Yu Peng

Yu Peng

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Yu Peng, associate professor of Law School of Shandong University of economics, master of law, visiting scholar of Law School of Boston University. The main research direction is litigation law and lawyer system. In recent years, he has participated in the compilation of two teaching guidance books, published more than ten academic papers in the review of the University of law, Journal of the National Academy of administration, legal daily and people's Court Daily, and participated in one national research project. Yu Peng, a professional artist and sculptor, was born in Zibo, Shandong Province in 1985. In 2008, he graduated from Hunan Normal University. After graduation, he was founded in Peng studio in 318 Art District of Beijing. He is professionally engaged in sculpture and painting. 2008 "Hunan outstanding graduates Exhibition" (Hunan), "Qi culture and Art Festival Art Exhibition" (Qilu Art Museum), "different art" contemporary artists joint exhibition (Beijing different space art museum), "Yuantai" artists joint exhibition (Beijing Slade Gallery), "the first youth art exhibition of Shandong Province" (Qilu Art Museum)

brief introduction

Yu Peng

, male, studying Chinese painting from Feng yinliang, Li Yinghu, Zhang wenshun, Wang Yinfu, Zhao Shusong and other teachers. Now specializing in traditional Chinese landscape painting, imitating the past and learning the present, taking the south from the north, regardless of school, solid learning, flexible pen, self style. His works have participated in the national provincial and municipal painting exhibitions for many times, and many of them have won prizes, or been collected by people at home and abroad, or used as the cover of publications. He is now a member of Shaanxi Artists Association, a member of Xi'an painting and Calligraphy Research Association of Jiusan Society, a member of Xi'an painting and calligraphy society, a vice president of Longchi painting and Calligraphy Academy, a director of Tongchuan Shenzhou painting and Calligraphy Research Association, and a director of Shaanxi painting and Calligraphy Research Institute.

Achievements in calligraphy and painting

He is a powerful Chinese landscape painter, a down-to-earth artist. He advocated the negation of negation from brushwork, ink method, image to artistic conception, and gradually realized the following aspects: copying shape, transforming shape, intangibility, helplessness, wonderful shape, mysterious shape, non mysterious shape, natural law, wonderful painting, virtual reality and common customs. works on display in commemoration of the 99th anniversary of the birth of Comrade Xi Zhongxun. the work won the excellent award of Spring Festival art exhibition of Shaanxi Art Association. the work won the excellent award of "Tianbao Cup" calligraphy and painting competition. his works were selected in the Tongchuan Federation of literary, art and art exhibition. the works were selected in the painting and calligraphy exhibition of Youren painting and calligraphy society and selected into the book exhibition. In 2012, Yu Peng became a contract artist of Zhaotai culture and joined the Chinese artists cloud copyright alliance.

Words of artists

Yu Peng, a famous Chinese character, was born in Qin Dynasty. But he was not Yu Youren's descendant. However, his father's early years of defending the country and fighting against the Japanese aggressors were also Yu Pengzhi's pride. when I first met Yu Peng, I felt extremely ordinary, not too tall, dressed casually, and not outstanding. It's just a grasshopper in Baqiao of Xi'an, the husband of a wife and the father of two children. But I'm surprised that Yu Peng, who is not a professional, paints landscapes in an orderly, vivid and extraordinary way, which is 100 times better than some people who claim to have graduated from the Academy of fine arts. the reality of Yu Peng's landscape paintings makes people feel immersive when they gamble. Whether it is gouge, Cun rub, dot, silk... The skill of painting is also amazing. The mountains and rocks, rivers, trees, flowers, birds, insects and fish in the painting are all vivid strokes. I wonder how Yu Peng, who has been engaged in catering for more than ten years, can cook such high-level landscape paintings? He was also surprised at how he got away from painting for so many years. One of his friends joked that he would feed hungry ghosts during the day and paint landscapes at night! Chang'an has been the capital of emperors since ancient times, and the ancient city at the foot of Qinling Mountains is now full of vitality. It can be said that it not only reproduces the glory of the Tang Dynasty, but also surpasses the flourishing age of the Tang Dynasty. Yu Pengsheng and Si are good at Si. Most of the landscapes in his paintings are typical northern landscapes. It is the vast, broad, powerful, profound and profound Qinling mountains that give him mountain like character and artistic aura. nature is uncanny, the landscape is ever-changing, strange and unpredictable. A person who has spent his whole life on painting may not be perfect. Yu Peng's character is lukewarm. The so-called temperless person has the stability and firmness of a mountain, and the burden of life can't bend his mountain like backbone. The lines of Yu Peng's landscape paintings are not rigid enough. They are more gentle and less severe. Yu Peng doesn't write poems, but he is familiar with some ancient poems and some friends' poems. But like Wang Wei, there are poems in his paintings and paintings in his poems. How difficult it is! the reason why Yu Peng paints mountains is that he has a mountain mind and is suddenly magnanimous. He himself is a mountain, a mountain with some silence. But silence is easy to return to stillness. If you want to draw, draw a violent fire and ignite the passion of life. This is art, and this is the power that shakes people's hearts. I hope Yu Peng is a volcano. It is because of the eruption that there is life. The hot magma of volcano is not the blood of life? "horizontal as the ridge side into a peak, far and near high and low are different. I don't know the true face of Lushan Mountain, only because I am in the mountain. (Su Shi's poem) "going into the circle of mountains, one mountain over another" (Yang Wanli's poem) I feel that Yu Peng is climbing a big mountain. The towering mountain peaks, the rugged mountain roads and the unfathomable Valley all made him worried, "From concrete realism to abstract freehand brushwork, he has gone through a difficult, perplexed, tortuous and perplexed journey. He sticks to himself in the exploration of the brush and ink language of landscape painting, seeks himself in the traditional Chinese spirit, enriches himself in the western culture, integrates himself into the vocabulary of the times, and finally finds himself in the boundless art world I found myself in the sea. " (mu Baoguo's analysis of Liang Zhenhua's landscape paintings) I hope Yu Peng can follow the path of Mr. Liang Zhenhua. I think: art is not a copy of life, it comes from life, but higher than life. In traditional Chinese landscape painting, some people say that "painting mountains is not like mountains, and painting water is not like water". Calligraphy also says that "spirit is the first, shape and quality is the second". I hope Yu Peng can think deeply. Yu Peng's landscape painting can't see his obvious painting language. On the whole, it's a bit flat and popular. I feel that it's better to put wonder in the flat. Yu Peng is in his prime, a period of absorbing nutrition, a mature period of painting and calligraphy, and a mature period of life art. after years of hard work, Yu Peng is now well-known in the circle, and his landscape paintings are getting better. However, the road of art is very long. It will take time to read thousands of books and travel thousands of miles to open up a place in the field of calligraphy and painting. "now one peak is at the foot, and one peak is on the top." (Zhao Lingwu's poem) although Yu Peng's landscape painting has reached a certain height, the so-called "mountains are not reserved, but the sky is high" and "infinite scenery is on the dangerous peak", the road to climb is still very long. There are not many good years in life, and time is precious. People should have pursuit and ambition, especially those engaged in painting and calligraphy. Life without goals is boring, boring and gloomy. "As a pengniao, you should take advantage of the south." to be a man is to be a dragon in the middle, to be a pine is to pull out 3000, and to be a pengniao is to soar. I believe that one day, this pengniao will have Danxia in its eyes, wind and thunder in its wings, and fly freely on the top of the mountain, not only art, but also life.

Exhibition of works

Yu Peng's works:

Chinese PinYin : Yu Peng