Tan Feiling

essential information

Life of the characters

Since 1955, he has been engaged in the performing arts of modern drama. He retired from Chengde drama troupe in Hebei Province. After retirement, he has participated in a large number of film and television performances. He is a national first-class actor, a member of China Dramatist Association, a member of China filmmaker Association, a member of China Television Artists Association, and a member of China Calligrapher Association in Hebei Province.

On March 22, 2020, Liu Xiaolingtong wrote that Mr. Tan Feiling, a famous performing artist, died. Mr. Tan once played the role of the prefect of Fengxian County in the sequels of journey to the west of CCTV and the hall of Pixiang.

Main works

Take part in TV series

The legend of general as Feng Zhengan

Anecdotes of the villa as Emperor Kangxi

Love road as Yang Zhenhua

Li Xiangjun as Ruan Dacheng

Phoenix's courtship as Zhuo Wang sun

Ji Xiaolan as Liu Tongxun

"Cold star" as Guan Ye

"Jiangnan Fengyun" as lengxin

cinematographic works

1983 "the last choice" co Star: Li Yan, Fang Rui, Xiang Mei, Liang Guoqing

1984 "code 213" as chief of staff Lu, CO stars: Ma Xiaowei, Chen Xiaoyi, Lai zhaoqun, Guo Hao, Yao Keqin

1985 "this case is not over" as ye Zhengqiu co actor: Li Yongyong, Zhou Yuyuan, Qiu Shide

In 1987, he played the role of Shi Yunzhe in "the story of suppressing bandits in Xiangxi": Ding rujun, Xue Shujie, Chen Guodian, Ling Yun, Hu Xiangguang

Wei zongwan

, Zhao Xiuli

1990 big city 1990 co Star: Kong Xiangyu, Zhao fan, fan Zhiqi, Liu Yubin, Li Qishan

Crime in the shadows, 1991

Award winning record

In 1979, he wrote and performed the drama "dead light on coral island" and won the first prize, Creation Award and performance award of Hebei Province celebrating the 30th anniversary of the founding of the people's Republic of China,

In 1979, he took part in the performance of "national celebration of the 30th anniversary of the founding of the people's Republic of China" in Beijing and won the performance award and Creation Award.

In 1994, he was awarded the "Chunyan Cup" outstanding actor award by China TV Artists Association for playing aobai in the TV play Emperor Kangxi

In 1999, Huang Kecheng, who played the leading role in the TV series Huang Kecheng, won the second prize of "flying sky Award"

In the movie big city 1990, the old captain won the government award

The TV series "Pingjiang uprising" and "Saixing" won provincial awards for their excellent performances, and won the title of the first top ten TV Artists in Hebei Province;

social activities

Interview with famous actor Tan Feiling

Hu Lili: you played many roles, such as aobai in Emperor Kangxi and Maqi in Emperor Yongzheng. You have played so many roles, which role do you think you like best?

Tan Feiling: Oh, I'm really ashamed. It's hard to say that the role played very well. I've been doing it all my life. From the age of 18 to 2014, there were about 40 dramas, more than 10 movies and 600 or 700 episodes of TV series. So I can't remember many names very well. So, as Yang county magistrate said yesterday, "I've seen Ma Qi who you used to play in the past." For many years, this is a character in Emperor Yongzheng. Since I was a child, I have loved the career I have been doing all the time, so I am very concerned about the arrival of each role, and I have tried my best to play him a little better, because the success of an actor and the success of a role can not be without the efforts of the actor himself, but it can not be completely dependent on the efforts of the actor, whether there are opportunities, opportunities, books or not At that time, I didn't like this taste, so I didn't care much about personal gains and losses and success or failure. I thought more about the process that I wanted me to create and shape my input and experience. A process of life, which is actually an experience of life, is the accumulation of wealth in one's life. In fact, his experience is that if he is a good man, he will repay the society and the people and live up to the people's upbringing. Since childhood, parents are the people.

Hu Lili: it's said that peers in the circle have such a title for you as "prolific laolaihong". Why do you think people give you such a title?

