Wang Xiaozhong

Wang Xiaozhong

Wang Xiaozhong (May 29, 1928 - January 22, 2016), a famous film performance artist of the former Bayi film studio and Zhujiang film studio. Born in Shenyang on may 291928, he studied in the telecommunication specialty of "Fengtian Railway College" in 1942. In 1943, Wang Xiaozhong worked in Jinzhou Railway Bureau. After joining the army in 1949, Wang Xiaozhong entered the Harbin youth cadre training group of the Political Department of the Northeast military region. In the same year, Wang Xiaozhong joined the literary and art troupe of the Political Department of the Northeast military region, and later served as an actor in the anti enemy drama troupe of the Political Department of the Shenyang Military Region. He was also a member of the military literary and art troupe with the famous actors Wang Xingang, Zhang Liang, Tian Hua and Xing Jitian who later enjoyed a good reputation in the film industry.

He died in Guangzhou at 15:20 on January 22, 2016 at the age of 88.

Acting experience

Acting experience: his first film was "growing up in battle" by Bayi factory in 1956. It was from this film's debut that his role on the screen began to be shaped as a "villain" for more than 50 years. So, the chief of the enemy ship in Chifeng, the chief of the enemy staff in Shanghai, the puppet commander in attacking the aggressors, the rebels in the Hui people's detachment, the bandit battalion commander in breaking through the Wujiang River, the big golden tooth in riparian waves, and the bandit leader in the South China Sea Great Wall Of course, the most talked about role of Matsui, the Japanese devil in plain guerrillas, is Wang Xiaozhong's series of Japanese devil images, such as Nakamura, the director of ultra-high technology in radio wave that never dies, Yamada, the squadron in tunnel warfare, DOTA, the intelligence consultant in wild fire fighting against the ancient City, and later in the early 1980s The military police captain Sakata and so on in "an American pilot" of these famous films account for almost half of Wang Xiaozhong's roles in Japan. These Japanese devils belong to the same category, but their roles are different, because the Japanese devils are not only crafty agents, but also military officers. From the integration of the whole role, Wang Xiaozhong finds out the different performance areas in their respective roles. This is mainly due to his unforgettable experience of growing up in his youth.

Anecdotes of characters

Wang Xiaozhong, born in Northeast China on May 29, 1928 and raised in Shenyang, studied in Fengtian Railway College in 1942. At that time, teachers, wardens and other important positions were all Japanese. Although these veterans took off their military uniform, they stubbornly retained the arbitrariness, bigotry and rudeness peculiar to Japanese soldiers. For the students in school, these Japanese often punched, kicked and committed violent acts in teaching and judo training. This kind of class hatred and national hatred was deeply imprinted in Wang Xiaozhong's young heart. Therefore, after he became an artist, he became an artist When looking for the archetype and creative origin of the villain role of Japanese devils, these painful and humiliating experiences naturally appear in front of his eyes. Wang Xiaozhong makes a correct and appropriate reference from them, so as to run into the entry point consistent with the role, and make the past of his life useful life materials for him to shape the role. So that Wang Xiaozhong's Japanese devils, from the mind of the real people and things in the negative, and then combined with a large number of historical data, so that the audience will never forget. In 1957, when Wang Xiaozhong filmed "the radio wave that will never disappear", there was a scene in which he played Nakamura, the head of Japanese secret service, interrogated Li Xia, an underground spy who was arrested by means of "district blackout". He skillfully opened his fingers and insidiously said, "I'm old." This is what Wang Xiaozhong didn't write about in the script. Before that, he had contact with a friend of a telegraph operator who sent newspapers all day. He saw that the middle finger of his hand was flattened because he often pressed the key, which was different from the fingers of other people who didn't work in this job. He used such a proper action on the shooting scene to show that The cunning of the Japanese spy made the character of this villain appear immediately. Happy director Wang Ping rushed to Wang Xiaozhong's side and cheered. In 1961, in breakthrough Wujiang, Wang Xiaozhong proposed to Director Li Shutian and Li Ang that the enemy battalion commander should be treated as a "stutter" in order to be more different from the villain role he used to play in the past. His brother-in-law, who was a brigade commander, became the battalion commander to show his stupid, ignorant and arbitrary character. But how to stutter? What kind of "stutter" should I use? But Wang Xiaozhong was still muttering about the pronunciation of "stuttering". It happened that once when he was waiting for a bus in Beijing's Qianmen Dashilan, he met a stuttering man who came to him and asked him what bus to take and how to get to Wangfujing Department store. At first, he spoke fluently, but the key words were flushed with anxiety. However, the more anxious he was, the more he couldn't say them. Wang Xiaozhong seemed to find them all at once The inspiration of creation makes Mao Ze suddenly open. This is not the kind of "stuttering" that can not be seen all the time. It has the characteristics of language expression. So he followed this "stuttering" all the time. He not only enthusiastically showed him the way, but also took a bus to Wangfujing Department store. After "stuttering" got off, Wang Xiaozhong secretly followed him and walked into Wangfujing Department store Goods building, to carefully observe the "stuttering" behavior, every move. Therefore, in breaking through the Wujiang River, Wang Xiaozhong skillfully uses the observation and accumulation in his life to play the role of another villain. Wang Xiaozhong thinks that the most difficult point of villain role is that the script does not highlight the character of such a character, and there is little ink, and there is no coherent plot of the character. It is often just a facial annotation symbol, because a lot of ink should focus on the positive characters, heroes and main characters, and how the villain role should be played depends on himself To carefully peck mill, play acting skills, create a different villain role, not a thousand people on one side. Wang Xiaozhong, a famous film performance artist from Bayi film studio and Zhujiang film studio, died in Guangzhou at 15:20 on January 22, 2016 at the age of 88.

