and reference for today's Huangmei Opera. For more than a hundred years, Huangmei Opera has not stagnated, but keeps forging ahead in line with the trend of the times, playing an increasingly important role in maintaining the relatively original cultural development environment and playing the social function of Huangmei opera culture. In the process of globalization, how to maintain its unique cultural and aesthetic value, and how to move forward steadily in the market economy is the primary problem faced by Huangmei Opera. With such thinking, in the process of creation, Huangmei Opera pays special attention to the "nodes" that have a significant impact on society. One is that in the 1950s, Huangmei Opera, with the help of film as an art form, produced such popular films as Tianxianpei and nvfuma, which cultivated many fans. The second is that in the latter two decades of the last century, Huangmei Opera used the form of TV drama to create a myth of Huangmei TV drama, which further promoted the popularity of Huangmei Opera. In the new century, Huangmei Opera absorbed opera, dance drama, historical drama and other elements, arranged new dramas such as Huizhou women, swing frame, wind and rain beauty walk, and constantly explored the two ways of tradition and innovation.

Chinese PinYin : Ma Kan