Tan Feiling: prolificacy seems to be barely possible, and it can be regarded as, because it's constantly filming. Laolaihong is not so good. It's still young, such as beautiful beauties and young men. It's a trend and a need of society. So I seldom accept the favor of some reporters. It's true and not used to it, because more time should be given to young people. We've all come to 2014. I hope my old age will soon be 70. We don't have retirement. As long as someone needs you, I'm filming every year.

Hu Lili: since 1959, you have been active on the stage of drama, and you didn't participate in a large number of film and television performances until you retired. Is that right?

Tan Feiling: No, no, I started to play drama in 55, and I went to Chongqing in 57. In the middle, I had a period of receiving (Education) and living and working with the people.

Hu Lili: experience life.

Tan Feiling: No, reform. Later, in 1960, he took off his hat and started acting again. The Cultural Revolution suffered a heavy blow, so I often live with people at the bottom. Back in 1978 after the complete rehabilitation, 1980 began to enter the film. First there were movies, then there were movies and TV dramas, and then there were TV dramas. The next step is to get involved in a movie.

Hu Lili: as you are on the screen, the good actors are good enough, and the bad actors are bad enough. Do you think this kind of performance skill is accumulated on the stage of drama?

Tan Feiling: I think it's the accumulation of life. For example, I was wronged and wronged in the past. I thought I was a very good person, not very capable person, and a very good person. But I was impacted by the history of the times, and I was killed several times, so I (almost) couldn't survive. Looking back at these things, they are all wealth, because when he tasted the warmth and coldness of life, he understood human feelings. Because actors, the most important thing we create is to shape this person, his heart, his world, his emotional life. A very rational person can't be an actor. So we need to have a lot of life knowledge, experience is not afraid of much, will not say, oh, I have too much knowledge, can't stand, useless, impossible, always need to continue to supplement your knowledge, your understanding of the society, your attention to the society, the feeling of the society, their understanding of the characters, events, interpersonal relationships, only dig very deep, the audience feel I think the audience thinks it's the same person. It's a hard road for us to go. To tell you the truth, it's not a star's road. I don't have the qualification to be a star. The first God didn't give me the qualification. When I was young, I was more limited in my youth, and I was knocked down. At that time, I couldn't be beautiful, I was dictatorship, and I was transformed. After the rehabilitation, he will be nearly 50 years old and over 40 years old. After more than 40 years, I can't follow a path that depends on the natural conditions of my parents. Without this capital, I can only rely on diligence, accumulation and shaping. So we don't always play myself. For example, there are many stars coming out. Ouch, Chow Yun fat, who is he, who is he in any play. The purpose of our play is to create this character. For example, you say Ma Qi, Bi Fang says that manager Sun Da, Bi Fang says that I have played some Kangxi, Qianlong, local ruffians, hooligans and bandits, as well as recorded in TV and movies. What do you rely on? It depends on the depth and breadth of your social life, and I think it's very interesting, so I don't regret not being a star.

Hu Lili: you seem to give us the feeling of special spirit. Compared with people of your age, you look very young. What do you think is your way to keep healthy?

Tan Feiling: Oh, well, I feel open-minded and open-minded. Don't be too happy when you get it, and don't be too painful when you lose it. Life is about to let you bear all these ups and downs. Life is not just about laughing. Why are people happy, angry, sad and happy? It's because life wants to make a person have all kinds of feelings. This kind of sensilla tube, right? But if you worry too much about your own success or failure, you will feel heavy, which is really short-lived, right. For example, when I am wronged, I often tell my friends, some young students and classmates that if there is no grievance in the world, what is the luck? Luck is about grievance, isn't it? Right? There must be a lot of disappointments, so our Chinese ancestors have made it very clear that "life is often eight or nine disappointments", right? You have to face this. You can't worry all day, you can't think all the good things. Our mouth is flat, that is, we often smile. We can turn up the moon and turn down the moon. We can turn up the moon and turn down the moon. That's the mean. We should live an impartial life. You see, I had to die several times and take away my life. I thought, I remember when I was in the cultural revolution, I said, I thought, I said, if there is no injustice, if there is no speculation, there is no such word. Later, if you think about it, who is Liu Shaoqi? He is such a good man. Isn't his suffering worse than mine! That's the president of the state. So, think about he long, these founding fathers, they all have such frustrations, misfortunes, accidents, and so on

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