Main works

List of Wang Xiaozhong's films

1957: growing up in battle; 1958: never fading radio wave; 1959: Hui people's detachment, Chifeng, fighting in Shanghai; 1960: surprise attack; 1961: breaking through Wujiang River; 1962: prelude to eastward advance; 1963: angry tide, wild fire and spring breeze fighting against the ancient city; 1964: riparian waves; 1965: fighting against aggression He is an American pilot. He is an American pilot. In 1981, everyone is happy and Bi Sheng. In 1983, the impression in autumn. In 1984, Hai Rui scolded the emperor. In 1985, women's Rangers.

Character life

A new look of tunnel warfare

In 1965, Wang Xiaozhong, Zhang Yongshou, Liu Jiang and others participated in the performance of "tunnel war", which was originally a "military teaching film". However, considering the theme of the film content and the ornamental nature of the plot, we brainstormed and cooperated with Ren Xudong, the director who is good at making military science and education films. Based on our successful experience in shooting "mine war", we made a monotonous, boring and intangible film It is a kind of non story film with plot development, which is still widely influential in the Chinese film world and deeply loved and welcomed by the audience. This is a very useful exploration and attempt of "military teaching film" and "fighting feature film" in Bayi factory after "mine war" in 1962. at that time, the factory leaders did not agree to change the original film type. Because of the limited amount of funding, the film was still funded by the "military teaching film". The director insisted on the original intention. After the establishment of the production team, except that Wang Xiaozhong, Zhang Yongshou, Liu Jiang and Xie Wanhe were actors of Bayi factory, all the others borrowed actors from the Civil Engineering Corps of the engineering army, including the main actors Zhu Longguang and Liu Xiujie, The engineering troops not only contributed, but also invested a considerable part of the funds to ensure the smooth completion of the film. After the successful shooting of the film, the leaders of the film review immediately had a refreshing feeling. After the film was put on the market, it immediately produced a wide range of praise among the audience, and caused a huge sensation among the people. The number of copies and updates in that year ranked first among the similar feature films in the country. Although the title of the film still appears in the subtitle of "military teaching film", the complete and coherent plot of the film, the patriotism, national spirit and the integrity of the Chinese people are all inspiring and inspiring. at the end of the film, when the loud and passionate "tunnel war, tunnel war, buried thousands of Heroes..." In the theme song, Wang Xiaozhong plays captain Yamada of the Japanese devils, who runs wildly under the pursuit of our anti Japanese army and people. According to the director's imagination, Wang Xiaozhong is required to run fast on his horse, in a very deep tunnel dug in front of him, while waiting for the horse to jump, and at the same time, he is required to run from the army

Chinese PinYin : Wang Xiao Zhong